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Fiction. Literature. Romance. Historical Fiction. HTML:A Sunday Times bestseller! Two women, bound by a child, and a secret that will change everything . . . London, 1754. Six years after leaving her illegitimate newborn at the Foundling Hospital, Bess Bright returns to reclaim the daughter she has never known. Dreading the worst, that she has died in care, she is astonished to discover someone pretending to be Bess has already claimed her. Her life is turned upside down as she tries to find out who has taken her little girl�??and why. Less than a mile from Bess's poor lodgings, in a quiet Georgian townhouse, lives Alexandra, a reclusive young widow. When her close friend�??an ambitious doctor at the orphanage�??persuades her to hire a nursemaid to help care for her daughter, she is hesitant to welcome someone new into her home. But her past is threatening to catch up with her and tear her carefully constructed world apart. From the Sunday Times bestselling author of The Familiars comes this captivating story of mothers and daughters, class and power, and love against the greatest of odds. "A gripping tale of motherhood, loss, and redemption. Hall's distinctive characters and scrupulous historical detail drop us into a rich, Dickensian world full of desperation and lies, and shows us just how far a mother will go to hold onto her child." �??Serena Burdick, International bestselling author of The Girls with No Names "The new Hilary Mantel!"�??Cosmopo… (more)
User reviews
I was looking forward to reading this book so was very pleased when it became available by way of a competition on Pigeonhole. Having won my place, I eagerly awaited each stave every day and was sad when I received the last one, I didn’t want it to finish. It’s beautifully and atmospherically written with some wonderful and realistic characters. The Foundling is such an immersing read, so much so I was easily transported to Georgian London and I became totally absorbed into Bess’ and Alexandra’s individual stories. I was gripped from beginning to end.
Historical fiction fans are going to love this one! I haven’t read The Familiars, Stacey Halls’ first book, but it’s on my ‘to be read’ pile and I’m impatient to start it!
One gives birth and surrenders her child all in one day to a foundling home, for what she is hoping to
The other has had a lot of tragedy in her life, including the death of her husband. She does not have to worry about where her next meal is coming from, having been left well off after the death of her parents.
Both endeavor to be parents to Charlotte/Clara, and we are along to see how this unfolds, and the heartache, and yes, the loving of others to help.
This book quickly became a page-turner for me, and I finished in one sitting!
I received this book through Net Galley and the Publisher MIRA, and was not required to give a positive review.
Going back to get your child after you saved half a year's wages to pay for the child’s keep for six years and find out someone else had claimed to be you and
Bess was devastated when she found out someone had taken her daughter. When she questioned the governors of the Foundling, they had no answer, but her second try at finding something out had her introduced to a doctor who was going to try to help her.
Meeting with the doctor at a Sunday service allowed Bess to see a small child who she knew was her daughter. Seeing the child's mother was a shock - Bess knew who she was, and knew that this woman's daughter was surely her own daughter.
The following day, Doctor Mead proposed something extraordinary and unheard of to the child's wealthy mother, Alexandra. Because she kept everything locked up, secretive, and never went outside the house except for Sunday services, Alexandra wasn't sure of the doctor's suggestion to hire a nursemaid.
We follow Bess and Alexandra as Bess serves in her household and is loved by Charlotte more than Charlotte loves Alexandra.
Women's fiction fans and those who enjoy learning of the life styles of the wealthy and their privileges as well as the poor at that time should enjoy this book.
Life in this era was perfectly described by Ms. Halls along with her pull-you-in writing.
THE LOST ORPHAN has mystery, historical fiction, a main character with agoraphobic problems that stem from an incident in her childhood, secrets, and to what lengths a mother's love takes her. 5/5
This book was given to me by the publisher via NetGalley in exchange for an honest review.
I was transported straight to England in the mid 1700s. I felt the class difference, from the desperation of a poor, unwed mother to the superiority and pampered existence of a
The plot examines women's roles, including aspects of motherhood, emotional and psychological issues, and how strength can take many forms.
Pacing is slow, though intentionally so, as the story is meant to be settled into and experienced.
I love when historical fiction allows me to feel what it was like to live in another time, and Stacey Halls provides this gift with The Lost Orphan.
*I received a review copy from the publisher, via NetGalley.*
From that moving experience, Ms. Halls spun an impelling tale wherein an unwed mother brings her hours-old child to the Foundling Hospital with the hope that they will accept the child. The mother has every expectation that at some point in the future she will be able to reclaim the child when her own situation is more stable. For the child, she entrusts her half of a pendant with the child's new caregivers - the token she herself received from the child's father as an expression of his affection for her. After 6 years, the mother believes she is in a position to reclaim her child. Unfortunately, someone pretending to be her had claimed the child shortly after the child's arrival at the hospital.
This book features two strong female protagonists - one maternal and the other icy but wealthy. The interplay between these two woman is richly portrayed. Their character development is strong as is that of the child. The mise en scene was equally rich in its portrayal as it draws on all of the readers senses. I personally was moved by the story and thought it to be well told.
I am uncertain why this books appears under two differing titles. The North American edition is entitled, "The Lost Orphan" and its British counterpart is entitled, "The Foundling". Regardless, the coverart is beautifully rendered for each book and draws the potential reader into its pages.
I am grateful to mira publishing for having provided a free uncorrected proof of this book through Goodreads First Reads. Their generosity, however, has not influenced this review - the words of which are mine alone.
I thought this premise was pretty interesting, but the characters themselves felt very stereotypical. The story itself unraveled in a pretty predictable way. Overall, not a book I would reread or recommend.
The other main character was the well-to-do widow, Alexandra Callard. The horrific deaths of her parents when she was a child had left her uptight, fearful and a recluse. I didn't like her as much as I did Beth, especially the way she treated her child, but I was sympathetic to her plight. I just wish she had demonstrated how much she loved her daughter. Instead she was cold and often unfeeling which had me frustrated.
"The Foundling" highlighted the inequality been the rich and poor and Halls brought the smells, sights and poverty of London to life. An enjoyable read with a gorgeous front cover.
The story was told in two POV, Bess and Alexandra, Bess gave her
When she turned up six years later, she learns that the child was taken by her (an imposter obviously) when the child was just a day old. Bess is beside herself and wants to find her child. This leads to interactions with Alexandra and then the whole thing kind of blows up.
I really enjoyed this book, Stacey Halls wrote it so well, everything flowed at an even pace.
I would definitely recommend it.