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The small island of Malaz and its city gave the great empire its name, but now it is little more than a sleepy, backwater port. Tonight, however, things are different. Tonight the city is on edge, a hive of hurried, sometimes violent activity; its citizens bustle about, barring doors, shuttering windows, avoiding any stranger's stare. Because tonight there is to be a convergence, the once-in-a-generation appearance of a Shadow Moon - an occasion that threatens the good people of Malaz withdemon hounds and other, darker things ... It was also prophesied that this night would witness the return of Emperor Kellanved, and there are those prepared to do anything to prevent this happening. As factions within the greater Empire draw up battle lines over the imperial throne, the Shadow Moon summons a far more ancient and potent presence for an all-out assault upon the island. Witnessing these cataclysmic events are Kiska, a young girl who yearns to flee the constraints of the city, and Temper, a grizzled, battle-weary veteranwho seeks simply to escape his past. Each is to play a part in a conflict that will not only determine the fate of Malaz City, but also of the world beyond ... Drawing on events touched on in the prologue of Steven Erikson's landmark fantasyGardens of the Moon,Night of Knives is a momentous chapter in the unfolding story of the extraordinarily imagined world of Malaz.… (more)
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I thought it was about time to see what Esslemont was up to before pushing on ahead with the main Malazan storyline. Esslemont is a very different writer. On the one hand he certainly isn't as skilled a prose stylist as Erikson but this short (by Malazan standards) novel, focused mostly on one night's events is refreshing in its brevity and avoids Erikson's constant mistake of trying to juggle too many balls at once.
It's true that the story could be written more tightly and perhaps Kiska could have been a more interesting main character (her little islander dreaming of bigger things and getting in over her head is pretty basic and cliché). Yet for the most part the action rolls along and the insights provided into events prior to Gardens of the Moon is enough to make this a worthwhile read for fans of the series.
I think this might actually be a good place to start the Malazan series. It's a more gentle introduction to the concepts of the world than the plunge into the deep end that GotM provides (aside from the fact that everyone in NoK calls Laseen "Surly" when we're informed in the prologue of GotM that, prior to NoK, she had already assumed the name Laseen - but whatever, a minor quibble).
Night of Knives is written in the world of the Malazan Empire drawing on events mentioned in Gardens of the Moon. The story is told from two vantage points: Kiska, a young and naive thief, and Temper, a war weary veteran. The two points of view contrast nicely. I really enjoyed reading Temper's perspective, especially the flash backs to his old army days, though the Kiska sections became annoying quickly, which was probably the point. It is not the most well written novel I've read. Some parts felt like they were padded to add length to the book while others felt rushed.
This book is primarily for people who are already fans of Erikson's series and they should enjoy being filled in on history only lightly touched upon in the books. I'm not sure I would recommend it to someone otherwise.
The story is set, mostly, on the night that Surly
The problem? Well, it feels like a totally different story and setting. Perhaps the army really has all the magi, and it's weird and unusual for civilians, except that doesn't work with the comments about the concentration of witches etc. on Malaz Island. It's a shame.
I think, also, I was expecting at some level, a thousand pages of twists and turns and mingled stories. Obviously when I picked it up, it was too thin for that, but I was still expecting, as I eased back into the Malazan Empire, that kind of story, and it was not there.
This book really does more to frustrate and obfuscate than reveal. Who is the fisherman? It reveals nothing about Dancer and Kellanved either, annoyingly, although it does make Edgewalker a more intriguing character at long last.
Night of Knives draws upon events hinted at in the prologue of Erikson’s Gardens of the Moon. It
I must admit that I have not read any of Erikson’s novels, though I have certainly heard a great deal about them. This poses a challenge for me, because many of the things I felt needed better explanation are probably explained in the numerous novels that take place later in the timeline.
Regardless, I did enjoy Night of Knives. It’s rare to see fantasy novels of this nature these days, what with all the vast, epic stories spanning five or more volumes flooding the bookshelves. Night of Knives is more or less an action-packed fantasy monster that happens to fit into a bigger story. But you don’t have to read that story to enjoy this book. That, I think, is Esslemont’s strong point here. Night of Knives chronicles events that take place over one night, meaning that it is not only fairly short, as far as fantasy novels go, but particularly action-filled, with plenty of creepy critters and tense moments to keep things interesting.
I only have two complaints:
1. There were certain things that I didn’t quite understand that I suspect are better explained in the Erikson novels, particularly in regards to events that occur at the tail-end of Night of Knives. I don’t think this will be an issue for people who are already fans of the novels, and probably won’t be too big a deal for those that are not. The novel largely stands on its own anyway, with a few minor elements that could have been strengthened by better explanation or foregrounding.
2. I had the lingering sense, while reading Night of Knives, that there was something wrong stylistically with the piece. I couldn’t quite put my finger on it. This is likely nothing more than a personal quirk, or perhaps an issue with being unfamiliar with the world or with this style of fantasy novel (i.e. action-y fantasy).
Overall, Night of Knives was a lot of fun to read. I enjoyed the action and the imagery was well drawn and sometimes gorgeous and creepy. At some point I will read the Erikson novels; Night of Knives has sparked my curiosity for all things Malazan.
And, ultimately, this is a good thing. I know of only two authors who can pull off the flowery language (Erickson being one), but even then it can be a chore to read (I'm looking at you, Kruppe), and Esslemont's style brings a welcome change of pace to the Malazan world.
Beyond comparisons to Erickson's work, Night of Knives works quite well on its own. Few authors can pull off something with a scope so ambitiously small--the entire novel takes place over the course of a single night--but Esslemont surpasses that challenge with ease, and none of the novel feels like contrived conflict or filler to pad out the page count (unlike the TV show 24).
I feel like this review is boiling down to all the things this book is not. It's not Steven Erickson's Malazan as written by Ian C. Esslemont. It's not 24 with magic. What it is, though, is the first return salvo of the Malazan "dialog" through which these two men created this world, and I look forward to the next.