Status
Call number
Series
Collections
Publication
Description
"No one knows where the Tufa came from, or how they ended up in the mountains of East Tennessee. When the first Europeans came to the Smoky Mountains, the Tufa were already there. Dark-haired and enigmatic, they live quietly in the hills and valleys of Cloud County, their origins lost to history. But there are clues in their music, hidden in the songs they have passed down for generations. . . . Private Bronwyn Hyatt, a true daughter of the Tufa, has returned from Iraq, wounded in body and spirit, but her troubles are far from over. Cryptic omens warn of impending tragedy, while a restless "haint" has followed her home from the war. Worse yet, Bronwyn has lost touch with herself and with the music that was once a part of her. With death stalking her family, will she ever again join in the song of her people, and let it lift her onto the night winds? "--… (more)
Media reviews
User reviews
You see, this community has been living in these hills since before the Europeans arrived, as the story goes, although they aren't Native American; they call themselves the Tufa. They have a very musical tradition, with a supernatural slant, and they all look like each other and keep to themselves. Bronwyn would like to pick up her mandolin again, but her injuries and/or trauma have made her forget how to play. Lucky they heal very fast at home in the hills. She also must contend with portends of death in her family, a haint (ghost) that wants to speak with her, the expectations of her community that she stay there (I was going to say "to conform", but really they seem to do whatever they want so what's to conform to?), and a bad-news former boyfriend who wants to bring her back to her wild, rebellious, sexually free days again (a bit graphic in parts, this book, fyi, not so much a "crossover" YA book, even though the protagonist is 20). An attractive brand new preacher trying, unsuccessfully, to gain congregation members among the Tufa, a psycho cop, and a dispirited reporter who starts to discover his Tufa heritage also feature.
The plot could have had more to it, the preacher and reporter parts felt a bit tacked on, Bronwyn felt rather guy-like rather than ringing entirely true as a wild girl (but it worked ok), and the whole thing somehow felt thin. It's a family drama, really, but the characters weren't deeply developed in my view. It felt like this book was setting up the scene and community for later books, though I don't know if sequels are planned. However, the setting was well-realized and the idea of hillbilly folk music as the supernatural underpinnings and the isolated Tennessee community as modern day fairies was novel and appealing.
The story moves gently, without any large action or world ending experiences. I found the Minister character to be secondary, without given a
The book doesn't explain what the Tufa are. You figure out that through reading the book. Explanations are few to none. I suspect some readers who like everything explained will find this book trying.
Its a quiet sort of book. Mostly character based rather than action.
To write much about Alex Bledsoe’s The Hum and the Shiver is to open up a Pandora’s box of possible spoilers that once started could not be stopped. So I will avoid that trap and only say that this may be one of the best small novels I have read all year.
The Tufa of the Smoky Mountains were settled before the first white men arrived. But are they white, are they black, are they native or are they something quite different? Rooted in ways and beliefs that precede any religion that crossed the seas to find them, they remain true to themselves. They are their own religion, their own belief, their own law. The Tufa exist in our world and somewhere else beyond it.
Bronwyn Hyatt returns home to her family and reluctantly to take her place among the Tufa as a pureblood. She returns home a war hero, a highly decorated soldier from the war in the Middle East. But it is the battle raging in the Smoky Mountains among the Tufa themselves that she must face now.
“…Bliss kissed Bronwyn on the top of her head, then saw the figure Ed had given her. She picked it up and looked it over, paying special attention to the delicate wings. “Pretty good resemblance,” she observed.
“Maybe two years ago,” Bronwyn said.
“You’ve been through a lot. But you’re home, and we care for our own.” She put down the carving and made a slow, elaborate hand gesture. “You know that.”
Bronwyn responded with another similar gesture, but it was weak and weary, as she was now. “I know. But they tried that with Humpty Dumpty, too. Didn’t work out.”
Bliss smiled. The authority of a leader was replaced with a sisterly affection. “They just didn’t know the right song.”…
The right song, for songs are power for the Tufa. The power to heal and the power to raise up. Also the power to destroy. There is a war among the Tufa and Bronwyn must decide where she stands if she decides to stand at all.
