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"The beautifully ornate reading room at the Boston Public Library is completely silent one weekday morning, until a woman's terrified scream echoes through the room. Security guards immediately appear and instruct everyone inside to stay put until they determine there is no threat. While they wait for the all-clear, four strangers who had been sitting in the reading room get to chatting and quickly become friendly. Harriet, Marigold, Whit, and Caine each have their own reasons for being in the reading room that morning--and it just happens that one of them may turn out to be a murderer. For readers of Midnight at the Bright Ideas Bookstore, with shades of The Secret History, THE WOMAN IN THE LIBRARY is an unexpectedly twisty literary adventure that examines the complicated nature of friendship and shows us that words can be the most dangerous weapons of all"--… (more)
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This purports to be chapters of a story set in Boston narrated by an Australian author and critiqued by an American fan. Initially I found it all a little 'meta' and tiresome, but it grew on me and by the end I was really enjoying it.
The reading room of the Boston Public Library becomes the focal point for four people sitting at the same table in the ornate room. Winifred Kincaid, recipient of a Marriot Scholarship, has come to Boston from Australia. She is at the library to work on her
The woman seated beside her, arms covered with tattoos, reads a book by Freud. The young man sitting across the table wears a Harvard Law sweatshirt. Next to him sits a man working on his laptop. Freddie wonders about each of them as she considers the possibility of making each of them characters in her story.
And then a terrifying scream interrupts the quiet.
The four head for the Map Room, the closest place to get coffee. As the four ponder the reason for the blood-curdling scream, Marigold Anastas, Whit Metters, Cain MacLeod, and Freddie strike up a friendship. Soon they learn of the murder of a woman, Caroline Palfrey, in the Chavannes Gallery.
As the newly-formed group of friends seeks answers to the murder, they will find danger awaits around every turn. Soon they will wonder if one of the four of them could be the murderer.
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This book has an interesting format. Australian writer Hannah Tigone converses with a colleague, Leo Johnson, in Boston about the novel she is writing. She sends him a completed chapter; he offers comments, provides appropriate facts, and does what he can to support her writing. The narrative, then, becomes a chapter of Hannah’s work, followed by Leo’s comments.
The plot twists and turns as readers eventually realize the story about Freddie, Marigold, Whit, and Cain is Hannah’s manuscript. The story-within-a-story keeps the pages turning as readers try to determine the identity of the murderer in the library.
As the unfolding narrative reveals Leo’s replies to Hannah’s chapters, readers realize the comments Leo makes have become increasingly critical as if he is seeking to change Hannah’s story. It definitely adds a strong creepy factor to the telling of the tale.
The characters are well-drawn and believable; the twisty story complex and unpredictable. Guaranteed to entertain as it cleverly highlights the struggles of a writer, the evolving story is complex, creepy, and smart.
One caveat . . . the author’s continual propensity to use exclamatory phrases that include the name of Jesus in a disrespectful manner becomes quite off-putting and is the sole reason for lowering the rating for the book.
A reading group guide and a conversation with the author are also included in the book.
Recommended.
I received a free copy of this eBook from Poisoned Pen Press and NetGalley
#TheWomanintheLibrary #NetGalley
Hannah is an Australia writer. She is writing a mystery story based in Boston. We learn very little about Hannah herself.
We read the story as Hannah writes it.
The main character in Hannah’s
Marigold, a psychology student with tattoos who Freddie nicknames Freud Girl.
Cain McLeod who is also an author with a secretive past. She refers to him as Handsome Man
Whit Metters a law student and handsome sone of a powerful lawyer who she calls Heroic Chin.
A scream pierces the silence in the room. The security people quickly lock down the library pending an investigation. While unable to leave the four of them begin to chat to each other and discuss what has just happened. When no body is found they move onto a coffee shop and begin to get to know each other, forming a friendship that leads into their own investigation.
Each has their own story gradually revealed as the story progresses. Freddie falls in love with the mysterious Cain. As their stories are revealed another murder occurs. There is another murder, a mysterious disappearance and strange phone messages. It becomes apparent one of the four is a stalker and one is a murderer.
As the main story unfolds Hannah sends each chapter to a fan, Leo, in Boston. This is the second story within the main story. We get to read Leo’s emails with his comments on the storyline and correction of Australian idioms not used in the US. Gradually his emails become stranger as he suggests major changes to the manuscript including sending photos of actual crimes. The author becomes concerned and contacts the authorities.
It is complicated but very clever, well plotted, and easily followed.
Thank you to Netgalley, Sourcebooks, Poisoned Pen Press, and Sulari Gentill for the opportunity to read this book.
Good read.
