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"Betrothed since childhood to the prince of Mynaria, Princess Dennaleia has always known what her future holds. Her marriage will seal the alliance between Mynaria and her homeland, protecting her people from other hostile kingdoms. But Denna has a secret. She possesses an Affinity for fire--a dangerous gift for the future queen of a land where magic is forbidden. Now Denna has to learn the ways of her new kingdom while trying to hide her growing magic. To make matters worse, she must learn to ride Mynaria's formidable warhorses before her coronation--and her teacher is the person who intimidates her most, the prickly and unconventional Princess Amaranthine, sister of her betrothed. When a shocking assassination leaves the kingdom reeling, Mare and Denna reluctantly join forces to search for the culprit. As the two work together, they discover there is more to one another than they thought--and soon their friendship is threatening to blossom into something more. But with dangerous conflict brewing that makes the alliance more important than ever, acting on their feelings could be deadly. Forced to choose between their duty and their hearts, Mare and Denna must find a way to save their kingdoms--and each other." --… (more)
User reviews
Of Fire and Stars isn't the first LGBTQ novel I've read (check out my review of Carry On), and it certainty won't be the last. The story is told from alternating povs: Princess Dennaleia of Havemont, who is betrothed to Prince Thandilimon of Mynaria; and Princess Amaranthine, sister of Prince Thandilimon. Princess Dennaleia's marriage to Prince Thandilimon will ensure the alliance of their two kingdoms, and hopefully control rising hostilities from the outside.
However, as plans for their wedding is underway, the kingdom of Mynaria faces attacks from people they believe are part of the Recusants. The Recusants supports the use of magic and is against the alliance as it will block magic users from going to Havemont. What Prince Thandilimon and his kingdom doesn't know is that Princess Dennaleia herself is hiding a powerful secret - a fire affinity that is getting harder and harder to control.
Amidst the chaos surrounding the kingdom and Princess Dennaleia's struggles to keep her gift a secret, she finds an unlikely ally in Princess Amaranthine. As the days pass, their growing friendship blossoms into something more that will potentially endanger, not only themselves, but their kingdoms as well. In the end they must choose between duty and love.
My interest was piqued when I saw the cover of this book, and was further intrigued upon reading the synopsis. For the most part I did enjoy this book, however I found the story progression slow. There are also some points of the story that I felt needed clarification. Why is the Kingdom of Mynaria so against magic users? Was there a past event that warranted such negative feelings towards magic? Also, in the story it appears same sex relationships isn't taboo, so I don't understand why Princess Dennaleia and Princess Amaranthine have to deny their feelings towards each other. I get it that Princess Dennaleia is betrothed to Prince Thandilimon, but clearly the latter isn't even fond of her. It would've been more interesting and different if the two Princesses ended up uniting the kingdoms through their marriage. Perhaps I'm getting ahead of myself, maybe there is a sequel? Nevertheless I liked how Princess Dennaleia and Princess Amaranthine's relationship developed, from animosity to friendship to love. The story started out slow, but it gained momentum towards the second half of the book.
I give this book 3.5 out of 5 stars.
It took a while, but I finally felt ready to reread the story and sure enough, I was right back in that utterly joyful reading space. There are some story quirks that might have been done better or plot threads that got a little lost, but for the most part, this book is everything I love.
A princess book: it takes all the tropes and clichés in the usual MG/YA princess stories and gives them to us in two main charaters: Dennaleia is the dutiful princess who desperately wants to fulfill her role and care for her people, except that she is hampered by secret magic and plotting against the crown. Amaranthine, "Mare", is the rebellious princess who hates the strictures placed upon her simply because of her birth (but definitely takes advantage of the privileges!) and who sneaks out of the castle disguised as a villager. There is intrigue and taverns where secret messages are passed and climbing out of castle windows and through forgotten passageways.
A horse book: raising and working with horses is central to the economy of Mare's country, especially for the highborn, and Mare is a Horse Girl. Plenty of scenes take place on horseback, and Denna plays the reader's part in learning about horses for the first time, though in not quite so much detail as a horse series.
A fantasy book: this is a world of magic, though not everyone possesses the ability. Magic users have an affinity to one or more of six elements, which informs their powers - only the kingdom of Mynaria is hostile to magic and Denna's own affinity becomes more than she hide once she arrives.
A f/f romance story: it's a forbidden romance - Denna was betrothed to Mare's younger brother when they were children, but when Denna arrives for the wedding, she finds herself falling in love with Mare. How can the young women be happy together if Denna must marry someone else for the entire country's sake? There is even kissing and some fade-to-black sex.
The princess-horse-magic part of the novel is very regular fare for a YA book, and the kind that I adored as a teenager (and, admittedly, as an adult). Many of the story elements are well-trod and completely predictable, especially if you've read more than a few books in the genre. The addition of the f/f romance plot is what I always craved, and it is what makes the book special. It feels like Audrey Coulthurst knew all of my favorite things and then put the book together just for me - though she says it's just the kind of book that she always wanted to read.
