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"In the hallowed halls of Oxford's Merlin College, the most talented--and highest born--sons of the Kingdom of Britain are taught the intricacies of magickal theory. But what dazzles can also destroy, as Gray Marshall is about to discover... Gray's deep talent for magick has won him a place at Merlin College. But when he accompanies four fellow students on a mysterious midnight errand that ends in disaster and death, he is sent away in disgrace--and without a trace of his power. He must spend the summer under the watchful eye of his domineering professor, Appius Callender, working in the gardens of Callender's country estate and hoping to recover his abilities. And it is there, toiling away on a summer afternoon, that he meets the professor's daughter. Even though she has no talent of her own, Sophie Callender longs to be educated in the lore of magick. Her father has kept her isolated at the estate and forbidden her interest; everyone knows that teaching arcane magickal theory to women is the height of impropriety. But against her father's wishes, Sophie has studied his ancient volumes on the subject. And in the tall, stammering, yet oddly charming Gray, she finally finds someone who encourages her interest and awakens new ideas and feelings. Sophie and Gray's meeting touches off a series of events that begins to unravel secrets about each of them. And after the king's closest advisor pays the professor a closed-door visit, they begin to wonder if what Gray witnessed in Oxford might be even more sinister than it seemed. They are determined to find out, no matter the cost.."--… (more)
User reviews
It took me about 50 pages to start getting into the book, but it's well worth that investment. The writing style is beautiful, and once I adjusted to it, I just flew through the
I loved it, and found it very difficult to put down; it even kept me up a couple of nights longer than I ought to have allowed it to. That's pretty rare for me
I loved the richness of the characters. Even fairly minor ones clearly had their own agency- their own plans, reactions, and thoughts. None were just cogs in the plot machine.
And that is somewhat amazing, because the plot is intricate indeed, even including vital aspects that depend on who knew what and when.
Highly recommended for anyone who likes alternative history with magic- in a vaguely Regency Britain without Napoleon-- and complex characters and plotting. I am eagerly anticipating receiving the second book in the series!
Meanwhile, at Oxford's Merlin College for those that are magically inclined, student Gray Marshall finds
The Midnight Queen was a good story, but had a slow start that I didn't see where it was going until about a third of the way in; after that this book was everything that I love. I think it would have helped if the prologue was the escaped Queen's story rather than Gray getting into a fight. Anyway, I love that it was set in an alternate England where some people had a talent for magic and where a King Henry XII existed. I ended up loving Gray and Sophie, but it took a while. They are both a little strange, but that just makes them perfect for one another. Sophie also ended up being a stronger character than I thought, so it wasn't just a story of a rescued girl, but a girl helping to rescue herself. The intrigue in the story grows once all the plot points are set out and schemes are set into motion, then there is a good story of trying to prevent a murder, a lost princess and magic being found.
This book was received for free in return for an honest review.
Here he meets Sophie Callender, the Professor's middle daughter. She is enamored of magic, though she's known her whole life she is talentless. Taking pity on this downcast student of her father's, she befriends him. Their friendship allows both to blossom: Gray tutoring Sophie in Magical Theory and growing into the man he should be under her regard.
Circumstances conspire to overtake them as the Professor is involved with a plot concerning the British Royal Family. Taking Sophie's younger sister and their guardian along, they flee for England ahead of pursuit. On the journey, Sophie's natural talent finally manifests itself and another great secret is uncovered. In London, Gray and Sophie make allies and grow in both talent and love. But will they be able to save the King and be together?
I absolutely loved this book. Every time I had to put it down, I looked forward to picking it up again. Set in an alternate history Regency period where things happened considerably differently - Roman gods are worshipped, for example. This reads a great deal like Dickens with magic. A truly fantastic debut, any fan of Mary Robinette Kowal and her Glamourist History series would enjoy this book.
Sophie was always told that she has no magical ability. Then one day she gets very angry and her magic just busts out (thankfully only Amelia was home and not the Professor). Turns out that someone had spelled the house and property with an interdiction spell (put a damper on her magic). That is why Grey was unable to do big magic (only little magic like lighting candles could be done). Sophie (who turns out to have strong magical abilities—even stronger than Gray) finds out from Mrs. Wallis (the housekeeper/cook and so much more) that there is something Sophie does not know (it’s big). Professor Callender is not her biological father (there is more). Sophie’s mother was a queen (I bet you can guess what kind). Sophie, Gray, Mrs. Wallis, and Joanna (Sophie’s little sister) all flee during the night to escape from Professor Callender (he will not handle Sophie finding out about her magic very well). They set out for England. They know the Professor is up to something nefarious and they are going to put a stop to it. Sophie needs to learn to control her magic as well. Can the four of them stop the Professor from trying to kill the head of Merlin College? What else is he planning and who are his co-conspirators besides Viscount Carteret (because Professor Callender cannot be the mastermind)?
I found The Midnight Queen to be a very slow paced book (slower than snails). I did not think this book would ever end (I may have skimmed a little). I give it 2.5 out of 5 stars. I like the idea, but not the final book. It just goes too slow and it is very confusing. The writing is awkward and stilted. The book does not flow easily (makes it hard to read). My favorite character was Joanna, Sophie’s little sister (she was lively and entertaining).
I received a complimentary copy of The Midnight Queen from NetGalley in exchange for an honest review. The review and opinions expressed are strictly my own.
When things go wrong on the Professor's errand, Gray finds himself spelled and in a box room where he overhears the Professor and another man plotting to commit murder. He also finds himself accused of the death of one of the other young men sent on the errand. The Professor brings Gray to his estate in Breizh where he treats Gray like a servant. Gray does meet Callender's three daughters. Amelia is the oldest and is a brainless ninny who runs the household. Sophie is the middle daughter who has been sneaking around trying to teach herself magic by reading her father's books. The youngest daughter is fourteen-year-old Joanna.