…”Daddy thinks it’s because the war over there was easier to fight than the one here.”
“Was it?”
She shrugged. “It was different. It took a lot of nerve just to stand there, knowing that a bullet or a bomb could come from anywhere. But you also didn’t know the people shooting at you or blowing you up. Here…well…they’re family.”
So the Tufa must go on and Bronwyn must decide if she returns to the outside world or stays home. Will she spread her wings, give in to her full Tufa nature and ride the night wind? Which song will she sing?
The Hum and the Shiver will work its way into your senses until you desire to sing your own song.
Her return to
Outsiders are interested in the Tufa too, but this secretive people welcome only those who are of the blood - or have other uses.
Major themes of this work include war, women, and power; the politics of small communities, and magic - but this last you'll have to discover for yourself.
The concept behind the book
I had a hard time understanding the characters. Both the good and the bad. I just didn't buy into why they did the things they did. The relationships between characters ranged from unrelatable to uncomfortable. The relationship between the main character and her mother was the one I had the hardest time with. It seemed like every time that relationship was explored I just dropped out of the story.
The ingredients are there. But unless I hear that the next book is a vast improvement, I don't think I'll be continuing with the series.
The essential idea of this story, based upon Celtic mythology, is fascinating. The Tuatha Dé Danann were supernatural, angelic-like beings who came to Ireland and fought for dominance against the inhabitants. Though they were at first successful they were eventually defeated and rather than leave Ireland they chose to remain, living underground in caves and burrows. The Irish believed it was bad luck to call the Tuatha Dé Danann by their proper name and instead used various euphemisms, such as hill folk, the gentry, and wee folk. Over time, one of these euphemisms - fair folk - was shortened to the more commonly recognized “fairies.”
In The Hum and the Shiver, descendents of these “fairies” came to reside in the hills of Tennessee and became the Tufa. This is a very clever idea but unfortunately it was poorly executed. The mythology is not explained, the history of the Tufa is murky with many unanswered questions, and the magical skills the Tufa employ border on silliness (like obscure hand gestures to invoke spells).
In addition to the weak back story, I found there were multiple problems with the book. The writing quality is mediocre, the characters are unlikable and underdeveloped, and the plot is riddled with holes. Plus, there is excessive sexual content (both implied and explicit), general vulgarity, and foul language. The overall impression I had was that this was a book that might have been written by a 16 year old boy who receives Bs in English class.
From the pen of a more gifted author, The Hum and the Shiver could have been extraordinary. As written, though, I found it hugely disappointing.
Private Bronwyn Hyatt returns from Iraq wounded in body and in spirit, only to face the very things that drove her away in the first place: her family, her obligations to the Tufa, and her dangerous ex-boyfriend. But more trouble lurks in the mountains and hollows of her childhood home. Cryptic omens warn of impending tragedy, and a restless “haint” lurks nearby, waiting to reveal Bronwyn’s darkest secrets. Worst of all, Bronwyn has lost touch with the music that was once a vital part of her identity.
With death stalking her family, Bronwyn will need to summon the strength to take her place among the true Tufa and once again fly on the night winds. . . .
What follows is the story of the Tufa people and their place in the world, and Bronwyn's struggles to find where she belongs. There are other characters in THE HUM AND THE SHIVER who are also trying to find their place including Craig Chess, a young preacher who is attempting to build a congregation where others have failed, and Don Swayback, a reporter with unexplored Tufa heritage who has lost his enjoyment of life.
All of the characters come together through action, mystery, and music, and Bledsoe does a good job moving the story along while putting his words together in a lovely manner. He builds the Tufa's world so well that I became fully immersed in it, and without having actually heard their music, I find it stuck in my head long after finishing the book. Thank goodness it's the first of a series so the song can continue.
But it doesn't. Not even much magic. Could have been so much more.
The book has mystery, a deep-seated spiritual strength, and some folklore. Who are the Tufa and what can they do is more compelling than what happens in the plot at some times. It's an ingenious blending of different worlds.