I won't pretend that it's a work of genius or has a perfect plot. It doesn't, but it doesn't need to and doesn't pretend to. It's a princess fantasy story (with horses) where the princesses fall in love with each other, and it's fluffy and sweet and that is something rare and charming.
Understatement of the century, Mare. Honestly.
To be honest, I felt that everyone who died in this book deserved better because there was literally no reason for any of it. Their deaths only pushed the plot forward in the weakest of ways. It felt like Coulthurst just
As so many people have already pointed out, the characters were flat. There was nothing. I expected to at least like Denna or Mare but they were both so freaking annoying. There was no depth to their characters. If it wasn't for the fact that I am always down for some women loving women, I would have given up. If you had told me I would read a book about wlw and would come away with a cishet white man as my favourite (Nils because a good friend always gets me) I would have called you a liar in no uncertain terms. But that's what happened and I am upset about it.
This book had so much promise: women in important positions and Mare being allowed to run wild with horses, except throughout the book, the women are never taken seriously (I mean supposedly women are capable but the eldest child isn't the heir for some wild reason) and Mare is allowed to run wild with horses because . . . literally no reason and her family seem to resent her for what they have allowed her to do? I guess the Directorate shows a more equal side but only because literally ALL of the Directorate have a negative amount of critical thinking skills and have taken leave of all of their senses. They want to go to war with a WHOLE nation based on one piece of forged evidence? Forged evidence that it took two teenagers all of a day to figure out was forged.
Do I even WANT to touch on the lack of black and brown people in this book? Hm? Maybe. We are presented with one person, Hilara who is said to be dark-skinned. Literally no one else in the entire book is dark-skinned yet we never hear Denna speculate about this dark-skinned woman who HAS to have some kind of foreign ancestry from some INCREDIBLY distant land unknown to everyone (because even the desert inhabiting former nomads are white apparently). So I guess she just materialised out of thin air or something. I don't know. But Hilara, remember the only dark-skinned person in this entire godforsaken book, is an antagonist throughout the entire thing. I mean, she does pose some opposition to the weird and nonsensical decisions of the Directorate BUT it's only because she is smarting over having her butt whooped in a vote over who to be allies with. Like it's not common sense at all, it's just a lingering hope that her political goals can still work out. And she's never redeemed in the eyes of the reader. She just stays this massive POS who would probably actually kill Denna if she was convinced that it would get her the alliance she wants but it won't so she just settles with being openly antagonistic towards her future queen.
I know some people were complaining about the magic but that is actually the one thing I am mostly willing to let slide because everyone is actually clueless about it. Supposedly magic works in some kind of elemental way (including stars and shadow (what the even?)) but that's clearly not true because apparently things can be magicked to do other things like an arrow magicked to home in on a target so that it kills them. I heard there is going to be a sequel so I'm assuming that will get explained. I said MOSTLY willing to let slide because what kind of actual mess would this have been if a sequel had not been agreed to. Would we have been left with a book where that magic makes less sense than a DT tweet? I think that kind of mess is irresponsible to say the least. But there will be a sequel so I can let this go.
My last disappointment was with the plot itself really. It was so predictable. Now I like some predictability when it comes to say my romance. For example, the book says that one or both of the characters are emotionally unavailable and will they be able to work past their issues to find love in each other. Well, the answer is pretty freaking OBVIOUSLY yes or the book would probably not exist. Now in fantasy, I feel like there should be things that people don't expect. Now I know (even though I have so many problems with her books) we all can't be Sarah J. Maas where the twists are actually just ridiculous so you never see them coming, but still I KNEW Kriantz was going to be the evil one from the moment he was introduced because it would be "surprising" or something. Maybe it was because he seemed to have an inkling of sense which the other "adults" in the books completely lacked and thus was only pretending to have have sense and be a decent person to the princesses.
I was really hoping that Thandi would end up being the evil one who was plotting a take over of the kingdom the whole time because that would have actually been fucking conniving and interesting and given him some character because he was also as bland as butterless untoasted white bread and had the intelligence of one. I mean, agreeing to let the now only surviving heir of your kingdom go completely alone to a hostile neighbour might be the most ridiculous thing about this entire book and this is a book where a girl brought down "stars" to kill people and managed not to kill someone literally in the middle of it all or destroy the entire country.
All right. Now I know it sounds like I really hated this book. It's not true, mostly because wlw. I love girls falling in love as much as I love most things and them going from (kinda) enemies to friends and lovers is so sweet to see. It was just incredibly disappointing in every other aspect.
the writing seems ok, I just wasn't that into the princess/fake medieval setting.
This one had so much potential and I was excited to read it, but boy, did it disappoint. I wanted to love it, but it’s just…boring. The characters are never developed – and the author *tells* us everything about their personalities without ever once *showing* us that those traits are there – and the plot is just as bland as the people inhabiting it. It’s a great idea for a story, but the execution is, sadly, sloppy and lazy.