Burial Rites

by Hannah Kent

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Description

Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. . . . BURIAL RITES evokes a dramatic existence in a distant time and place --

Media reviews

One of the best “Scandinavian” crime novels I have read, Burial Rites is the work of an Australian who visited Iceland on a cultural exchange.
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The novel isn't seamless—Ms. Kent disrupts its rhythms by awkwardly switching between an omniscient narrator and Agnes's first-person point of view. But it convincingly animates Agnes, who feels "knifed to the hilt with fate," showing her headstrong humanity and heart-wrenching thirst for life.
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At one point she recalls seeing two icebergs grinding together off the northern shore, the friction from their exposed boulders causing gathered driftwood to go up in flames. At her best, Ms. Kent achieves a similar eerie force in this story of passion in a frozen place.
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There are other stylistic problems. Some dialogue that’s meant to seem elevated and of its time simply sounds unidiomatic: “I was worried of as much”; “The only recourse to her absolution would be through prayer.” There’s prefab phrasing — “my heart throbbed,” “she said
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breathlessly,” “overcome with relief” — and descriptive clichés, including a sky that’s “bright, bright blue, so bright you could weep.”
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A remarkable story of the last case of capital punishment recorded in Iceland, Burial Rites is the extraordinary debut novel by Australian author Hannah Kent.
Burial Rites is a debut of rare sophistication and beauty – a simple but moving story, meticulously researched and hauntingly told.
Although its setting — Iceland in 1829 — is strikingly unpromising, Hannah Kent’s Burial Rites is a remarkable achievement.
Amidst an agrarian existence of bleak deprivation, the stories, whether Biblical or other, that characters tell themselves in Burial Rites are the meat they feed off; small but compelling pleasures they allow themselves.
Hannah Kent has a fine turn of phrase. It is this, more than anything, that makes Agnes Magnusdottir, the central figure in her debut novel, both elusive and captivating.
A major two-book deal with Pan Macmillan and some heavyweight PR means that most will read about Kent’s work before they read the novel itself, a pressure this competent debut could do without. Having started life as a verse novel, Burial Rites still bulges at its seams, descriptive lyricism
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occasionally spilling over into excess.
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IT all started because she was a girl who had never seen snow. That lack, commonplace enough in an Australian childhood, took Hannah Kent to a desolate hillside in Iceland where, more than 170 years earlier, one woman's life came to a brutal end.
The author, who has researched with utmost scrupulousness this spare, disquieting first novel about the last execution to occur in Iceland, describes it as a “dark love letter” to the country. Dark it certainly is, with a sombre foreboding so thick it is almost tangible. ...Kent portrays the
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harsh existence of these rural, highly literate people with exactitude; and even the bleakness of Agnes’s end, its gut-churning fear, holds an exhilaration that borders on the sublime.
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Awards

Women's Prize for Fiction (Longlist — 2014)
Dublin Literary Award (Shortlist — 2015)
Davitt Award (Winner — Debut Novel — 2014)
Barry Award (Nominee — First Novel — 2014)
British Book Award (Shortlist — 2014)
Maine Readers' Choice Award (Longlist — 2014)
Guardian First Book Award (Shortlist — 2013)
Australian Book Industry Awards (Shortlist — Literary Fiction — 2014)
Nib Literary Award (Shortlist — 2013)
Voss Literary Prize (Shortlist — 2014)
The Indie Book Award (Winner — 2014)
Victorian Premier's Literary Award (Shortlist — Vance Palmer Prize for Fiction — 2014)
ALS Gold Medal (Shortlist — Shortlist — 2014)
Stella Prize (Shortlist — 2014)
LibraryReads (Monthly Pick — September 2013)

Language

Original publication date

2013-09-10
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