Status
Available
Call number
Publication
Three Rivers Press (1996), Edition: Reprint, 496 pages
Description
From fads to fungus, baseball to beeswax, Gould always circles back to the great themes of time, change, and history, carrying readers home to the centering theme of evolution.
User reviews
LibraryThing member vguy
Full of interest, though a bit scattered and with a touch of the manic. Amazed to discover on page 374 that I'd read it before - perhaps 10 years ago. The item that rang a bell was the 3 meanings of "Bug" ( beastie, computer glitch, listening device). Of the rest, not a phrase was familiar, though
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some things seemed part of my general knowledge. What do we take in when we read? what remains? Show Less
LibraryThing member iayork
Elegant and erudite: Gould's 1996 collection of essays for "Natural History" magazine ranges over the broad and varied terrain of his intellect and curiosity, educating and satisfying the reader with elegance, wit and powerful reasoning.Gould delights in juxtaposing literature and science, the
In this collection, Gould divides his essays into eight sections. "Heaven and Earth" includes his marvelous experience of the effect of a solar eclipse on the citizens of New York City, and in "Literature and Science," he ruminates on the moral lesson of Frankenstein and Hollywood's subversion of it.
"Origin, Stability, and Extinction" argues that the Cambrian explosion is even more the "key event" in the history of multicellular animals than previously believed, "Stability" includes "Cordelia's Dilemma," "Extinction" includes the title essay on Darwin's view that "all observation must be for or against some view."
"Writing About Snails" delves into women's Victorian writings (I'm reminded of the value of negative results), "The Glory of Museums" explores "Dinomania" and "The Disparate Faces of Eugenics" revisits the hilarious arguments of an eminent scientist who argued that cancer causes smoking.
"Evolutionary Theory, Evolutionary Stories," explores the arguments of Creationism and the origin of evolutionary science's best one liner (in answer to a question on the nature of the Creator) "an inordinate fondness for beetles," and "Linnaeus and Darwin's Grandfather" uses the whimsical observation of the "curious conjunction" of Linnaeus and Gustav III on a Swedish banknote to explore the scientist's classification theories (still used today) and his adherence to a religious Creationism.
Certain themes recur in these essays. Gould is a staunch evolutionist and defends Darwin's theories vigorously, even when pointing out mistakes and misconceptions. He takes Creationism seriously - as a threat to scientific reasoning. His interest in natural history extends to the history of human thinking about nature and science.
His essays are beautifully crafted, full of literary allusions, anecdotes and turns of wit but always to the point. He loves tracking down the precise source and context of oft-used quotes as much as he enjoys tracing the origin of flatworms, and manages to arouse his reader's interest in both. He is not a writer of wasted words. Best of all, Gould's essays are always as thought provoking as they are entertaining.
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familiar and the unexpected. He chooses "Cordelia's dilemma" - her refusal to compete with her sisters in making loud protestations of love for their father, King Lear - as an analogy for "publication bias" - the reluctance of journals to publish boring negative results in favor of more interesting successful experiments. A positive result in a study of AIDS or cancer treatments wins headlines while later failures to duplicate those results are read by few. And most negative results never see publication at all. "Lear cannot conceptualize the proposition that Cordelia's silence might signify her greater love - that nothing can be the biggest something."In this collection, Gould divides his essays into eight sections. "Heaven and Earth" includes his marvelous experience of the effect of a solar eclipse on the citizens of New York City, and in "Literature and Science," he ruminates on the moral lesson of Frankenstein and Hollywood's subversion of it.
"Origin, Stability, and Extinction" argues that the Cambrian explosion is even more the "key event" in the history of multicellular animals than previously believed, "Stability" includes "Cordelia's Dilemma," "Extinction" includes the title essay on Darwin's view that "all observation must be for or against some view."
"Writing About Snails" delves into women's Victorian writings (I'm reminded of the value of negative results), "The Glory of Museums" explores "Dinomania" and "The Disparate Faces of Eugenics" revisits the hilarious arguments of an eminent scientist who argued that cancer causes smoking.
"Evolutionary Theory, Evolutionary Stories," explores the arguments of Creationism and the origin of evolutionary science's best one liner (in answer to a question on the nature of the Creator) "an inordinate fondness for beetles," and "Linnaeus and Darwin's Grandfather" uses the whimsical observation of the "curious conjunction" of Linnaeus and Gustav III on a Swedish banknote to explore the scientist's classification theories (still used today) and his adherence to a religious Creationism.
Certain themes recur in these essays. Gould is a staunch evolutionist and defends Darwin's theories vigorously, even when pointing out mistakes and misconceptions. He takes Creationism seriously - as a threat to scientific reasoning. His interest in natural history extends to the history of human thinking about nature and science.
His essays are beautifully crafted, full of literary allusions, anecdotes and turns of wit but always to the point. He loves tracking down the precise source and context of oft-used quotes as much as he enjoys tracing the origin of flatworms, and manages to arouse his reader's interest in both. He is not a writer of wasted words. Best of all, Gould's essays are always as thought provoking as they are entertaining.
