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Fantasy. Young Adult Fiction. HTML: Son of the Shadows is the sequel to Juliet Marillier's evocative first novel Daughter of the Forest. It continues the saga of beautiful Sorcha, the courageous young woman who risked all to save her family from a wicked curse and whose love shattered generations of hate and bridged two cultures. It is from her sacrifice that her brothers were brought home to Sevenwaters and her life has known much joy. But not all the brothers were able to escape the spell that transformed them into swans, and those who did were all more�??and less�??than they were before the change. It is left to Sorcha's daughter Liadan who will take up the tale that the Sevenwaters clan is destined to fulfill. Beloved child, dutiful daughter, she embarks on a journey that opens her eyes to the wonders of the world around her...and shows her just how hard-won was the peace that she has known all her life. Liadan will need all of her courage to help save her family, for there are forces far darker than anyone chould have guessed and ancient powers conspiring to destroy this family's peace�??and their world. And she will need the strength to stand up to those she loves best, for in the finding of her own true love, Liadan's course may doom them all...or be their salvation. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) appl… (more)
User reviews
I think this is the weakest of the trilogy because the plot just doesn't seem as well planned and sometimes the characters are a little unrealistic. Liadan's male relations would not just quietly acquiesce when she comes home pregnant and unwed; her father wouldn't just swallow hard and say, "all right, Liadan, if that's what you want. You can always make your own choices." It's just a bit too sugary sweet. Also, I found the Painted Man's supposedly ferocious band of hardened warriors just a little too susceptible to Liadan's storytelling and sassy ways.
Despite these shortcomings, there are some things I really like about this installment. Marillier deals with abuse and its aftermath for both an abused wife and a mistreated child. Its effects are lifelong and chilling.
I also really liked to see a mortal working against the Fair Folk and changing her own destiny. In this story it becomes a bit clearer that the gods and goddesses certainly work their will in human events, but people are not just their pawns and can change the entire story if they dare. At one point the Bright One is frustrated "that so much should depend on them." It's a very different dynamic from that in Daughter of the Forest, where the purposes of the Fair Folk and the heroine are the same.
Again, there are some explicit scenes in addition to the heavier themes of abuse and desire, and I would not recommend the series to young readers. But older readers will enjoy the complex family saga that continues in this novel, and there is something about the series that compels you to keep reading.
Juliet Marillier draws on the history of the Celts and using their legends and traditions, develops a magical, romantic story of Liadan and Bran, the Painted Man. With dark forces and ancient powers circling ever closer, Liadan comes into her full power to ensure the safely of her family and loved ones.
A beautifully written historical fantasy that was a very satisfactory read. Most of the immediate story plots were attended to, but of course this is only book two of a five book series, so not everything has been brought to a conclusion. I am looking forward to continuing this saga, and finding out what happens next.
It's strange, though: some of my favorite things about the book are also some of my complaints. So I'm just going to get right into it. And, um, there will be slight spoilers.
I liked the way Son of the Shadows expanded the mythology of Sevenwaters (and Ireland) by incorporating the Old Ones and giving the fey a run for their money. They were an interesting element, and I really liked it. They world and mythology was also expanded in that there are characters from around the world. The Painted Men were fascinating, and going behind the scenes with the "bad guys" and feeling pity for them, sometimes even rooting for them - it was interesting, because it was hard to know where to lay your allegiance. (Which I think was a good thing, because it puts you more in Liadan's mind, who is having a similar problem.)
But when I first started SotS, I was more than a little worried that it was going to be a lukewarm rehashing of DOTF, covering the same ground with "new" characters, and trying to recapture the magic. And there were times that I felt this did sort of peek through, or Liadan did come close to being Sorcha, especially in the beginning, before she began to distinguish herself. But as it went along, the similarities faded and Liadan became her own character, and I liked her for it. She was much more willful than her mother, and even sort of brazen, which is not something I would call Sorcha. Where Sorcha took her lot in life and struggled to make the most of it, Liadan went after what she wanted, even when it was sometimes incredibly reckless. Their similarities (beyond both being healers and respected members of their community - and unwittingly enchanting every man who crossed their path) was in the lengths they would go to for those they loved. There didn't seem to be anything they wouldn't risk, which is complicated when the people you love require contradicting things of you.
While I'm on the topic of love, I do want to talk about the...romance between Liadan and Bran. I have a friend (the one who recommended the books to me in the first place) who likes Bran more than Red, and that I just don't get. Maybe it's the tortured soul thing, maybe it's whatever it is in women that makes them like bad boys, but as much as I liked Bran as a character, and even as a love interest (at times), I would never in a million years compare their romance to Sorcha's and Red's, or claim to like anyone more. (Red 4eva!) I did like Liadan and Bran together, and I liked his slow transformation into someone worthy of being liked.
