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The martian way. Isolationists on Earth were cutting off supplies to the colonies, and there was no earthly way the Spacers could survive without water. But young Ted Long had an idea--a real long shot...Youth. Red and Slim figured they'd joing the circus with the two small, strange animals they'd found. They didn't realize that their fathers were waiting anxiously for alien emissaries, now overdue...The deep. Roi's mission was vital to the very survival of his alien species. But to succeed, he must face an ordeal his race considered obscene--mothering...Sucker bait. The planet Troas seemed a paraidse, but is was a killer. The Confederation sent a team of scientists--and a strange teenager with a perfect memory--to unravel the planet's mystery before it could kill again...… (more)
User reviews
But all of these certainly have that twist in the tale, that pleasure of a good puzzle. The title novella, "The Martian Way" does have that little "hmmm" moment where you see the universe a little differently. Not enough I'd count it a standout among Asimov's fiction, but it's there. I actually preferred all the stories that followed. "Youth" I thought a hoot. Asimov does have a sense of humor, and this one is funny and has a classic twist only the written word could bring off. It's my second favorite of the collection. "The Deep" has both cool world-building (literally) and one of those truly original alien perspectives. The story that closes the collection, "Sucker Bait" is the longest and definitely my favorite of the book. Together with "Youth" it just pulls the collection up to four stars. For one, it is that rare Asimov story with a character--Mark Annuncio--who is unusual and memorable. Not autistic, not an idiot savant exactly and not simply adolescent genius. He really is different among Asimov's characters and the story itself an interesting scientific mystery.
The Martian Way is the first story in the volume, and it is also the best. A substantial chunk of the high rating for this book is based solely on this story. I must confess that long ago this was the first science fiction story that made me really think it was plausible, which was a real eye-opener for me. Despite being nearly sixty years old now, the story still seems plausible. In fact, despite the clumsy and heavy handed addition of a McCarthyesque villain and some minor scientific flaws involving the make up of the rigns of Saturn, the story seems to me to point out why sending humans out to Mars and beyond would be incredibly lucrative and open up the true wealth that is out there to humanity. Sadly, sixty years on, and despite the fact that there isn't any technology in the story that could not have been plausibly made in the 1950s, we are no closer to realizing the world depicted now than we were then.
Sucker Bait, the other "explorers think outside the box to save their skins" story, is competent and readable, but far less compelling. The stoy mostly amounts to a rant about how experts have walled themselves into their own limited fields of knowledge and how this is limited and potentially dangerous. The theme of this story positing the benefits of having generalists in a world of experts is touched on elsewhere in Asimov's fiction in stories like Profession and in the works of other authors, making up one of the themes in John Brunner's Stand on Zanzibar. This story is an adequate example of a story built on that theme, but not much more.
Of the two alien contact stories, Youth is the weaker. The story follows a farmboy and his city friend who stumble across an unknown organism and try to keep it as a pet with the intention of using it as a way to gain employment with the circus. Over the course of the story it is revealed that the organism is actually an alien and that the "city friend" is visiting the country with his father specifically so his father can make contact with these aliens. The story rambles along as the boys try to hide their discovery from their parents, certain that they will disapprove of any pet, and the adults try to figure out why the aliens they expected to meet have apparently not shown up. The story ends with a 'twist" ending that is pretty much telegraphed to the reader and should surprise nobody, although it seems obvious that Asimov thought that it was terribly clever. The twist ending alone downgrades the story to being marginal at best, but up to that point it is decent.
The second alien contact story is The Deep and is told from the perspective of a race of insect like telepathic subterranean dwelling aliens living on a dying planet. despite the fact that Asimov rarely wrote about aliens in his fiction, this work makes clear that he had no trouble creating truly alien beings. The story itself is something of a subversion of the typical alien invasion story, because despite the fact that the aliens want to move from their dying planet to Earth, they are shown to be so truly alien that it is possible that humanity would never know they had arrived. Although this story does not get much attention, it is one of Asimov's better works, and along with The Martian Way it makes this collection well worth reading.
With one stellar story, one above average story, and two mediocre ones, this collection is certainly worth reading. despite the fact that all of the stories in this volume are now well over fifty years old, they have all aged reasonably well. Reasonably well in all but one aspect, and that relates to women: Asimov's lack of skill in handling female characters is compounded by conventional 1950s social mores resulting in very few female characters, and the ones who are presented are almost ridiculous caricatures. Despite this failing the stories remain quite forward-looking in all other respects, making this is a very good collection that most science fiction fans will still enjoy despite its age.
One complaint: the edition I have (Panther) has massively over-explanatory blurb, which manages to give away too much about every story in only four lines each. I hope the editor responsible moved into academic abstracting.
Though responding to the times, these stories do not come off as preachy, but instead aim to entertain while informing, as good writers tend to do. This collection of short stories is in some ways the antithesis of Earth is Room Enough, featuring interplanetary settlements and the attempts thereof.
Sure to be enjoyed by fans of Asimov, those following the literary responses of McCarthyism, or even fans of old school science fiction.