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LibraryThing member dgbedoya
Stephen Jay Gould is one of the most important writers about evolution and the biological science in general. His style is attractive and is easy to read even if you are not a specialist on the topic. This book in particular is one of my favorites in my library and is also useful to teach my
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ecology students. Show Less
LibraryThing member BradKautz
Dinosaur in a Haystack is a collection of 34 essays by Harvard paleontologist Stephen Jay Gould. Each essay involves some aspect of natural history as it intersects with contemporary life. The essays were originally published in the journal Nature, and this volume joins several other previous
I read those two particular books about 30 years ago and remembered them fondly. I had anticipated the same previous delight in Gould's prose and the way in which he could make the sometimes esoteric aspects of natural history alive and relevant to today. I was disappointed. As I read through this volume it became apparent that what had changed was not Gould, but I.
Gould is a scientist, first-and foremost. Holding a chair at Harvard places him among the most distinguished of his profession, and as such, I would say that he faithfully holds to the party line. And that respect I mean that he is as Darwinian as they come. He has intimate acquaintance with the content of Darwin's The Origin of the Species and in my reading of Gould I find that Darwin is his touchstone. It is Darwin's work that forms the organizing place for everything else that takes place within natural history.
With Darwin as his foundation, and an unshakable one at that, for Gould, there exists, in Gould's view, no place at all for any other possible way of organizing creation. Which is to say that Gould makes no allowance for even the most remote possibility that there was a divine creator of the universe. This perspective comes through his persistently, and I thought quite curiously, as well.
The curious part is that Gould, as a product of a public school education in the 1950's, combined with his own former religious practice as a Jew, is much more fluent in the words of the Bible than the average person and he consistently incorporates scriptural references into his writing. Unfortunately, he uses them in an entirely secular fashion, missing entirely the Creator that they point to.
So Gould, and I approach the natural world from vantage points that have irreconcilable suppositions. His, per Darwin, as that the world that we know came about entirely through natural processes, without any involvement on the part of the divine. And for myself, I have come to understand that the complexity of the world is too vast for there to be anything but the involvement of a Creator. Both Gould's point and mine require accepting some things that cannot be fully explained. The difference is that I find plausible the words of the Bible for creation, while he finds the same words as window dressing for natural history.
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collections of Gould's work, including Hen's Teeth and Horse's Toes and The Flamingo's Smile.I read those two particular books about 30 years ago and remembered them fondly. I had anticipated the same previous delight in Gould's prose and the way in which he could make the sometimes esoteric aspects of natural history alive and relevant to today. I was disappointed. As I read through this volume it became apparent that what had changed was not Gould, but I.
Gould is a scientist, first-and foremost. Holding a chair at Harvard places him among the most distinguished of his profession, and as such, I would say that he faithfully holds to the party line. And that respect I mean that he is as Darwinian as they come. He has intimate acquaintance with the content of Darwin's The Origin of the Species and in my reading of Gould I find that Darwin is his touchstone. It is Darwin's work that forms the organizing place for everything else that takes place within natural history.
With Darwin as his foundation, and an unshakable one at that, for Gould, there exists, in Gould's view, no place at all for any other possible way of organizing creation. Which is to say that Gould makes no allowance for even the most remote possibility that there was a divine creator of the universe. This perspective comes through his persistently, and I thought quite curiously, as well.
The curious part is that Gould, as a product of a public school education in the 1950's, combined with his own former religious practice as a Jew, is much more fluent in the words of the Bible than the average person and he consistently incorporates scriptural references into his writing. Unfortunately, he uses them in an entirely secular fashion, missing entirely the Creator that they point to.
So Gould, and I approach the natural world from vantage points that have irreconcilable suppositions. His, per Darwin, as that the world that we know came about entirely through natural processes, without any involvement on the part of the divine. And for myself, I have come to understand that the complexity of the world is too vast for there to be anything but the involvement of a Creator. Both Gould's point and mine require accepting some things that cannot be fully explained. The difference is that I find plausible the words of the Bible for creation, while he finds the same words as window dressing for natural history.
Show Less
LibraryThing member AliceAnna
A Darwinian's delight. Although much of the reading was dry, there were certain compelling essays. I particularly enjoyed (if that's the right word) the sequence on eugenics and the essay on Poe's scientific writing (maybe, maybe not).
LibraryThing member nmele
Although some of Gould's books were pleasurable reads for me, this collection of his essays was a little bit tedious for some reason. He is an engaging essayist, but I suspect that so many years after his untimely death, his style and the subjects he treats are a bit...well, dated. It doesn't seem
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possible, but there times I had to put this book down and leave it for a day or two before reading the next essay. Show Less
LibraryThing member JBD1
The usual mix of essays from Gould, though I enjoyed a higher proportion of these than I sometimes do in his volumes.
Language
Original language
English
Original publication date
1996
Physical description
496 p.; 9 inches
ISBN
0517888246 / 9780517888247