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Biography & Autobiography. Self-Improvement. Nonfiction. HTML:A triumphant memoir by the former editor-in-chief of French Elle that reveals an indomitable spirit and celebrates the liberating power of consciousness. In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young children, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem. After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book. By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him. Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly. This book is a lasting testament to his life.… (more)
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"But to keep my mind sharp, to avoid descending into resigned indifference, I maintain a level of resentment and anger, neither too much nor too little, just as a pressure cooker has a safety valve to keep it from exploding."
Chew on that lyrical gem a bit. Words to live by, even if your body, unlike Bauby's, is not permanently paralyzed.
Perhaps if this poor man, victim of a massive and usually lethal stroke at 43 that left him in a coma for two months, weren't dead right now, and hadn't died so soon after completing what could be considered the most concentrated (and certainly shortest) tome ever written, or had I not known these horrible facts while reading the book, I could say then, and only then, that I enjoyed it, the book. I greatly enjoyed the poetic, philosophic writing, the sardonic humor despite his heartfelt and unfathomable (for someone not trapped in his godawful situation) psychological suffering and loss, and even the occasional, understandable, bitter barbs of incisive wit he let loose, I liked too (i.e., an insensitive, gruff doctor asks Bauby, "Do you see double?", and Bauby, internally, replies, "Yes, I see two assholes, not one."). But how can I honestly say I enjoyed this story? I suppose I did enjoy it - the storytelling, that is - but I likewise didn't enjoy poor Jean-Dominique Bauby's tragic story. A story that just as easily could be anyone's story at any time, should Fate or God or The Cosmos or Whatever determines to do to you what it determined so abruptly and brutally - fatally - for Bauby.
It's so much easier to read something deliciously depressing like The Road because it's obviously made up stuff no matter how realistic the author breathes whatever bleak and ruined life into the characters and settings and scenarios he's created, but The Diving Bell And The Butterfly is about as in-your-face, depressingly real as it gets. And it's not depressing necessarily because of anything Bauby said (or how he said it) - though I will wholeheartedly say that Bauby said as much about life - and about death and suffering and how to deal with the latter two as optimistically as possible - I believe, in barely 100 pages (and did so only by blinking his left eye! - you just try communicating and writing anything - let alone what borders on the meaning of life - just by blinking your left eye!), as any existentialist, 19th century Russian masterpiece could say even though it pushed or exceeded a thousand pages.
Bauby indelibly tapped into the primal human horror of having complete consciousness, and yet being so ill-equipped to communicate that consciousness - to connect it - to another human being as to take humanity's innate dread of loneliness and abandonment to levels perhaps previously unrealized in fiction or non-fiction. I've a dear daughter "locked-in" her own isolated interior world of autism, and knowing Bauby through his brief book, helps me understand and recognize more clearly that there's probably a lot more going on beneath the surface with my mostly non-verbal, uncommunicative daughter than I ever realized.
The book, quite simply, is beautifully sad. Hopeful, and yet despairing. Inspiring, yes, but not "joyous," as the dumb publishing blurb on the back, falsely claims. Movie tie-in marketing no comprendo's.
I don't recommend The Diving Bell And The Butterfly, but I think everyone should read it.
For all the damage that has been done, one seemingly insignificant piece of control remains: Bauby is able to blink his left eye. By blinking to select letters of the alphabet as they are recited to him, one by one, he communicates his thoughts in vivid prose.
You might think that a 131 page book written in this fashion would be a clunky read. Instead, this autobiography is, at the risk of sounding trite, absolutely beautiful. His words dance off the page. There is no pretension, no bitterness or self pity. His descriptions of the past and present are observant and often witty (“ If I must drool, I may as well drool on cashmere"), while other parts are heart wrenching. For all the optimism Bauby attempts to muster, there is no avoiding the cruelty of his condition.
