Status
Call number
Series
Genres
Collections
Publication
Description
"Baru Cormorant believes any price is worth paying to liberate her people--even her soul. When the Empire of Masks conquers her island home, overwrites her culture, criminalizes her customs, and murders one of her fathers, Baru vows to swallow her hate, join the Empire's civil service, and claw her way high enough to set her people free. Sent as an Imperial agent to distant Aurdwynn, another conquered country, Baru discovers it's on the brink of rebellion. Drawn by the intriguing duchess Tain Hu into a circle of seditious dukes, Baru may be able to use her position to help. As she pursues a precarious balance between the rebels and a shadowy cabal within the Empire, she orchestrates a do-or-die gambit with freedom as the prize. But the cost of winning the long game of saving her people may be far greater than Baru imagines"--… (more)
User reviews
From an early age, Baru represses her own sexuality. She represses much of her compassion and humanity as well. Her private obsession is infiltrating the Masquerade and reclaiming her home. When the Mask recognizes her brilliance and schools her, she thinks her future is set, and then she graduates and is sent to play accountant in a backwards, rebellion-riddled realm...
I can't do justice to how intense and vicious this book is. It shows how money makes a kingdom, how food and disease are the worst enemy of any army, and how far a person will go as they play the long game. The ending of this could teach GRRM a thing or to. It's utterly heartbreaking and horrible, yet so in keeping with Baru. It's a credit to Dickinson that she's a highly relatable character in spite of her cold calculation.
I wanted to love this book, and I would say I merely liked it a lot, which is unfair, as it is very good. Part of the problem is one of perspective: I feel like there are times where we are told that Baru is a certain way, rather than feel it ourselves, but part of this problem is by design, I think, as Baru does not always have much access to her own feelings. It's an amibitious novel, taking in Baru's early childhood, as her "native" way of life is dismantled through foreign education; her posting as Imperial Accountant to the distant province of Aurdwynn (like her homeland, a nation absorbed into the Masquerade), where she begins to trace a rebellion in the ledgers; and what comes after that, which I'm loathe to give away because part of the joy of this book was that it didn't quite follow the path that I had imagined. Baru is climbing toward power, yes, but not always in the way you might anticipate.
This is a book about the tools of empire: of politics, and economics, and culture. The functioning of the Masquerade is where the book always rang the most true-- the Masquerade is cunning, and it pulls apart the cultures of those it encounters. But it doesn't quite chew them up and spit them out; rather, those cultures adapt to the Masquerade in the ways that they can, some of which the Masquerade approves of, some of which it suppresses, and some of which it tolerates out of necessity. It is evil, but it is not Evil. This is the kind of sophisticated empire that operates in the real world, not the fantasy version of millions of orcs/stormtroopers/demons/clones marching across the landscape. Though it has a military, its tools are more varied than that.
The sense of history is always strong here, too, almost too strong as I sometimes got lost. But these nations aren't monolithic; they're all made up of different cultures and different ethnic groups and different races, and different characters have different attitudes to those histories. All of these things impact the attitudes and events of the present.
I liked the characters a lot, too; these are sharply drawn people in the midst of all this politicking. It would surprise no one who knows me that my favorite from Muire Lo, the assistant to the Imperial Accountant, an efficient, thoughtful, long-suffering informant. But he is one of many who move through this complicated world.
The end-- not to give too much away, I hope-- is painful, as it reshapes much of what you have seen before and it brings Baru's character into a sharper focus. Seriously, it's painful. I'm pretty sure there's a sequel coming, and I really want to read it, but part of me wishes there wasn't because what an ending this would be if there wasn't.
Empire is terrifying.
Still giving it a 4 or 4.5, because it did bog down a bit. Oddly enough, it was in discussing battle tactics, not economics (which is not the complaint I've seen most reviewers make).
I didn't always read as closely as I should have, but Dickinson was good enough to just point out later what I'd missed, and not to emphasize it too much at the time. This held through the book, which was *awesome*.
Baru isn't necessarily an unreliable narrator, but she's a chessmaster playing amongst other chessmasters, so she doesn't always come to the correct conclusion when reading a situation. Since she is a sympathetic protagonist, I'm okay with this (for example, I'm *not* okay with Cersei's POV in a Feast for Crows. I actually had to force my way through her chapters. This is absolutely a question of preference).
