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Fantasy. Fiction. Science Fiction. Thriller. HTML:In this first novel of the Incarnations of Immortality, Piers Anthony combines a gripping story of romance and conflicting loyalties with a deeply moving examination of the meaning of life and death. This is a novel that will long linger in the reader's mind. Shooting Death was a mistake, as Zane soon discovered. For the man who killed the Incarnation of Death was immediately forced to assume the vacant position! Thereafter, he must speed over the world, riding his pale horse, and ending the lives of others. Zane was forced to accept his unwelcome task, despite the rules that seemed woefully unfair. But then he found himself being drawn into an evil plot of Satan. Already the prince of Evil was forging a trap in which Zane must act to destroy Luna, the woman he loved. He could see only one possible way to defeat the Father of Lies. It was unthinkable�??but he had no other solutio… (more)
User reviews
Zane is forced to become the new Death, inheriting the powers of his predecessor. Admittedly, this is not a terrible idea for a fantasy novel, and having been written in 1982, it predates Terry Pratchett’s Discworld ‘Death’ by a few years. But Pratchett is a much better writer than Anthony, both conceptually and stylistically. Anthony seems to throw in ideas as they come along, often leading to contradictions and non sequiturs. His mixture of magic and technology also seemed unnecessary, to say the least. I would have found the book more interesting if it was based in the ‘real’ world, without the magic. Anthony could still have made an exception for Death as anthropomorphic being, leading to a more coherent book. After all, the book does not really focus on the magic in the world; most of Death’s encounters are with very normal people in normal circumstances. Why Anthony needs to introduce flying carpets, dragons, etc. is beyond me.
On the other hand, I did find the use of the different Incarnations of Immortality absorbing. I also thought the introduction of a Christian eschatology interesting, but Anthony fumbles this, as much else, by being too much of a teller than a shower. Satan is extremely clichéd, which is not really a bad thing, but his interaction with Zane is predictable and somewhat boring. I also thought that Anthony’s handling of Zane’s relationship with the main love interest, Luna, could have been handled more interestingly. I liked the idea that Death goes on strike, refusing to reap Luna because Satan has cheated in order to get her to hell. That was fine. It was Anthony’s awkward style and leaps of logic that irritated me.
I realise that this was Anthony’s first real attempt at a more ‘serious’ book after the success he had with his Xanth series. And it is not utterly terrible. Death has a few interesting conversations with the dying, the most interesting being one with an atheist. To a degree, I wish that Anthony had added some humour to the book, as it seems that this is what Anthony is really best at. Anthony also has an incredibly long and tedious note at the end of the book. He relates his own experiences with mortality while writing the book, which is fine, but then goes into excruciating detail about his life, his children, fans, the writing process, and so on. It could easily have been cut to about five pages, instead of the 25 page monster that it ended up being.
So, I may be tempted to read some of Anthony’s humorous books, but I will be avoiding more of his Incarnation series.
The book starts out with the the
I loved the characters in this book. They were fantastic - fully alive and complicated. Their interactions were genuine and true to life. The world of OaPH is basically our world (from my opinion), but with magic included, as well as physical manifestations of Time, War, Fate, Death, Nature, as well as God and Satan. It all makes for very interesting interactions.
I looked into Mr. Anthony a slight bit, and can't believe how many books he has creditted to his name. I'll be the first to admit that he is no spring chicken, but he has got to have been churning them out about as quickly as, well, Terry Pratchett. His Xanth series is the only other series to even approach the Discworld series (Xanth has 31 books and counting, Pratchett must be up there somewhere, as well)! I like how simply his books are written. No big complicated sentences and paragraphs. No overly symbolic gestures. It's nice and simple, and easy to pick up. I don't feel overly daunted when I read it, but it's not complete fluff either.
This book would be appropriate for people from the age of about 13. There is mention of sex, and some sexual inuuendo, and the most graphic thing was that a lithe young woman walked into a room naked. Then she left. Not a lot of violence, but (obviously) a strong theme of death and dying. This book is NOT for people who have strong views on God and Satan and their relationship. If you are not willing to suspend belief to include religion, this book is not for you.
I can't wait to get my hands on the rest of this series. I fully enjoyed the first book and I am looking forward to finishing the tale, for surely it is not done here.
My feelings about these books haven’t changed since the first time I read them back in the 80s. They’re fun reads with interesting, if hokey, plots and an underlying message of truth, justice and the American Way, with the occasional dragon and love spell thrown in. Zane is a flawed man, but not entirely so and much like the rest of us, he does well under pressure and even has the occasional flash of brilliance. Excellent escapist fare.
Somehow, death isn't as scary a thought as it used to be.
I had bought the first six at a second hand sale, so I
On a Pale Horse is the first
The first half or so of the book follows Zane as he attempts to adjust to his new persona and slew of responsibilities. Although each encounter with his clients is different, a definite pattern is set up and generally nothing happens that is too terribly surprising. However, the second half of the book really picks up as some interesting twists and developments are thrown into the mix. Also included at the end is an "Author's Note" which I found to be quite delightful. On a Pale Horse is definitely a light and even humorous fantasy read, even while it addresses some weighty topics.
The book is a favorite among my friends, so I was more than happy to read it. Turned out it was rather enjoyable, too. Given its somewhat mediocre beginning (albeit it wasn't bad and I did enjoy it), I was pleasantly surprised how much I liked the book and the story by the end. I absolutely love the premise, but I don't think that the magic in the world really did much for me (though it was at times quite amusing, and certainly at times necessary). While I'm not in a huge rush to read the rest of the series (I've lots of other things I need to get through first), I definitely look forward to seeing where else Anthony takes his concept.
Experiments in Reading
I became so
(After I'd read a few of these I kept feeling a sens of deja vu on the later books).
Light reading - great for airplanes/trains/buses.
This is the story of a man who kills death and finds himself with the job. The first part of the story is all about this growth into the role and his understanding of the importance of Death. Then
It's interesting, the afterword by the author is fun, the concept of a world a little like ours where magic and technology co-habit and where magic is regarded as just another technology is fun, but it didn't quite truly work for me. If I had read it while younger I would have probably enjoyed it more, it gained a half-star for age.
Zane becomes Death. Luna becomes pivotal to the good of the world. They join together, not
Even knowing that there are more in this series to come, I was very happy with the way this chapter was able to wrap up Zane and Luna so neatly. I felt as though I was rewarded for finishing the first book in a series, and I often am left wanting closure at this point in a long story arch.
There were sentences in this work that I would have highlighted, if I were that type of reader. The writing is crystal clear, but still potent with beauty.