The mystery of the woman in the library brings four people together - Cain, Whit, Marigold, and our narrator, Freddie (short for Winifred). They're sitting in the Boston Public Library's reading room when a scream pierces
The meta aspect of this book is at least as interesting as the mystery itself. Having Leo's letters between the chapters reminds us that we're reading fiction, but also played with my reading of the story as I figured out where I might agree or disagree about his interpretations, and exactly what was the purpose of his letters. It also brought in "real life" - mentions of the pandemic, for example, and comments on words or phrases that were particularly Australian and what would have been more common to say in the U.S. The mystery portion was also compelling, the tension building as the story went on. There were a few quibbles I had with Freddie - she falls in love awfully quickly, can be very naive and trusting, and calls Marigold and Whit young for being approximately four years younger than her if I did the math right. But it was a fun ride, and a book I'd recommend.
A series of emails from Australian writer Hannah Tigone to Leo Johnson tells readers that Hannah is in Australia writing a novel about a murder set in the Boston Public Library and Leo is her American contact who reads Hannah's manuscript and searches out locations and offers tips on clarification. But that's not the only thing going on with the Hannah and Leo layer. The Freddie/Cain/Marigold/Whit layer also blossoms with the steady infusion of kernels of information about each character. These stories play off each other beautifully.
The Woman in the Library is one of those books that you can't talk about very much without giving something away, so I'll just say this: I decided right at the beginning to let myself become a leaf caught in a current in the river. This means that I didn't bring out my deerstalker hat and magnifying glass in order to solve the mystery before the characters in the book had a chance to. No, I simply went along for the ride and enjoyed every page. Once the rose that is The Woman in the Library has completely blossomed, there was nothing left to do but marvel at the story Gentill created. Wow!
(Review copy courtesy of the publisher and Net Galley)
In the end it didn't totally work for me. The ongoing relationship with a pushy fan who has an exaggerated sense of importance seemed implausible though it did provide a layer of suspense. The mystery itself seemed a bit drawn out though the slowly revealed information about the key characters was fairly effective. There was something about the protagonist that grated on me as she pronounced on the writing craft. But it's a clever idea and no doubt will appeal to readers who enjoy new takes on the classic locked room mystery.
I’ll admit that I was unsure where this unusual murder mystery arose from and where it was heading. It’s definitely not a cosy mystery. It hangs around in the thriller zeitgeist.
By the time I was into the second chapter I was still trying to build a picture of events, and who
So we begin with four unusual strangers hearing a woman’s scream in the Boston library. This single fact draws them together. The four Boston Library would-be-friends are amazing, somewhat weird, and all have secrets. I loved the whole crazy group encounter—built on a scream and held together by that event.
I really enjoyed the plot. Australian writer Hannah, a Marriott Fellowship Holder who’s working on a novel about—Yup! You guessed it—a murder mystery involving an Aussie in the US. I laughed at the writer’s comments on Chocolate, Thanksgiving and Coffee. All so true.
We also have our fictional author and our author both embedded in the novel with strange happenings occurring for both. I’m still unsure if this is fiction imitating life, or vice versa.
I should add that Sulari Gentill is one of my fav writers, and this novel keeps her there!
A Poisoned Pen Press ARC via NetGalley
I enjoyed the well-crafted, familiarly titled "woman in the/girl on the/etc." core mystery, and as for the metafictive framing story, I thought it was absolutely terrifying, and just very, very cool. Couldn't put it down!
Four strangers in the Boston Public Library hear a scream and begin discussing that they
Super quick read, characters were okay, but it was entertaining and kept me interested.
Thank you to NetGalley and Poisoned Pen Press for providing me with a free copy of this book in exchange for my honest review.
In this story within a story (within a story), Australian author Hannah Tigone is writing a murder
As Freddie, along with psychology student Marigold, law student Whit, and published author Cain whom she meets when a scream disturbs the quiet of the Boston Public Library Reading Room, tries to solve the murder of a young journalist, it’s testament to Gentill’s skill that I was invested in the story, and often forgot it’s place in the novel’s structure, in fact I occasionally resented the reminder when disrupted by Leo’s missives. With its air of a ‘locked room’ mystery, I was deftly led astray by Gentill’s misdirects, and found myself eager to discover who, how, and why the murder was committed.
I feel I have to mention the adroit way in which Gentill navigated the world events of 2019/2020, the years in which this book was set, with the CoVid pandemic, the BLM protests in the US, and the fires that ravaged the Eastern coast of Australia, all acknowledged in interesting ways.
Ingenious and intriguing The Woman in the Library is a terrific read.
This is a story within a story, as the author writing the story of the woman in the library is an Australian author, Hannah, communicating with another writer, Leo. Leo provides editorial suggestions to Hannah.
The story within a story is well done and the ending leaves you wondering! I enjoyed this book and look forward to reading more from this author, as she kept me guessing about who and why.
