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Marking the first appearance of Agatha Christie's character Inspector Battle, The Secret of Chimneys was first published in 1925 and went on to be a hit among readers. This mystery novel follows Anthony Cade, a man who unknowingly finds himself in the middle of an international conspiracy and a murder investigation after accepting a simple delivery job from an old friend. As Cade slowly begins to realize his predicament has potentially put him in danger, he begins his own investigation into the strange series of events just as Inspector Battle of Scotland Yard begins the main, official investigation. As more and more clues begin to pop up-along with even more mysteries-Inspector Battle and Anthony Cade search diligently for the true murderer and uncover the answers to multiple conundrums that plague the characters within the novel.… (more)
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Cade agrees to take on both tasks, and travels to London by steamer in the guise of James McGrath.
One of elements of this story is political intrigue related to the kingdom of Herzoslovakia in the Balkins. Its last king was assassinated seven years earlier and the kingdom has been a republic ever since. However the heir to the throne is attempting to claim it back. The Herzoslovakian links in the story become important because the manuscript is the memoir of a former Prime Minister.
The action moves to London and then on to Lord Caterham's country house Chimneys, where a murder takes place. Christie's search for a suitable protagonist continues. THE SECRET OF CHIMNEYS marks the appearance of yet another, this time a Scotland Yard detective, Superintendent Battle. He is assigned to this case because of the importance of Chimneys, which is apparently often used as a pleasant meeting place for affairs of state. We are told Battle is a man of "ripe experience", and there certainly seems an attempt to give him a modicum of intelligence, and to allow him at times to be a step or two ahead of others in his understanding and intuition. On the other hand he is often poker-faced and expressionless.
Other people who will appear in later novels are Caterham's daughter Eileen (Bundle) and Bill Eversham, a young clerk from the foreign office. Colonel Melrose makes a cameo appearance as the Chief Constable although in later stories and novels he will be the Coroner.
The novel is possibly set I think in "real time". There is a reference to European nations rebuilding for the past 7 years, which seems to indicate a passage of time since a cataclysm, possibly the Great War. There is however no other reference to those events. There is also a reference to the previous, assassinated, queen of Herzoslovakia having claimed Romanov connections.
Perhaps I am mistaken and the setting is actually in the period just before World War I when the Balkans was in great turmoil. Another point in favour of this earlier period is the reference to Bertillon measurements as a means of identifying a person. These were measurements taken of various parts of the body: a system in common use in France in the late 19th century.
This is a novel in which many characters are not who they seem to be, beginning with Anthony Cade who poses as Jimmy McGrath. There are many who are leading a double life, and it becomes difficult for the reader to decide who is on whose side.
There are elements in THE SECRET OF CHIMNEYS that really don't work all that well. The idea of an arch criminal which first appeared in THE MAN IN THE BROWN SUIT makes an
appearance, as does the idea of conspiracy and secret societies, in this case the Society of the Red Hand. The Koh-i-noor diamond, part of the British Crown Jewels since 1858, makes a puzzling appearance.
This is also a novel in which Christie shows that she doesn't really care if the reader has all the information, that we should expect that she will keep cards up her sleeve to be revealed in the final denouement. The novel is full of red herrings, and at the end we ask ourselves if we had enough information to solve the mystery. A pattern that is becoming a trademark in her novels even by this, the 5th one, is that in the final pages the cast of characters will be gathered and all will be revealed.
I wouldn't rate this as one of her best novels, although at the time of publication it was well received. It feels rather over-populated with characters, heavily reliant on ideas of conspiracy, intrigue and political upheaval, with some romantic elements.
There are three
All involved are gathered at the Chimneys, a traditional meeting place of Royalty & political power, much to the consternation of the current Lord Caterham. There are people who are not who the seem, and all except the family have something to hide & gain.
A very delightful mystery, definitely one of Christie's better books.
As with most Christie novels, there are plenty of suspects, an abundance of motives, and an interesting array of lead characters. Unlike most of her stories, this one is filled with political intrigue, and the reader has to digest the background story of the country of Herzoslovakia before really delving into the mystery. This may be a bit off-putting to regular Christie readers, but it's worth the time and effort to get the story and the list of who's who regarding that nation as it sets an important backdrop to the various criminal activity throughout the book. It is rather complicated and at times convoluted, but still an interesting read, with a lovely twist at the end.
If I were a reader who has decided that he or she would like to read through the Christie novels, I would not want to start with this one, since imho, it doesn't deliver the best Christie has to offer. My advice: read through the Poirots and the Marples, then tackle the others for something just a bit different.
Always a delight to return to AC for a little reliable comfort reading. Was
particularly pleased with this one as it is totally different to the TV adaptation to the extent that only a few names and the fact that it was partially set at Chimneys links
Great easy read to hibernate to.
A stately English country home, British and foreign aristocrats, dead bodies here and there, scandalous memoirs, blackmail letters, a fabulous missing jewel, and an inept but lethal organization calling itself the Comrades of the Red Hand! Great fun.
