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Fiction. Mystery. Science Fiction. Am I making it worse? I think I'm making it worse. Everyone's favorite lethal SecUnit is back. Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly colonized planet in peril, as well as additional SecUnits. But if there's an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can't have the planet, they're sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there's something wrong with Murderbot; it isn't running within normal operational parameters. ART's crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza's SecUnit�heavy persuasion teams, they're going to have to hope Murderbot figures out what's wrong with itself, and fast.… (more)
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This one follows directly on from the end of Network
The plot of this one is okay, although I do feel like it takes about half the book to really get into any of the interesting action. But, let's be honest, I'm not primarily reading these for the plots, anyway. I'm reading these because I love Murderbot and its struggles with its emotions, its delightful sarcasm, its complicated relationships (especially with aforementioned bot), its development as it figures out what it really wants out of life, and, most especially, for the little moments when I find myself going, "Oh, Murderbot, honey," and wanting to hug it. (Not that I would, because it hates that. But maybe I could show it some nice new TV episodes or something.) I think it's really only in the second half of the story that we start getting many of those moments, too, but when we do, there are enough of them to leave me happy.
Murderbot's capabilities of snark are slightly dampened in this volume, but still very evident. "Take that proportional response and like it" (203). It does get access to a vintage trove of entertainment media, which might even predate the current Corporation Rim interstellar polity--a development with possibilities still unexploited. There was very little new illumination regarding the bond company of the construct's origins, but the efforts of Murderbot and its colleagues from Preservation and the University to liberate humans (and constructs) from corporate control acquired new dimensions. Especially entertaining was
As expected, System Collapse was fast-paced and satisfying. But those new to the Murderbot Diaries should not begin here. Start with Fugitive Telemetry or All Systems Red, and be sure to read Network Effect before getting to this latest book.
System Collapse absolutely lives up to what we have come to expect from The Murderbot Diaries, while also continuing to develop Murderbot's character and relationships. The events of Network Effect were traumatic, and Murderbot was already traumatized, but this trauma was a little different than before. This was Murderbot living it's worst nightmare, and the effect is more visceral than the usual day to day horror of having been a secunit under control of the Company. Murderbot is, for the first time in it's life, truly unsure if it is able to protect its humans. This is bad, because protecting its humans is both extremely important to it and its literal job, what it gets those excellent currency cards for.
ART is still stationed at the infected planet from Network Effect, and its crew is attempting to negotiate for the independence or at least freedom of the humans who have been living on the planet all this time. Now that they are no longer infected with the alien remnant, those humans have broken into further factions, complicating the process. Not to mention the rumor that there may be a completely separate settlement on the other side of the planet, who broke off from the original before the infection even occurred. Murderbot is to go along on the exploratory crew to discover if there is any truth to this, and act as security. But it's having flashbacks and stress as the least-liked part of itself- its human neural tissue- has not recovered from being captured by infected humans on this planet once already. What if these new humans are also infected? What if it cannot save its friends?
As we have seen time and again, and as Murderbot is finally, slowly, starting to learn, its humans care about it. Its friends, even if it won't use that word, care about it, and don't expect it to be able to do it all. ART cares about it, and won't abandon it, (and in this book gets some fun development that takes advantage of the fact that it is truly an AI in a way that Murderbot isn't) and it can admit when things are not okay.
It does get there, and it is good, and in the mean time we get exciting and creepy underground shenanigans and fights with a Corporation and a home video. It's all so good. I can't wait for the next one. Thanks to tordotcom and NetGalley for access to the eARC in exchange for an honest review.
As for the book - I loved it (I might be biased) and I can't wait for a re-listen in a better reading mood!
As long as Martha Wells keeps writing Murderbot books, I will keep reading them. As with every previous entry in the series, the character development is perfection, the action and suspense well-drawn, and the sarcastic banter between Murderbot and ART is my favourite thing ever. If you like sci fi even a little, I can't recommend this series enough.
I love the Murderbot series, and this is another excellent episode, but it wasn't as easy to get into. The beginning is very in media res. It'd probably be best to have read the previous book right before; I hadn't read it in a long time, so I felt
This is not the strongest
It also has to escape the same corporation on a mission
Although I liked the book, I found it difficult to get immersed. The very abrupt start, picking up pretty much where the previous book ended, and the ongoing references to events in previous books, made me feel disoriented. As if the author (whom I generally adore) had broken the author-reader contract implicit in the kind of series named "Murderbot diaries", and that particular length (mostly novellas, and short novels) ie. books that are loosely connected but can stand on their own.
Advanced Reader's Copy Provided by Edelweiss.
Once again, Martha Wells ratchets up the tension for Murderbot step by step so that it will be compelled to either collapse in an emotional shutdown and reboot, or once again be the hero it was born to be. Honestly, it’s almost like being in one of those entertainment vids that Murderbot and ART love to watch. Well, you get the picture.
Thoroughly enjoyable. Very easy to recommend.
2023-12-02: That felt short. Kobo estimated 2.8 hours and I think I was a little longer. A fun ride although I could have used a recap of the prior book as my memory of MB 2.0 and Three was hazy.
I always enjoy time spent with Murderbot, and this book is no exception. It's maybe not my favorite of the series, because I felt like there wasn't much opportunity for character development for the human characters. That's always been the case, except maybe in Network Effect, and it has to do with how much we are in Murderbot's head and how Murderbot has a hard time understanding humans. (Same, Murderbot, same.) But it bugged me a little more in this book; I don't know why. On the other hand, Murderbot got lots of interesting character development, much to its displeasure! I also may have been a little thrown off by the fact that I expected this book to be Murderbot and ART off on interspace adventures, and instead we're still at this one planet for the duration of the book. That's okay, we'll (probably?) get a space travel adventure next time, and I'll be there for it. Fans of the series should certainly not miss this instalment, but readers new to the series should, of course, start at the beginning.