“ Today is Father’s Day,” he writes. “ Until my stroke, we had felt no need to fit this made-up holiday into our emotional calendar. But today we spend the whole of the symbolic day together, affirming that even a rough sketch, a shadow, a tiny fragment of a dad is still a dad. I am torn between joy at seeing them living, moving, laughing or crying for a few hours, and fear that the sight of all these sufferings---beginning with mine---is not the ideal entertainment for a boy of ten and his eight-year-old sister.”
Ultimately, this book isn’t so much about locked-in syndrome as it is a testimony to the resilience of the human spirit. Bauby’s extraordinary attitude will leave you thinking about life, and the simple, mundane tasks we take for granted, long after you finish the last page.
If you read only one book this year, it needs to be this one.
The entirety of this book, in reality, occurs solely in Bauby’s hospital bed and the surrounding hallways and corridors. However, Bauby’s imagination takes the readers out into the French theatre, picturesque beaches and wide open outer space. We can picture Bauby sitting at a long wooden table divulging into his favorite feast. His vivid description also takes us back into the time of the accident, into a speeding car where Bauby’s mortality catches up with him.
The main characters in Bauby’s memoir are Bauby, his family and his assistant Claude who records his intended letters for the next word by a series of blinks. Bauby specifically characterizes his locked-in syndrome, and it in essence becomes a character in itself. It does not seem to be a part of Bauby, but instead an outside force (a diving bell) that prevents him from playing with his son and carrying on daily activities that we all take for granted. His explanation of this oppressive bell, however, and its inability to break Bauby’s spirit says more about him than he could ever wish to convey. It shows the reader of Bauby’s perseverant sense of humor and optimistic view point on life itself.
He helps inspire us to put our lives into perspective and enjoy each minute for what it is. As Bauby dives into each aspect of his life, we learn more and more about Bauby but also an incredible amount about ourselves and what is important to us. This is certainly a book that will make an impact on your life, as it has mine.
Jean-Dominique Bauby,
My heart goes out to Jean-Dominique (JD) and to all those that suffer with "locked-in syndrome." How devastating and frustrating it would be to be trapped in one's own body. I applaud, respect and admire JD for accomplishing such an incredible task - the dictation of a book, letter by letter, with only one eyelid. It's remarkable to say the least. However, I am not rating JD as a man, I am rating my experience reading the book. On the surface, his tenacity is something to aspire to, but the story lacks any deep emotion or passion. There's a tender moment or two, but for the most part he holds himself in check, avoiding any self-pity, but I think in that process he left out his heart.
It's my understanding that the movie is fantastic and one worth seeing many times over. So, I'm going to make a conscience attempt to get the movie and I'm hoping to see what I missed in the book. (2.75/5)
Originally posted on: Thoughts of Joy
Bauby chronicles his post-disaster experiences bluntly, drifting neither to woeful pleas nor to survivalist euphemism. Though never ignoring the helpings of pain, humiliation, boredom, and frustration his broken body delivers each day, he describes them with a directness, a matter-of-fact resignation, even a dry humor. His style thus insulates the reader from the tragedy of his existence while still affording a complete understanding of experience of Bauby’s imprisonment. Diving Bell is not a call for pity, a catharsis, or a tirade; it is a reminder to the players in his life, perhaps most of all himself, that the man Bauby was before 8 December 1995 still exists.
Bauby wanders from present to past, even daring to consider the future, sculpting an image of the person a near half-century of life has molded. Although he speaks wonderingly of the opinions of people who met him ‘before’ as compared to those who met him ‘after,’ for Bauby there is no discernible difference between these seemingly disparate identities. The reader meets Bauby in his current state and knows this to be the same man who fathered two children, traveled as often and as far as he could, and toiled as editor-in-chief of Elle magazine. He has succeeded, then, in that goal.
Though Bauby reminisces often about the people in his life, these characters remain somewhat ghostly figures in Diving Bell. Robbed of the privilege of exchange, Bauby interacts in such a one-sided manner that his interlocutors seem to be his own creations. The reader learns little about the individuals that comfort, infuriate, entertain, and annoy Bauby. This, along with the brevity of the book and the abruptness of its end, leaves the reader anxious for more. One suffers a pleasurable curiosity, however, not a frustrating emptiness, a gratifying lesson in empathy for a man who, like the reader, cannot ask for more.