When Gray finds Sophie trying to learn magic, he offers to teach her. A friendship is formed between the two of them as are the seeds of a romance. Although her father has insisted the neither she nor her sisters have any magic, Sophie can do things. After one explosion of temper, Sophie's magic breaks out. That and further information about the conspiracy to kill the king, forces Gray and Sophie to flee to try to find a way to protect the king. The Callender's housekeeper Mrs. Wallis and Joanna flee with them and Sophie learns a surprising secret about herself.
Despite Gray's estrangement from his family, he can depend and his sister Jenny who has married a noble from Breizh. Together with Gray's former tutor Master Alcuin, the group tries to find a way to save the king, uncover the plot and plotters, and keep Sophie safe from Professor Callender.
The story is exciting and engaging and the romance is well-done. I enjoyed this story very much.
There's good forgetting, where I sink into a book as a kind of fever dream, like the last half of The Last Unicorn, and then delightedly get to read it again without recalling the ending, but this was bad forgetting, where the plot and characters were so grey and lackluster that no amount of mental effort could bring them to mind again. I should just read something else instead. Perhaps it was too much of a romance novel for me? I can't remember!
(Note: 5 stars = amazing, wonderful, 4 = very good book, 3 = decent read, 2 = disappointing, 1 = awful, just awful. I'm fairly good at picking for myself so end up with a lot of 4s). (less)
Slow-burn romance and really nifty alternate history world-building with Britain still worshiping Roman, Breton, and Celtic gods.
Already
I really wanted to like this book and I gave it a good bit of way into it before I officially DNF'd it due to lack of anything remotely interesting happening.
Everything was flat, monotone, and lacked any vibrancy. The situation of a midnight rendevous that goes wrong and the common (re:
I really, really, really wanted this to be a good book but it was just so flat that I couldn't bring myself to read the whole thing.
**All thoughts and opinions are my own.**
I
I'm pretty sure this is meant to be a
Still, it was an enjoyable read and I'd recommend it to anyone with an affinity to fairy tales.
First, the world-building: an alternative England, feels like Regency Era maybe, where Roman and Celtics gods are worshipped and magic is enough of a force that there is a whole school of Oxford dedicated to it. This is a really fun and creative alternative history!
Then,
Graham Marshall – Gray to family and
Even though he was told none of the Callendar girls were born with any magical talent, Gray senses something strange about Sophie. Because proper women studying magical theory is considered scandalous in their society, Sophie has been secretly learning it herself from the books in her father’s library. She’s delighted to meet Gray, finding him very different from the pretentious and foppish young men her father usually invites home from the college, and is grateful when he offers to fill in the gaps in her knowledge. The two of them strike up a friendship, and so when astounding revelations are revealed about Sophie’s past, Gray is wrapped up in the whirlwind of events. And here he was, thinking his life was complicated!
From page one, I was drawn in by the gorgeous writing. Admittedly, it can be somewhat difficult to get used to. Clunky and awkward in some places, it’s not exactly what I would call easy on the eyes, with a style and tone suited to the historical era. But it’s extremely effective when it comes to setting the mood, and once you adapt to it, the reading goes much faster and smoother.
The novel’s greatest strength is the characterization. Gray and Sophie take center stage, and the whole book is told through their perspectives, which alternate back and forth – a lot. Again, it can be distracting, at least initially. The author jumps between Sophie and Gray whenever it suits her, so that sometimes you can get a few paragraphs of Gray’s point of view and then abruptly we would switch to Sophie as she picks up the narrative. Regular readers of romance are probably used to this, but it was something else I had to adjust to at the beginning.
After getting the hang of things, it was easier for me to simply sit back and soak in the story. It bears emphasizing again that the characters are just great in this; because the relationship between Gray and Sophie are so integral to the story, it makes sense to establish and build upon them early, and that’s what we get here. Before Gray and Sophie can get to know each other intimately, the reader has to get to know them as individuals, which makes their eventual coming together that much more satisfying. As I mentioned before, theirs is a slow-burn romance (the kind where everyone around them can see what’s going on before the two can even admit it to themselves) so if you’re looking for instant gratification, this is not the book you’re looking for. We’re also not talking fiery passion or red hot love scenes here, keeping things clean and proper with good manners!
The heavy focus on G+S notwithstanding, that’s not to say the other characters were forgotten or underdeveloped. In fact, my favorite character was a supporting character, Joanna Callendar, who probably has more personality in her little finger than her sister Sophie had in her whole body. Sad to say, as much as I liked Sophie, she was an idealized character, a special snowflake that came across just a little too perfect in a lot of ways, and that makes her less interesting than the spunky, lippy and slightly insolent Joanna.
By the same token, plot is probably not this novel’s strong suit. A lost princess, a prophecy foretelling the return of “The One” and the pivotal role they play in the fate of a monarch and the kingdom...it’s a little clichéd, perhaps, but it’s also not a negative if you go in knowing what to expect. This book is obviously more interested in telling Gray and Sophie’s story, it makes its intention loud and clear right from the start, and so a lighter, less original plot is something I could overlook.
Bottom line: The Midnight Queen is a very beautiful, very atmospheric novel about young love, slow-going at times, making it feel like very little happens while the author develops the two characters. You can probably predict the outcome of the story with no effort at all, but the emotional payoff is worth it if you stick around and give the book a chance to let Gray and Sophie to resolve their feelings for each other. Recommended for fantasy lovers who want romance, but who also won’t mind the slower, sweet-and-tender but also more subtle approach.
Overall this was a well written historical fantasy with strong and likable characters and an enchanting plot. Solid 4 stars.