There was an honesty to the situation, and an acceptance that people aren't perfect (and perhaps Bran was a good foil to Liadan's somewhat Mary Sue character). I sometimes felt as if I was reading the story that would have been if Sorcha had ended up with Simon instead of going to England and meeting Red. That was interesting - but it never gave me butterflies the way that DOTF did. I loved it, and I looked forward to the scenes where they were together, even if only briefly, and that's high-praise, really. But I just can't get crazy fangirly on this one. I loved both characters and found them intriguing, but they were also frustrating and the beauty of the build-up and discovery just wasn't there. It would come SO CLOSE and then just not go all the way*. I liked them, almost even loved them, but they weren't quite magic. Sorcha and Red were magic.
*But they did. Boy, did they.
There were other things that worked but didn't work for me, too. I liked the darkness of the story which, as dark as DOTF was, I think actually went a little darker. There were dark moments in DOTF, and a villain or two, but it was overpowered by so much valiance and righteousness and love. SotS shows us how even some of the good guys get corrupted. Times are changing in Liadan's world, and mostly not for the better. There is a lot of darkness and mistrust and loneliness and violence, all compounded on one another. And though I liked this, sometimes it was just too much. I don't mean this from a "too much for my delicate sensibilities" standpoint, because I don't have those. I mean, sometimes it was just too much: Eammon could have been a cartoon villain, twirling his curly mustache at the end. And though there were times I loved his obsessive need for control and his callousness, and there were times that I could see it crack and even feel pity for him, there were also times when I was just wanted to be done with him.
But the fact is, there was never anything bad enough in this book to keep me from recommending it, or even loving it. I'm just holding it up to the impossibly high standard Daughter of the Forest set. And for those of you who are fans of DOTF but haven't read this one yet, allow me to tease you with this:
There's more Finbar!!
I truly loved his role in this book, and his connection to Liadan. It expanded her character and his quite nicely.
Do yourself a favor and pick up Daughter of the Forest and Son of the Shadows. Trust me.
Anyway, I finished the first book in this four-book-trilogy a couple days ago, and I got this from the library right away. I
But, that did not stop me from getting completely absorbed in the story. I even attempted to read it on the bus one afternoon. I did enjoy this book thoroughly, and absolutely ate up all the folk lore. I am a sucker for myths.
So, do I recommend this series? Absolutely.
P.S. If you are touchy about sex scenes, you might want to avoid this book. There are a few.
I had heard that, while the first book in the Sevenwaters series, Daughter of the Forest, was pretty good, the second book, SON OF THE SHADOWS, would blow me away. I admit to a bit of good-natured skepticism when I was told this. Okay, yes, Daughter of the Forest was good, but it’s still the same author writing the second book, which is set in the same world, and has similar characters with similar problems, right? But no, somehow, miraculously, in an act that seems to defy the unstated law of sequels (“Thou shalt never be good as the first book”), SON OF THE SHADOWS is an astounding original work of fantasy that sweeps the literary awards in the categories of characters, plot, pacing, and readers’ emotional investment.
Daughter of the Forest was constrained by it being a retelling, albeit a lush and engaging retelling of one of my favorite fairy tales, melancholy and terrifying and inspiring and heartbreaking all at the same time. However, Marillier hits her writing prowess out of the ballpark when she strays away from the retelling and makes the world she created fully her own. SON OF THE SHADOWS has everything a die-hard fantasy fan will want from a fantasy: a strong protagonist, an epic romance, complex political dynamics, nasty villains. Daughter of the Forest focuses more on Sorcha and her difficult journey to break the curse set on her brothers, whereas in SON OF THE SHADOWS, Marillier takes her time in exploring and expanding the world in and around Sevenwaters. In this book, we can feel the motions of the operations of an estate: its fluid routine under strong leadership, and its heart-wrenching struggles when the leadership is being bombarded by political manipulations and betrayals.
I love that the delicate nature of political relationships is explored so thoroughly in this book. Liadan, Sean, and Niamh being children related to the “lord of the manor,” it is inevitable that their destinies would involve how Sevenwaters’ relations with its neighbors and strategic allies must evolve. The lovely thing about this being the second book in the series is that we can already sympathize with Liadan’s parents, Sorcha and “Red,” from reading about them in the first book; thus, they never end up assuming the “antagonist parent” role. So much of this book revolves around the Sevenwaters’ inhabitants’ political relationships with others: Liadan and neighboring lord Eamonn, Niamh and her unhappy strategic marriage to an ally, and so on. I found it utterly engrossing how Marillier deftly weaves these complex strings of human desires and ambitions so that no one is entirely good, no one entirely bad.