Hugh Fraser does a marvelous narration.
This one
It's just too much. One or two of those elements can be quaint; all of them makes an annoying mishmash.
Christie writes with a light touch, quick pace and about amusing characters. This story was fun to read and I look forward to the next in the series. It was interesting to note in the Christie movie with this name Jane Marple was the lead protagonist. I will have to watch it and compare notes. The moguls of the movie business must be positive that not only can Miss Marple have only one hat or we won't recognize her, they must also believe that the public won't accept anything but Poirot and Marple. They may be right, I don't care for Tommy and Tuppence.
Now he feels responsible to tell the woman her letters have been stolen and when he gets to her address, she is looking at a murdered man in her living room. It also appears that the succession to the throne of a country in the Balkans is behind this murder and others that are to follow. Most of the story takes place in an English country house with its many servants, guests and hidden passages. The police and especially Scotland Yard come out looking very able in this story.
My one criticism is that Christie seemed to want to wind this novel up in a hurry and tied up the various hanging mysteries too quickly and neatly.
It features neither Hercule Poirot or Miss Marple (although the recent television adaptation did recast it as one of Miss Marple’s cases), and it isn’t even a true whodunit, being instead a simple thriller, straight out of the John Buchan mould. Certainly all the key ingredients of a boisterous story are there – stolen jewels, beautiful but mysterious women, a stately home and quasi-Balkan intrigue (it was, after all, written just a few years after the end of the First World War when the map of Europe had been redrawn under the auspices of Versailles, and newly-minted states were strewn across the continent) and a handsome, intelligent and boundlessly gallant hero thrown in. Sadly, other clichés of the 1920s shocker are also to the fore, and the book is shot through with casual anti-Semitism manifested through a succession of throwaway remarks from most of the characters.
The story does rattle along, and I could see why I enjoyed it so much at the age of thirteen. Forty years on I found it rather irritating. None of the characters displayed any vestige of realism. Of course, one doesn’t read Agatha Christie for her gritty verisimilitude, but this book also lacked her lightness of touch with regard both to characters and plot. It was one of her ealier books, and she was clearly still getting to grips with the genre.
Christie, Agatha. The Secret of Chimneys (Superintendent Battle Book 1) (p. 109).
I referred to Superintendent Battle of Scotland Yard. A man of the utmost discretion.
Christie, Agatha. The Secret of Chimneys (Superintendent Battle Book 1) (p. 106). HarperCollins. Kindle Edition.
What seems likes a simple errand to deliver a manuscript turns into a dangerous and perilous journey to right a wrong, find a jewel and crown a King. Anthony Cade undertakes the quest at the behest of his friend Jimmy McGrath and has soon run afoul of Superintendent Battle who is called into investigate the ensuing trouble.
The Secret of Chimneys is the first Superintendent Battle novel and introduces the intelligent, impassive and humorous, Superintendent Battle.
“You’re a man in a thousand, Battle. Either you have taken an extraordinary fancy to me or else you’re extraordinarily deep. Which is it?” Superintendent Battle smiled a little, but did not answer.
Christie, Agatha. The Secret of Chimneys (Superintendent Battle Book 1) (p. 168). HarperCollins. Kindle Edition.
As always with Agatha Christie, this was a well written mystery with decently complex characters and interesting motives. Battle was a great character. I liked his style - not quite as dramatic and flamboyant as Poirot and not as absent as Colonel Race. He chips away at the suspects and the evidence and uses his own little grey cells to solve the case. And I loved Anthony Cade's easy going nature and his humour and his interactions with Battle were hilarious.
“You know, sir,” he said, “you’ll get into trouble one of these days.” “Then, for the second time, I’m not to be taken into custody?” “We always like to give a man plenty of rope,” said Superintendent Battle. “Very delicately put,” said Anthony. “Without unduly stressing the end of the proverb.”
Christie, Agatha. The Secret of Chimneys (Superintendent Battle Book 1) (p. 209). HarperCollins. Kindle Edition.
I enjoyed how they worked together to solve the crime and how insistent Mrs Revel was on helping and not being left out. Although she was pretty funny in her own right.
“By the way, Mrs. Revel,” he ended, “I’ve never thanked you for imperilling your mortal soul by saying that I was an old friend of yours.” “Of course you’re an old friend,” cried Virginia. “You don’t suppose I’d lumber you with a corpse, and then pretend you were a mere acquaintance next time I met you? No, indeed!”
Christie, Agatha. The Secret of Chimneys (Superintendent Battle Book 1) (p. 147). HarperCollins. Kindle Edition.
I got a little confused by the ending - it got very convoluted and there were so many tangled threads. I actually kind of thought
A well plotted mystery. 3.5 stars, rounded to 3 stars.
Hugh Fraser does a marvelous narration.
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From the HarperCollins Crime Agatha Christie Facsimile Series. In boxed set 'The Early Years'. (1925, Battle).