So what can I say about The Diving-Bell that hasn't been said yet? One aspect of the book that stood out to me, owing to my own background and interests, were his periodic references to Arabs and Islam. I'll discuss that here, since no other review I've read yet have touched on this (admittedly small, but interesting) aspect of the story. So here it is. Bauby's references to Arabs were, unfortunately, usually related to violence and extremism, ssuch as the murder of seven monks in Algeria (during the 90s I think) and, later, a friend taken hostage by Hezboallah. Bauby also calls on images of the Thousand and One Nights, an image of Aladdin's cave, and a postal stamp from a Middle Eastern country in an attempt to conjure up his feelings about wealth, adventure, and exoticism. It reminds the reader that, sadly, Bauby's days of travel were done... but it also rubbed me slightly the wrong way.
Please note. I don't mean to suggest that this memoir was shallow, insensitive, or any less worth reading for those perhaps silly reasons. But those things do illustrate how seamlessly those perceptions about the Arab/Muslim world (exotic, dangerous) seemed to have been woven into Bauby's worldview. (In the same vein, while daydreaming about being able to rise from his bed, via TV, and take part in famous military endeavors included a reference to parachuting into Dien Bien Phu.)
Anyway, I suppose Bauby's being French accounts for these things, in a specific sense... but his being a member of the 'West' accounts for them in a larger sense. So I guess in addition to being an impressive memoir of dealing with a terrible health crisis, this short memoir can also be read as an exercise in postcolonial awareness. And I do wonder what the author would have thought about that; he came off seeming a very thoughtful guy. Wish he were still around to tell us.
What emerged from this labour is a combination of images from his life which stood vividly in his mind, and, equally vivid, his life in the hospital in the paralysed state. It’s very well written and utterly fascinating, intense, devoid of self pity and full of tenderness and love of life. It manages to be witty and entertaining on top of everything else.
It's bound to become one of more memorable books I've read.
Then, a couple of years ago, it was the book choice for the HTV book club, so I grabbed a copy from the local library. I immediately fell in love with the cover. It was truly beautiful, all shiny and sparkly, like a butterfly's wing.
Last year The Book People advertised their Stranger Than Fiction set of books and the main books that sold it to me were The Perfect Storm and this book. I really wanted a copy of my own, I would have loved to have had the copy pictured above, but I'm happy with the one I got.
It's a truly incredible story, and it's quite horrifying to think about. Imagine being trapped in you own body, unable to move and your only method of communication is via blinking one eye (the other having been sewn shut for its own protection). It's a truly incredible story. Somehow all the more special because it's true, Bauby is telling his own story.
It's a very short book. I started reading it in the morning, and was a good portion of the way through it by the time I stopped. When I went to bed (rather late) I decided to read on and realised I was over half-way through it. So I just kept going, it's far too good to stop and can easily be read in one sitting. I ended it finishing it shortly after midnight.
I do rather selfishly wish that it was longer. It's a selfish thought of course, when you consider the effort that went into its creation. Bauby had to work with another person who would run through the letters of the alphabet and watch for his blink each time they reached the letter he wanted. It must have taken so much effort to get even a sentence out, I really can't complain about the fact that I wish there were another 160 pages to devour during my reading session.
It's a book which really speaks for itself, there's so much I could say for it, but I think it would be far better for you just to go out and read a copy yourself. You'll fall in love with it, you just can't help but love it. Bauby has the chance to be such a tragic character, but he isn't really, it's incredible how he's able to keep going and produce a fantastic book. Though you can feel his pain in the text, the way he's longing for his lost life and independence. It's a real shame that he never got the chance to make more of a recovery; he died shortly after the book's publication.
I have always wondered what it would be like to be in complete control of my mind and yet be imprisoned in a body that I could not move. This book has answered that question for me.
