Library's review
This is the 15th book in the eternal 87th Precinct series of police procedurals, and for the first time we have a different format. Rather than a single narrative throughout the book, this is a collection of three short stories, unrelated except for what's alluded to in the title: They all take
The city doesn't seem to be itself in the very early hours of the morning. She is a woman, of course, and time will never change that. ... In the empty hours she sleeps, and she does not seem to be herself. She sleeps silently, this city. Oh, an eye open in the buildings of the night here and there, winking on, off again, silence. She rests. In sleep we do not recognize her. Her sleep is not like death, for we can hear and sense the murmur of life beneath the warm bedclothes. But she is a strange woman whom we have known intimately, loved passionately, and now she curls into an unresponsive ball beneath the sheets, and our hand is on her rich hip. We can feel life there, but we do not know her. She is faceless and featureless in the dark. She could be any city, any woman, anywhere. We touch her uncertainly. She has pulled the black nightgown of early morning around her, and we do not know her. She is a stranger, and her eyes are closed.
Notwithstanding those poetic musings, the first story is a straightforward police procedural. A young woman is found dead, and as the detectives of the 87th Precinct investigate they find that many things are not what they seem. I sussed out the twist pretty quickly, but I don't think McBain necessarily meant it to be a huge surprise. And because it's a short story, there is no endless stretch where the reader is screaming the obvious solution at the page, wondering how these smart, professional men — Cotton Hawes and Steve Carella take the lead on this one — can be so dang dumb. That was refreshing.
The second story, J, also begins with a murder. A rabbi has been stabbed to death, and painted on the wall next to him is a single letter, J. Obviously it refers to his religion and indicates an anti-Semite killer — or does it? Investigating are Carella and the precinct's lone Jewish detective, Meyer Meyer, who finds the murder calling into question his own identity as a Jew.
The final story, Storm, breaks all the rules for this series. It's set outside the bounds of the 87th Precinct — outside, in fact, the entire fictional city that is a stand-in for New York City. Cotton Hawes takes a new girlfriend on a skiing trip upstate. They get there just ahead of a blizzard that closes all the roads and means that whoever is killing the ski instructors is somewhere nearby. It was a good mystery and I enjoyed getting to know Cotton better, but it just didn't feel right without the big-city ambience filling the background.
I suppose it's to be expected that if you're going to keep a series fresh through 55 (!) books you need to shake up the formula once in a while. McBain does just that with The Empty Hours, and it's left me eager to dig in to the next one soon.
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place (or at least key events do) in the small hours of the morning. As McBain describes them in the first story, which shares the title of the volume:The city doesn't seem to be itself in the very early hours of the morning. She is a woman, of course, and time will never change that. ... In the empty hours she sleeps, and she does not seem to be herself. She sleeps silently, this city. Oh, an eye open in the buildings of the night here and there, winking on, off again, silence. She rests. In sleep we do not recognize her. Her sleep is not like death, for we can hear and sense the murmur of life beneath the warm bedclothes. But she is a strange woman whom we have known intimately, loved passionately, and now she curls into an unresponsive ball beneath the sheets, and our hand is on her rich hip. We can feel life there, but we do not know her. She is faceless and featureless in the dark. She could be any city, any woman, anywhere. We touch her uncertainly. She has pulled the black nightgown of early morning around her, and we do not know her. She is a stranger, and her eyes are closed.
Notwithstanding those poetic musings, the first story is a straightforward police procedural. A young woman is found dead, and as the detectives of the 87th Precinct investigate they find that many things are not what they seem. I sussed out the twist pretty quickly, but I don't think McBain necessarily meant it to be a huge surprise. And because it's a short story, there is no endless stretch where the reader is screaming the obvious solution at the page, wondering how these smart, professional men — Cotton Hawes and Steve Carella take the lead on this one — can be so dang dumb. That was refreshing.
The second story, J, also begins with a murder. A rabbi has been stabbed to death, and painted on the wall next to him is a single letter, J. Obviously it refers to his religion and indicates an anti-Semite killer — or does it? Investigating are Carella and the precinct's lone Jewish detective, Meyer Meyer, who finds the murder calling into question his own identity as a Jew.
The final story, Storm, breaks all the rules for this series. It's set outside the bounds of the 87th Precinct — outside, in fact, the entire fictional city that is a stand-in for New York City. Cotton Hawes takes a new girlfriend on a skiing trip upstate. They get there just ahead of a blizzard that closes all the roads and means that whoever is killing the ski instructors is somewhere nearby. It was a good mystery and I enjoyed getting to know Cotton better, but it just didn't feel right without the big-city ambience filling the background.
I suppose it's to be expected that if you're going to keep a series fresh through 55 (!) books you need to shake up the formula once in a while. McBain does just that with The Empty Hours, and it's left me eager to dig in to the next one soon.
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Description
Three nerve-racking stories from bestselling author Ed McBain put detectives from the 87th Precinct on the trail of different killers who take the lives of a rich woman, a rabbi, and a ski instructor. "McBain forces us to think twice about every character we meet...even those we thought we already knew." --New York Times Book Review "Imagine your favorite Law & Order cast solving fresh mysteries into infinity, with no re-runs, and you have some sense of McBain's grand, ongoing accomplishment." --Entertainment Weekly
Language
Original language
English
Original publication date
1962