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"England, 1882. In Victorian London, two children with mysterious powers are hunted by a figure of darkness-a man made of smoke. Sixteen-year-old Charlie Ovid, despite a brutal childhood in Mississippi, doesn't have a scar on him. His body heals itself, whether he wants it to or not. Marlowe, a foundling from a railway freight car, shines with a strange bluish light. He can melt or mend flesh. When a jaded female detective is recruited to escort them to safety, all three begin a journey into the nature of difference, and belonging, and the shadowy edges of the monstrous. What follows is a story of wonder and betrayal, from the gaslit streets of London, and the wooden theatres of Meiji-era Tokyo, to an eerie estate outside Edinburgh where other children with gifts - the Talents - have been gathered. There, the world of the dead and the world of the living threaten to collide. And as secrets within the Institute unfurl, Marlowe, Charlie and the rest of the Talents will discover the truth about their abilities, and the nature of what is stalking them: that the worst monsters sometimes come bearing the sweetest gifts. Riveting in its scope, exquisitely written, Ordinary Monsters presents a catastrophic vision of the Victorian world-and of the gifted, broken children who must save it"--… (more)
User reviews
I found myself feeling like Xavier's school for the
I am compltetely stoked that this is a trilogy even though the first book was quite the tome at nearly 700 pages it did not feel like a long book. It definitely had me hooked from the beginning. Definitely one of the best books I've read this year!
fun, immersive read--excellent pacing, storytelling, world building. Those 670+ pages just flew by, and I'll be anticipating the next installment.
This was really frustrating for me, as the book could go from really interesting action scenes to drawn out story beats to infodumps to glossed over details...
While atmospheric, a sense of physical
Meanwhile, plot points are often told rather than shown as is some character development. Ironically, despite the infodumps, I really wish there was one on all the known types of Talents-that the reader is left to piece together.
Still, there's a so much inventive, moody storytelling here, but the uneven pacing made me want to throw the book across the room at times. This could have been something special, a deconstruction of the magic/superpowered school story, but it doesn't quite get there. There is some intriguing set up at the end, however, which may lead me to peek at the next installment.
A review copy was provided by the publisher.
I very much liked that it was not plain fantasy but that it had an equal amount of horror in it as well. (That one scene on the train: chef kiss!)
Some characters stayed a bit bland, even if they turned out to be essential for the plot, I hope that they will get the
The world building by itself was very nice though, Miro managed it to bring life on three continents alive with ease. I also liked that he described Victorian London as a gritty smudgy place as it was and not all sunshine and flowers.
Oh, but please, please, no more lip wetting in book number 2, that was too much, they all must have very rough and bloody lips by now ...
Great first half, as we meet Charlie the Healer, Komako the commander
The children are such a shining light (literally 👀) in this story, and Charlie and Marlowe had my whole heart. I’d say the default tone of the book is one of the grotesque, but the children and their “talents” are often described with a kind of beauty and awe. I thought that was so effective. The relationships dynamics, in general, are full of layers shaped by the world the characters live in and the extraordinary circumstances surrounding them.
It feels long, in a good way, but also in a way that feels like a true journey. This is Book One in an eventual trilogy and the world is huge… it has no choice but to be slow. For that— I recommend going into it expecting a slowness and a story you need to give full attention to. For some readers this might be one to skip. I’m going to continue in the series but I imagine I’ll need a refresher when Book Two finally comes out… and quite frankly, that’s daunting.
I also want to say that for all of my interest in the unfolding mystery of it all, and the fascination I felt, or even the protective energy I felt towards Marlowe… it didn’t emotionally impact me. Not outwardly, anyway, which is strange for me. I didn’t even feel particularly moved. For that I couldn’t give it 5 stars, despite the achievement I truly believe it to be. So… 4 stars, but solid in every way and if you ARE the audience for this story, you’re going to love it.