It was written, surprisingly, with
If ever I feel the need to descend into depression I will think of Jean Bauby and remember that if he could find enjoyment in the smallest of life's pleasures in the remotest corner of life then I have much more to be grateful and happy about in my life.
I am grateful to him for this gift and my memory of him will always carry a great deal of respect for him.
I hope wherever he is, he's free
"..these uncooperative deadweight limbs, which serve me only as a source of pain."
"..if the nervous system makes up its mind to start working again, it does so at the speed of hair growing from the base of the brain."
"But for now, I would be the happiest of men if I could just swallow the overflow of saliva that endlessly floods my mouth."
"If I must drool, I may as well drool on cashmere."
As it happened, Bauby found himself imprisoned. Trapped in his failing body, suddenly unable to move, when previously he had been an active forty-something with a family and a high-flying job, Bauby’s bewilderment is the most clear and profound message of this book. He speaks eloquently of his experience of the hospital, of each of his torturous days, of his few jaunts into the outside world. Perhaps most touching is his description of the day of his stroke, which was like any other until his world was torn from its moorings. That sense of a sudden horror resonated like a bell for me; serious illness swoops unexpectedly from nowhere and scrambles human lives into something unrecognisable.
Would I recommend this book? Yes. Would you want to read it? If you’re not afraid of powerlessness, of frustration, of suffering that cannot properly be expressed, and a sense that Bauby was one of the great writers we never really got to read.
I thought the book was
Jean-Dominique Bauby's THE DIVING BELL AND THE BUTTERFLY is a small book composed of many big wonders. Primary among this book's extraordinary qualities is the fact that Bauby, a former editor in chief of the world-famous French ELLE, was able to "write" it at all.
Anyone could easily have forgiven Bauby had he chosen to lapse into the kind of rage and unhinged sentimentality that characterize (although justifiably so) other memoirs based on extreme medical situations. However, he takes a wholly different route. Like "the invisible diving bell" that imprisons his body and the butterfly wings of memory and meditation that provide some relief, Bauby's prose floats back and forth between the severe and the sublime. Astonishing above all else is the stream of humor that flows unforced and unfettered throughout the book, as when the editor insists on being allowed to drool while dressed in cashmere rather than in hospital garb. From musings on the glamour of his former life to the simple pleasures of a leisurely bath, this book contains much irony and healthy doses of cynicism. It displays as well the brilliant dignity of one damaged soul's refusal to fade into nothingness before having its final say. Despite Bauby's death two days after the French publication of his book, his voice will boom through these pages for many years to come.
Aberjhani
author of I MADE MY BOY OUT OF POETRY
and ENCYCLOPEDIA OF THE HARLEM RENAISSANCE
You are completely paralyzed. You cannot speak and the only part of your body you can move by yourself is one of your eyelids. Yet your mind is as sharp as ever and as you lie on your hospital bed, you are all too aware of the world around you and your
This is what happened to Jean-Dominique Bauby, who tells his story in The Diving-Bell and the Butterfly.
Yes, you read that right. Bauby dictated his story letter by letter, blinking as the letter he wants is read out from a chart by his bed.
How hard must that have been - mentally composing each passage, and having to hold it in his head, a flood of words that can only drip one letter at a time.
Bauby was the editor in chief of Elle magazine, and suffered a massive stroke at the age of 42 which left him trapped inside his body with "locked-in syndrome". He died two years later.
His writing is often moving, sometimes surprisingly humourous, but never self-pitying as he describes the hospital routines and his visitors, revisits his past and sheds the cocoon of his useless body to allow his mind free flight.
"You can visit the woman you love, slide down beside her and stroke her still- sleeping face. You can build castles in spain, steal the Golden fleece, realize your childhood dreams and adult ambition."
And yes ... if this poor soul with one working eyelid can write a book this good, what excuse do the rest of us have?
Bearing in mind the circumstances of its writing, it is a wonderful achievement, but people talk about its value on its own terms.
I found it rather forgettable.