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Biography & Autobiography. Business. History. Nonfiction. HTML: New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty�??his mother's family, the Vanderbilts. One of the Washington Post's Notable Works of Nonfiction of 2021 When eleven-year-old Cornelius Vanderbilt began to work on his father's small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires�??one in shipping and another in railroads�??that would make him the richest man in America. His staggering fortune was fought over by his heirs after his death in 1877, sowing familial discord that would never fully heal. Though his son Billy doubled the money left by "the Commodore," subsequent generations competed to find new and ever more extraordinary ways of spending it. By 2018, when the last Vanderbilt was forced out of The Breakers�??the seventy-room summer estate in Newport, Rhode Island, that Cornelius's grandson and namesake had built�??the family would have been unrecognizable to the tycoon who started it all. Now, the Commodore's great-great-great-grandson Anderson Cooper, joins with historian Katherine Howe to explore the story of his legendary family and their outsized influence. Cooper and Howe breathe life into the ancestors who built the family's empire, basked in the Commodore's wealth, hosted lavish galas, and became synonymous with unfettered American capitalism and high society. Moving from the hardscrabble wharves of old Manhattan to the lavish drawing rooms of Gilded Age Fifth Avenue, from the ornate summer palaces of Newport to the courts of Europe, and all the way to modern-day New York, Cooper and Howe wryly recount the triumphs and tragedies of an American dynasty unlike any other. Written with a unique insider's viewpoint, this is a rollicking, quintessentially American history as remarkable as the family it so vividly… (more)
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Cooper begins with Cornelius Vanderbilt, the family patriarch who was known as "The Commodore." He worked on his father's ferry as a boy and, with a loan from his mother, purchased his own boat when only a teenager. It was he whop made the family fortune in shipping and railroads. Cooper makes a brief digression a few chapters later to take us back to the first family member to emigrate to New York from the Netherlands. He arrived as an indentured servant in 1650. Like many immigrant families, the Vanderbilts struggled through generations until The Commodore rose to the top of American industry and commerce. Love him or hate him (and many certainly hated him), he was one heck of a self-0made man.
The Vanderbilts did not lead a charmed life. The Commodore had thirteen children but discounted his nine daughters and wrote off two of his sons in his will. One son died young, another suffered from epilepsy and was for a time confined to a mental institution, and a third was rejected as a "wastrel"--a drinker with debts. That left his son Billy and Billy's four sons to inherit most of the Vanderbilt fortune. Although they reigned at the top of New York high society for decades, the family history is riddled with multiple divorces, scandals, suicides, alcoholism, and tragedies, including one son who went down with the Lusitania. Cooper spares no details. It wasn't until near her death that his mother, Gloria Vanderbilt, began to talk abut her troubled childhood and the infamous legal case in which her paternal aunt and her mother battled over her custody. Gloria was estranged from her mother until shortly before her death; she considered her nurse, nicknamed Dodo, as her mother, even fantasizing that she was her biological mother, and she never forgave her mother or her aunt for agreeing to fire Dodo. She and Anderson suffered through the early death of his father, Wyatt Cooper, from cancer and his brother Carter's suicide at the age of 23; Anderson was in the room when he jumped from the family's 14th-story apartment window.
Part of Cooper's purpose in revealing so much about his family is to let the public know that money does not always bring happiness--nor does it last. While he acknowledges that the Vanderbilt name opened doors for him along the way, by the time his father died, there was no fortune left for Gloria or for her sons to inherit. Gloria had to work hard and make her own way in the world through modeling, fashion design, and a home decor line. Sadly, she retained her Vanderbilt tastes and went through any money she earned like it was water. Cooper himself earned spare cash as a teenager by modelling and says that early on he did his best never to let people know about his Vanderbilt background.
This is a fascinating portrait of an extraordinarily successful and extraordinarily flowed family, told candidly by one of the last Vanderbilt descendants with great personal insight but empathy by one of the last Vanderbilt descendants. If you love family sagas or reading about Old New York or Hollywood society, or just have a curiosity about the lives of a renowned American family, this is one you won't want to miss.
It’s a mildly interesting account of the lives of several members of the family beginning with Cornelius (The Commodore) Vanderbilt and his large family of 13 children. The Commodore started
Cooper highlights the most influential and peculiar members of the family and discusses the family mansions in New York and the Breakers in Rhode Island. the parties, yachts, marriages, mistresses, children, scandals, alcoholism, publicity, infighting and snobbery that infiltrated the family.
He discusses the trauma that his mother Gloria endured as a nine year old at the centre of the custody battle between her mother Gloria Morgan Vanderbilt and Gertrude Vanderbilt Whitney.
Interesting story.
3.5***
Subtitle: The Rise and Fall of an American Dynasty
Cooper, the son of “the last Vanderbilt” (Gloria Vanderbilt), and a trained journalist, looks at the family legacy in this work of nonfiction.
There have been many books written about this uber wealthy
Unfortunately, there is so much information about the family that we get only glimpses of some of the more colorful members. His focus seems to be on how the Commodore accumulated so much wealth (and why doing so was so all-encompassing for him), and how his descendants managed to squander it all away.
Dysfunctional family with a capital ‘D’! The rich ARE different. He spends some time countering the book (and TV miniseries) made about his mother, Little Gloria, Happy At Last, relating the “true story” behind some of the dramatized scenes.
On the whole, it held my attention, and I learned a few tidbits I hadn’t previously come across.
The text comes with many photos. The ones printed in the center of the book all have captions, but the photos on the front and back cover, and on the front and back endpapers have no captions, so the reader is left to puzzle out who these people might be.
Cooper does a fine job of reading the book. He is, after all, invested in the story.