In fact, it was usually really cool when she would be schooled, because she's still not stupid! She would immediately spell out what the problem was, and continue in her new, more difficult situation.
This is definitely a slow burn kind of book. Intrigue upon intrigue, and everybody making guesses at motivation. I don't think that it really got into the nitty-gritty of accounting, since I could follow along, but it was enough scale that I was happy.
Baru Cormorant is from the island of Taranoke, which has caught the eye of the Empire of Masks (or the Masquerade as it is called derogatorily). The Masquerade doesn’t do anything as overt as actually invading, though – their strategy is much more subtle, starting with getting the Taranoki dependent on their trade, “helping” with Taranoki defense, and opening schools, and before you know it, half of Taranoke is dead from a plague and most of the customs Baru grew up with are declared anathema. Baru recognizes how helpless she and her people are, and resolves to help her people the only way she can think of – by destroying the Masquerade from the inside. She knows her first assignment is a test, though – to subdue the harsh and rebellious country of Aurdwynn, which has always destroyed those who have tried to rule it.
There are so many ways this book could have been done wrong – the trope of “the road to hell is paved with good intentions” has been done a lot, and it is hard to sympathize with anything that helps an Evil Empire (and the Empire is definitely Evil – eugenics, cultural superiority, no regard for human life, strict laws on sexual preferences). But Baru is a tremendously compelling character,; she haunted me for weeks after I finished this book. She really wants to be ruthless in her quest for vengeance, and she usually succeeds, but no matter how many atrocities she causes, you can’t help but rejoice at her successes. You see how much she suffers with every betrayal and watch her pull herself back together through sheer force of will, and it’s as beautiful as it is terrible. The Masquerade has shaped Baru for longer than her family of “a huntress and a blacksmith and a shield-bearer” has, and even if it kills her, she must work for it to eventually be able to work against it.
Everything else about the book is extraordinary too – the supporting characters (especially the enigmatic Duchess Tain Hu), the settings (complex and organic cultures, but no stereotypes), the plot (the loans and futures trading are fascinating, but there’s a lot more to it too) – but Baru steals the show, as is apropos of book’s title. I absolutely cannot wait for the next book.
Throughout the book Baru is forced to choose between rebelling against the empire or assisting it. Between freedom from the empire's behavioral conditioning, eugenics, germ warfare (and also dentistry, roads, clean water) and becoming part of the empire in attempt to change it from within. It's a hard decision, one Baru is forced to make repeatedly, and each choice is just a little different and more difficult than the last. Coupled with the fantastic world building and intrigues and battles written better than I've ever read anywhere, this is a scarily entrancing book.
I would have rated this even higher except the last few pages point to a sequel, and I really wanted this story to stand on its own.
I loved the scope, the detail and the writing but I felt quite distanced from the characters emotionally throughout. Part of this may be deliberate - Baru herself is an emotionally quiet character - perhaps by necessity because of the role she has to play or just because that's who she is, I wasn't sure. But it meant that certain scenes lost some of their impact.
This is the first in a series and I will be interested to see where the series goes.
I look forward to seeing more work from this writer, the book shows a lot of promise, and I am sure he will only improve as he produces more work.
I've never been a huge fan of accounting; it never captured my imagination. Really, I can't even be bothered to balance a
'The Traitor Baru Cormorant' (known just as 'The Traitor' in the UK) introduces us to the character of Baru Cormorant. When she's just a girl, her homeland is colonized by The Empire of Masks, known colloquially as 'The Masquerade.' While the new rulers of her nation bring technological innovation and luxuries, they also bring the double-edged sword of education, previously-unknown diseases, and cultural beliefs that directly oppose the way of life her people have always known (not to mention who Baru is, as a lesbian). Soon, Baru sees her family torn apart and the home she loves disappearing.
In a Masquerade boarding school, Baru applies herself to her education with a will. Soon, she's an up-and-coming star: a model student, picked out to be a shining example of the success of assimilated citizens from the Empire's hinterlands. Baru never speaks of her secret desire to change the Empire from within and to somehow be the agent that saves her country.
But when she receives a government assignment to another far-off territory of the Empire rather than its capital, her dream seems further out of reach than ever. When she discovers that her new posting is a place that prides itself on its inability to be ruled, and that rebellion and revolution are bubbling close to the surface, difficult choices await her - and will test all of her loyalties. Through it all, Baru will wear the mask she has learned to don.
