The Complete Fairy Tales (Penguin Classics)

by George MacDonald

Other authorsU. C. Knoepflmacher (Author)
Paperback, 1999

Status

Available

Call number

PR4966 .K58

Publication

Penguin Classics (1999), 384 pages

Description

George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. The Complete Fairy Talesbrings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination." The subjects are those of traditional fantasy- fairies good and wicked, and children journeying into unsettling dreamworlds or undertaking life-risking labours. But though they allude to familiar tales such as "Sleeping Beauty" and "Jack the Giant-Killer", MacDonald's stories are profoundly experimental and subversive. By questioning the concept that a childhood associated with purity, innocence, and fairy-tale "wonder" ought to be segregated from adult scepticism and disbelief, they invite adult readers to adopt the same elasticity and open-mindedness that come so naturally to a child. Enlisting paradox, play, and nonsense much like Lewis Carroll's Alice books, these fictions challenge us to question and rethink our assumptions, and offer an elusive yet meaningful alternative order to the dubious certitudes of everyday life.… (more)

User reviews

LibraryThing member Ste-vo
C.S Lewis wrote that he considered George Macdonald to be his master and I can see why after reading everyone of his wonderful fairytales. Both bring such warmth and wit to their allegorical writing and both have are masters of imagery. Macdonald reveals his deep love for nature through every story
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and it is clearly a love inspired by the creator of all the beauty in the natural world.

Reviewers at the time criticised Macdonald for lifting stories from other writers, I can see instances where this is the case such as the Giant's heart story being similair to Jack the Giant Killer but even when Macdonald does use a story as a basis for one of his own he puts a completely new spin on it.

I have to say I didn't enjoy the ones set within dreamlike worlds such as Nanny's dream or the Golden Key. There were things about them I enjoyed such as the imagery in Nanny's dream and the obvious Christian symbolism in the Golden Key but on the wbole I couldn't engage with them fully.

My favourite stories were The Light Princess, The Lost Princess and the History of Photogen and Nyceteris. All but one happen to be centered around a romantic relationship but what they all have in common is their stories of redemption through trial especially so in the Lost Princess which was the most difficult but rewarding to read as I kept wanting her to do better and magically be perfect everytime she slipped but she proved very fallable and thus human. In her I saw much of myself and many of the stories lessons have actually proved useful in real life!

To summarise, I love these books! There's so much I could say about each story but hopeful I can convince other people to read them so I can discuss it with them. I would recommend these if you love allegory and Lewis.
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LibraryThing member zinkel101
Macdonald's fairy tales have subtlety. His are proper fairy tales, yet the moral is not overstated, so obvious as those of Jesus or Aesop. Knowing of Macdonald as a moralist first, from C.S. Lewis's writings, I looked for the moral of each story. It sometimes seems obvious; the Princess of The Two
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Princesses is a little dense not to learn sooner than she does. But that is an almost superficial level of morality in the story. That is, there is a deeper level in the story, written in such a way that it surprises the reader. At least, my reactions surprised me. For example, in The Light Princess the hero sacrifices himself for love of the princess. This is nothing new. Yet it becomes a moving story with the princess's metamorphosis, as she realizes his sacrifice. Macdonald gives the reader just enough psychology of the characters to make them more human than most fairy tales provide.
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LibraryThing member StefanY
Possibly the language and era in which the tales in this book was written effected my enjoyment of this book. There were some tales in it that I did like, for example, The History of Photogen and Nycteris was quite good actually. Overall however, I found most of the tales to be preachy and in
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effect little more than sermons dressed up as fairy tales. This makes sense since the author, George MacDonald, was a Christian minister, but understanding in this case did not increase my enjoyment.

On a positive note, the tales are very well written. The introduction also contains some very good insights by the author about writing and fairy tales in general that I found interesting. I do not dispute that this is an important and influential work, I just did not find the majority of the book to be entertaining.

For those that enjoy reading the classics, don't let my review put you off. I am judging this book entirely by my enjoyment of it, not by its literary merit. I would say that it would be worth your time to give it a shot. You may find it much more rewarding than I did.
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LibraryThing member Czrbr
Book Description: Westminister, Maryland, U.S.A.: Random House Children's Books, 1977. Soft Cover. Very Good 2rd Printing. Trade Pbk. Clean and solid copy.
LibraryThing member jjmcgaffey
Mildly interesting. A few of the stories were pleasant; several were random patches of story, without any arc or plot let alone an ending (The Shadows was particularly annoying). I liked the later ones, that the author of the introduction thought were too sad and shouldn't have been written. There
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was actual story there, though MacDonald is really bad at endings - most of the stories more or less trail off without coming to real conclusions (not even "and they lived happily ever after"). These are pure fairy tales, not the "modern" ones that build solid characters and put them into fairy-tale situations; the characters here are more outlines than people. The Lost Princess characters have the most depth, because that's the point of the story, but they're still pretty shallow. Glad I read it, though I doubt I'll ever bother to reread.
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Language

Original language

English

Original publication date

1961

Physical description

384 p.; 7.7 x 0.68 inches

ISBN

9780140437379

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