I cannot remember what prompted me to add this book to my wishlist, but I'm glad I did. And I'm glad Tor Books sent it my way. I'd not read this author before, and liked the way the story flowed. Plus there was enough olde lore to match the Child Ballads and other old songs brought to life in the book. It's interesting that the same painting mentioned in this book has been mentioned in another book, with a totally different plot line. SPOILER ALERT (of a minor sort) STOP HERE!!
The painting is Richard Dadd's The Fairy Feller's Master-Stroke, which is a bit of a mystery in itself. It hangs in the Tate Museum. The author leaves it up to the reader: are the Tufa descendants of the Faerie folk who fled the old country? Read the book, have a look at the Fairy Feller's Master Stroke, and decide for yourself.
Private Bronwyn Hyatt returns from Iraq wounded in body and in spirit, only to face the very things that drove her away in the first place: her family, her obligations to the Tufa, and her dangerous ex-boyfriend. But more trouble lurks in the mountains and hollows of her childhood home. Cryptic omens warn of impending tragedy, and a restless “haint” lurks nearby, waiting to reveal Bronwyn’s darkest secrets. Worst of all, Bronwyn has lost touch with the music that was once a vital part of her identity.
With death stalking her family, Bronwyn will need to summon the strength to take her place among the true Tufa and once again fly on the night winds. . . .
My Rating: Worth Reading, with Reservations
I'm not the most objective reviewer for this book, because I'm so close to the setting itself that I either nitpick or can't recognize blanks if they hit me upside the head. At times Bledsoe captures that small, town, creepy Southern atmosphere right on, but it's not always consistent. Still, I was fascinated by the Tufa themselves and wanted to learn more about them: about their music and their magic and how the two intertwined. The characters, while not always totally sympathetic (and some not sympathetic at all), kept me interested for how all their story-lines interacted. I was invested, and I wanted to learn more. It's an interesting read and I'd love to see where else Bledsoe goes with this series (or trilogy), because despite hiccups and flaws, I was still enchanted. And certainly, there are some enchanting moments in the prose.
Spoilers, yay or nay?: Nay. It's a relatively new book, so I want to leave it unspoiled. However, if you're super-paranoid, just skip to "My Rating," and you'll be fine. Oddly, I'll be talking about how this compares to Graveminder, because they're weirdly similar books, yet I had two utterly different experiences with them. The full review is in my blog, which is linked to below. As always, comments and discussion are most welcome.
REVIEW: Alex Bledsoe's THE HUM AND THE SHIVER
Happy Reading!
hum and the shiverFirst off I really enjoyed parts of this book. It is well told and it certainly kept my interest. My usual 5 minutes read before heading to work this morning was a little longer than planned because I got so engrossed in the story. But that doesn’t mean it was all positive. I had a slight issue with the idea of “pure-blood” and with the separate roles for men and women within Tufa society. Actually thats a bad way of putting it, but saying that such and such was a woman’s song, whereas a different one was a man’s didn’t sit well with me. However at the same time it was clearly a cultural thing, as was the importance of blood-lines. And even that part of it was being questioned by characters in the book. So points for that :)
I liked Bronwyn as a character, I’m not sure I got her all the time, but that’s okay. I got enough of her to not get too annoyed at her mistakes. The rest of the family is less well drawn than she is, but there are other characters there. The pastor in particular I thought was a good character. All too often in fiction being religious is short-hand for being crazy. That isn’t the case here, which is nice :)
This is a very different book from the previous ones I’d read by Bledsoe, but is shared some aspects. Easy to read, engaging, and with plenty of humour.
It also has the feel of a book in a series, well a ‘verse more likely I think. And I’d be interested in reading more if that were the case.
That said, I enjoyed the story, but only
[Audiobook note]: The audiobook is performed by two readers: one when the narration mostly comes from a female character; the other when it comes from a male. While I can understand why the producer chose to do this, I'm not sure it was the best decision. The female reader (Emily Janice Card) does a much better job of capturing the mountain accent. And the story might have been smoother without the back-and-forth transition between readers.]
Absolutely recommended.
The new
Maybe more foul language & loose sex than I usually select in a book, but it's nothing I haven't heard before.