But I haven’t even gotten to what may arguably be the best part of the book yet! Liadan’s and Bran’s romance is…epic. There is no other word for it. It sweeps you off your feet in a violent whoosh and keeps you dizzily, giddily swinging through the air, all the while knowing that you are safe, because the person holding onto you is one whom you can trust with your life. That was what it felt like for me when I was reading about their romance. Liadan and Bran: such seemingly incompatible people at first, and yet they share the same values, both have the same good intentions and dreams that they must fight and fight and fight in order to achieve. So they—and I, as the reader—are swept away with the unexpectedness of their connection to one another; and then the incredible trials they must go through in order to have even the barest hope of being happy together is the dizzy, giddy part, pulling the reader along in great breathless gasps, desperate that things might work out for the characters. Finally, no matter how dizzy and breathless and gut-wrenched you may feel along the way, you know that you are safe, because Liadan and Bran are both such fundamentally good, strong, and loving people—even if their life situations do not allow for them to show it—that you can believe that they are, without a doubt, absolutely right for one another, against all the odds.
Whew! I think I’m gonna stop there with the review. The more I write, the more I realize I don’t think I have the words to express how phenomenal my reading experience of SON OF THE SHADOWS was. Just…just read the series. Read this book.
I couldn't remember too much
I am still amazed at how 'real' this world felt and how comfortable I was walking around in it. The triumphs, the tragedies, the strategies, all given through Liadan's eyes made it as personal to me as it was to her.
I definitely will not be waiting 2 years to read book 3! That one will follow in the next few months! :)
And this book brings a new story into the Sevenwaters part of
This book also deals with a child's trauma and how it affects him as an adult, a young woman's trauma when she is given to a man she does not wish as her husband, and the choice to follow what the Old Ones say or to make one's own determination about one's path. Those are the overarching themes; the most immediate ones are the threat of the Painted Man and his band of hired mercenaries who can appear, kill, and disappear, and the role of the Druids and how they control the world around them.
Excellent writing, well-created characters, and a good continuation of the Sevenwaters story.
In some ways, I liked this book better than the first in the series (though I enjoyed that also). This was an entirely new story while the first is a very good take of Andersen's The Wild Swans. So I knew what was going to happen in the first but this one was more suspenseful. Liadan is resourceful and courageous, a wonderful heroine. Bran is an interesting character in so many ways, not the usual hero but perfect for Liadan. Their journey is fascinating and kept me reading long past my bedtime.
While the story is set in old Ireland of the 9th-10th centuries, the author uses beautiful language to evoke the legends and stories of the various peoples settled there, whether Celts, Britons, and Vikings. This is just a lovely series for readers who like fantasy and Celtic lore.
Mariller weaves elements of fairy tales into her books, and for a while I felt like I'd been transported into Neverneverland, and Liadan was Wendy among the Lost Boys - only, this time, Wendy and Peter Pan get to hook up. The Painted Man, Bran, is half-savage, damaged but infinitely competent and self-controlled. He's so easy to fall in love with and root for.
But here's the thing. I'm not the kind of person who intentionally buys books that will have me in tears over and over again (once is fine, more than that and I start to feel exploited and/or masochistic), and Son of the Shadows made me cry and cry and cry. Once Liadan goes home to Sevenwaters, she and Bran don't get to see one another very often so the fun romantic elements become less prominent. Instead, we get one heartbreak after another. A lot of people die in Son of the Shadows. A lot of people suffer terribly at the hands of others. A lot of people are really, really sad.
In Daughter of the Forest, Sorcha had a painful task and it was vividly described, but she pursued it out of love. And the love between Sorcha and Red was strongest, and most poignant, during Sorcha's darkest hours, when she needed it most. Liadan has no task, but she is surrounded by violent people. Bran is himself a very violent man who has committed many murders, and maybe just to make him look a little bit better by contrast, a lot of other male characters in the novel are also revealed as hardened killers. Son of the Shadows is a LOT bloodier than the first book, and there's a lot of collateral damage. There's a lot of torture and rape and cruelty and theft. It just got really hard for me to read, because I knew that every time I turned the page as likely as not I would encounter some new painful event that would make me cry again.
So Son of the Shadows is beautifully written, and painful as it was I could hardly put it down. But I don't think you could pay me to read it again. It's good, and I'd recommend it, but with a pretty strong caveat: if you are the type of person who cries when you read sad things, keep a box of tissues handy and don't take this book onto the subway.
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It is left to Sorcha's daughter Liadan who will take up the tale that the Sevenwaters clan is destined to fufill. Beloved child, dutiful daughter, she embarks on a journey that opens her eyes to the wonders of the world around her...and shows her just how hard-won was the peace that she has known all her life.