The protagonist, who is part robot with organic parts, calls itself Murderbot, because of an incident now somewhat far in its past
In this installment, Murderbot is still with his gang of humans led by Dr. Mensah of the University of Mihira and New Tideland. They are on a planet whose colonists had been subject to alien contamination. The University was trying to protect colonists from being captured by evil corporations such as Barish-Estranza (B-E) and dumped into labor camps for corporate contract labor for the rest of their lives. Part of their mission is convincing the colonists that B-E was a bad actor and the University had their welfare as a priority.
As the crew from the University talk to the colonists, they learn there is a separatist group of colonists elsewhere on the planet. They also might need to be evacuated (if they weren’t dead), especially as B-E had gotten wind of both groups and arrived also.
Murderbot is again working with ART, an acronym Murderbot made up that stands for Asshole Research Transport. ART, called Peri by its humans, is the bot pilot of Perihelion, a wormhole-capable space research and teaching vessel. It is part of the University's anti-corporate team that gathers information and strikes out against corporations. ART is very advanced, although not as tuned into human emotions as Murderbot (who is addicted to human media and watches it constantly), and the two develop a love-hate relationship.
Murderbot, ART, and ART’s humans had been in struggles before against alien contamination and B-E, and all had sustained some damage. Murderbot still suffered from something equivalent to PTSD. Moreover, Murderbot wrestled with a compulsion to help other SecUnits, even those with B-E, to deprogram themselves from their controller software and become free agents.
There is non-stop violence, action, and adventure, all filtered through Murderbot’s dry sense of humor, sardonic wit, and constant existential angst. (ART’s personality is similar albeit without the angst.)
Evaluation: Murderbot has no gender, but I mostly (but not always) think of it as a “he”; perhaps that is just a reflection of my personal bias and/or need to assign gender. No one in the books have that same problem. They are of all races and genders and don’t tend to categorize any others, whether human or not.
The humans in Murderbot’s life can’t help but love and appreciate this very odd SecUnit. Moreover, the desire to make sacrifices to save the other becomes mutual. The episodes are endearing, very humorous, and diverting in the extreme.
Note: There is a good Murderbot Wiki, here.
The new book follows the events of book #5, Network Effect. Murderbot and the team are still on the planet to which they were hijacked in that book. The inhabitants here are survivors of a failed
As book 7 opens however, they now face a new danger from the Barish-Estranza (BE) corporation. A team from BE has landed on the planet hoping to claim it, and its “assets”. In the universe of Murderbot the corporations rule, and the “assets” the BE team is referring to are the surviving inhabitants themselves, who they are hoping to trick into signing contracts, for what will effectively be slavery, on a BE owned mining colony planet.
BE is a corporation, and as I said, corporations rule. So, its team is used to getting their way. They won’t hesitate to use whatever means are necessary to do so. This sets up the action between the BE forces, and Murderbot, ART and their team, who are feverishly working to counter the BE forces and convince the inhabitants to instead seek a free future with their help.
Fans of the Murderbot novellas are used to action from beginning to end. But as in Network Effect, the other full-length novel in the series, the action is more sporadic here. For the most part Wells fills the pages in-between the action scenes with Murderbot’s continued growth, and his awareness and understanding that he is more than a construct. Without the control of his governor module he is becoming more than the sum of his inorganic and cloned organic components - more than a mechanical “SecUnit”. His human side reveals itself with a bout of pain, which he won’t tell us about for a good part of the book. It’s not physical pain - he’s felt that before - but mental pain.
Murderbot experiences PTSD with a flashback so impactful that it causes his systems to do a hard reboot - the system collapse of the title. This is something that’s never happened to him before, and in the aftermath he’s confused, not understanding why sometimes he just doesn’t “want” to do the things he knows he should do. He’s experiencing real, human pain.
Yes, Murderbot feels our pain.
But he’s still the same cynically sarcastic and cranky Murderbot we’ve come to know. So he still says things like “I’m 73 percent certain that never happened to me”, and “I was paying 87 percent of my attention to Iris”, and “that’s why the stupid Barish-Estranza team and their stupid SecUnit had walked right up on me and I had no f***ing idea.” And he’s still watching soap operas and trash TV (i.e. the “entertainment feed”) in his downtime.
If there is one thing I was disappointed in with System Collapse its that Three - the SecUnit that Murderbot rescued in Network Effect - didn’t have a bigger role. He’s mostly a background character here. I had half expected some interplay between the two SecUnits that might help Murderbot deal with the pain of his journey, as Three starts down the same road that Murderbot is travelling.
Plus there’s the whole intriguing notion that Three perhaps had a “relationship” with the two SecUnits who didn’t survive when he was rescued. SecUnits aren’t supposed to have relationships. At least you get to understand, as Murderbot tells us, that SecUnits, like humans, each have their own destiny. Three may not travel the same road as Murderbot.
I’m not entirely sure what that means, but I do hope there will be a more substantial role for Three in Murderbot #8, if and when that happens.
RATING: Five Stars ⭐⭐⭐⭐⭐
Rating Comment: If you are a fan of the Murderbot series, System Collapse will not disappoint. As I said in my last post about books #5 and #6 in the series, if you are a science fiction fan who has somehow never read any of the Murderbot books my advice is to immediately do so.
NOTE: I read an advanced ebook copy courtesy of NetGalley and Tor Publishing Group. The book is available to the public today, November 14, 2023. I thoroughly enjoyed the ebook, but I did miss the narration by Kevin R. Free that made listening to the audiobook versions of the prior installments a real pleasure.
The latest in what has become one of my favorite stories has a