The character of Baru, the interpersonal relationships described, and the political situations drawn here are all complex and nuanced. The author avoids being 'preachy' at any point in the book, instead letting events as they unfold speak for themselves.
Definitely one of the best books I've read this year.
I'd like to read the sequel when it comes out.
Really enjoyed this book. Instead of evil empire, we have a terribly effective empire...and it is a much more frightening thing to behold. Read it. You'll understand why.
A powerful read in any case.
Cons: not sure the rebel dukes gave their plans proper consideration
Daughter of a huntress, and a blacksmith, and a shield-bearer, Baru Cormorant grew up in Taranoke. Her world changes when
Before you start reading the book you’re greeted by a map. After a quick cursory glance I turned the page. Maps are common in fantasy books and this one wasn’t that detailed or complex. But something had caught my eye so I turned back and examined the map in more detail. It’s a map of Aurdwynn, showing the duchies and - more interestingly - Baru’s comments on the various dukes and what each duchy is known for. There aren’t many comments, but the sheer honesty they portray is refreshing and drew me into the story before it had even begun. Through the map we learn that the people of Oathsfire have awful beards, Radaszic is a complete moron, and Erebog is probably going to starve. It’s a clever and fun map that peaked my interest.
The novel starts with Baru’s childhood and education before heading to Aurdwynn where the rest of the book takes place. This is a book driven by Baru’s character and her attempts to understand, control, and outmaneuver the dukes as she tries to organize the country’s finances while rooting out rebellion. While there is some fighting, most of the book is concerned with political and economic intrigue.
Baru’s a wiz at economics and seeing the big picture of cause and effect. Where she falters is in recognizing that individual people have the ability to cause change outside of the larger picture, meaning she sometimes gets blindsided by not taking individual passions and choices into consideration. It’s a wonderfully tense book with a protagonist who’s always thinking so many moves ahead you’re struggling to understand her current plays. At one point I had to reread a conversation to figure out what she’d read between the lines during it, in order to understand why she was doing certain things. It’s a book that will keep you on your toes, second guessing her and everyone else’s motives.
I’ve never read a book that goes over, however briefly, the conquest of a country, so I really appreciated the point of view. It’s both fascinating and horrifying, how - and how quickly - the Empire gained power in Taranoke.
After thinking about the book for a few days I find myself wondering how much the rebel dukes considered their plans. They end up making at least once decision that seems to go against their individual interests. A decision I’m not sure they’d be willing to make as it reduces their own power.
I’m not sure I agree with one aspect of the ending, but I really enjoyed the book. I had to read it quickly, but I’d advise taking time to really think about what’s going on - to appreciate the decisions Baru makes and the circumstances she finds herself in. It’s a fascinating read and I cannot wait to see what happens next.
This starts off with what feels a little too much like an Evils of Colonialism 101 lecture, but fortunately it gets much more complex and nuanced as it goes on. The world building is good, and I give it a lot of points for telling a story about war without focusing too much on tedious blow-by-blow battles, but rather taking in the big picture, including the oft-neglected economic factors. I will admit that, for much of the novel, I had a little difficulty fully immersing myself in it, but on reflection, I don't think that the story's fault at all. I think it's just that it features lots of political intrigue, and reality is giving me more of that than I can handle at the moment, which makes it harder for me to enjoy it in fiction. The moments that pack an emotional punch still really worked for me, regardless.
Baru is sent to another conquered country as the imperial
Then the end reveals that she is an imperial agent all along. She becomes the queen of the colony on behalf of the empire on the promise of becoming part of the secret committee behind the imperial throne.
The revelation of Baru as an imperial agent is predictable. The whole setup is too much the product of the-government-is-playing-five-dimensional-chess. It's the same conceit as the movie Inception, but the book doesn't have a visual aspect or good actors to save it from the rotting core.
Once you actually finish the book and think a bit, the many weaknesses become apparent. One of the main premises of the book is based on coincidence,
The pacing and story telling is fabulous. Minus one star for sketchy characterizations, way too much didactic plotting and world building I had to struggle to suspend disbelief sufficiently to stay in the moment.
But I didn't love this book.
It was too depressing, bleak, and I never really liked any of