I enjoyed the setting of
The narrator, Katherine Littrell, did a pretty good job. She needs to work on her southern accent though.
Need a good book in a good setting…THIS IS IT! Grab your copy today!
I received this novel from the publisher for a honest review.
So we have a cleverly constructed plot within a plot, a novel within a novel, a mystery within a mystery. I suspect that most
So I have written my thoughts in a section below, rather than here, with an appropriate spoiler warning, and still trying not to reveal too much of the novel.
My rating: 4.5
About the Author
After setting out to study astrophysics, graduating in law and then abandoning her legal career to write books, SULARI GENTILL now grows French black truffles on her farm in the foothills of the Snowy Mountains of Australia.
Gentill's Rowland Sinclair mysteries have won and/or been shortlisted for the Davitt Award and the Commonwealth Writers' Prize, and her stand-alone metafiction thriller, After She Wrote Him won the Ned Kelly Award for Best Crime Novel in 2018. Her tenth Sinclair novel, A Testament of Character, was shortlisted for the Ned Kelly Best Crime Novel in 2021. --This text refers to the paperback edition.
I've also read
5.0, A FEW RIGHT THINKING MEN
4.8, A DECLINE IN PROPHETS
4.8, MILES OFF COURSE
4.7, PAVING THE NEW ROAD
Warning: Might contain spoilers
Celebrated Australian author Hanna Tigone is in Sydney writing in her latest novel which she sets in the Boston Public Library. Winfred (Freddie) is an Australian writer who has won a Sinclair writer in residence scholarship to live and write in Boston and is living with other scholarship winners in an apartment house at Carrington Square. Among the others living there is another writer in residence named Leo Johnson.
So we have a cleverly constructed plot within a plot, a novel within a novel, a mystery within a mystery. I suspect that most readers, like me, will find this a challenging read. The story that Freddie is writing is based on a group of people united by a scream. Freddie reveals her story to the others she has met at the BPL and they react enthusiastically, seemingly not realising she will be basing her story on them.
Hannah's novel also begins with the scream. As she completes her written segments she emails her novel off to a fan Leo, who, rather confusingly, is in Boston. Leo provides advice to Hannah about American customs and terminology. Leo talks about the need to give the novel a time frame, to say what colour/race the characters are and so on. He also keeps saying that he intends to come to Sydney to meet Hannah in person. The emails with Leo provide a third plot.
At the end of the novel the author has provided a Reading Group Guide, a set of questions readers might discuss. In the next section A CONVERSATION WITH THE AUTHOR Sulari Gentill reveals some uncanny parallels with the plots of the novel and what was happening in her own life.
I found the discussion between Freddie and the other characters about how she writes her story interesting: she likens the construction to a bus picking up passengers who then determine the direction the action takes. Whereas Cain plots his novel more conventionally, rather like a spider web.
As the mystery
Author Sulari Gentill does a great job of slowly revealing details and pieces of information about each character's past. The story is peeled back layer by layer, revealing more twists and complications. In fact, the best twist - in my opinion - actually takes place about halfway through the book and has nothing to do with the mystery about the woman in the library. How devilishly clever of Gentill! I did not see that one coming at all.
This book was so close to earning 5 stars from me, but when I finished, I was not entirely satisfied. I guess I felt that the big reveal at the end happened too fast. Given that the overall pace of the book was steady in its measured revelations, the big reveal felt rushed and a little too pat. Nonetheless, I still found this book quite entertaining.
You know when you are sitting in the library, checking out the strangers at your table, trying to
Yes, it is a murder and the four of them join forces to try and solve the murder. It turns out someone knows the victim, at one point all of them are suspects and at least one love story happens along the way to solving the crime. However, Gentill doesn’t just give us a regular straightforward murder mystery. This is actually a story within a story. Hannah is an author who is writing the story of Freddie visiting Boston. Hannah has a pen pal Leo who lives in Boston who is helping her create a more realistic story by sending her details of Boston.
What a great read! I finished it in one afternoon. You highly suspect one of the four are responsible for the murder but putting it together and the creep factor around Hannah and Leo certainly keep you entertained. It is well written and has solid character development. The lines become blurred between what is real and what is the story being written. Probably best to not think about it and go with the flow. Just let it happen - I promise it’ll be worth it!
Thank you to Poisoned Pen Press and NetGalley for the ARC.
It was setup as a story within a story: an author writing a story about an author writing a story with herself as one of the characters. Plus another character critiquing the author's
The stories seemed to be set in summertime Austrailia (author 1) and autumn in Boston (author 2) which aburptly became sort of wintery. The originial setup for the murder was twisty and interesting at the same time that it setup the unique friendship of the four main characters.