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The #1 national bestseller for Stephen King's rabid fans, Cujo 'hits the jugular' (The New York Times) with the story of a friendly Saint Bernard that is bitten by a sick bat. Get ready to meet the most hideous menace ever to savage the flesh and devour the mind. Outside a peaceful town in central Maine, a monster is waiting. Cujo is a two-hundred-pound Saint Bernard, the best friend Brett Camber has ever had. One day, Cujo chases a rabbit into a cave inhabited by sick bats and emerges as something new altogether. Meanwhile, Vic and Donna Trenton, and their young son Tad, move to Maine. They are seeking peace and quiet, but life in this small town is not what it seems. As Tad tries to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight. What happens to Cujo, how he becomes a horrifying vortex inescapably drawing in all the people around him, makes for one of the most heart-stopping novels Stephen King has ever written. Cujo will forever change how you view man's best friend.… (more)
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I've been reading Stephen King's books in order of publication and the last few (The Dead Zone and Firestarter) just didn't stack up to what he'd written before. It was clear he was trying to craft thrillers rather than the out-and-out horror of
With the simple premise of Cujo (a rabid Saint Bernard keeps a mother and child trapped in a sweltering Pinto) he knocked it out of the park.
King's trademark strong characters and multiple sub-plots (a badly ended affair, a mother trying to show her bright son that there is more to life than small-town Maine and an ad agency dealing with a disaster) are all here as well, but he was able to tie every one of them in to the main struggle. Each 'story' supports and adds to another until they all dove-tail together in a way that never felt forced.
The book starts slowly, showing us slices of the various characters lives before dropping them each on their own personal chute to hell. Cujo is the darkest King book I can think of. The recurring theme of the book is the cruelty of fate. All of the threads that the book follows hinge on good people whose lives are thrown into chaos through sheerest coincidence or events beyond their control.
One problem I do have with the book is the supernatural undercurrent. Overall, it didn't detract from the story and could have been an interesting element. But at various times King goes out of his way to show that there are some ghostly things happening in Castle Rock. The thing is, this aspect of the book never seems to go anywhere. Tad being afraid of the closet monster and marrying that fear to the beast holding him hostage in the car was effective. Pointing out that the contents of the closet had indeed been rearranged by something other than the family in the house seemed pointless. Tad's fear of the monster would have been just as effective if we believed that the thing in the closet was inspired more by gravy than the grave.
The monster in the closet aside, I really enjoyed Cujo. It streamed along and held my interest. The cuts to the various side stories were effective and interesting and worked to build the tension. Cujo is not the thriller that Misery is, but it is respectable on its own.
The plot is gripping, but the first hundred or so pages, until Donna decides that she really must take her backfiring car to the local mechanic with the big dog, really drag. None of the characters is sympathetic enough to involve the reader - in fact, poor Cujo's fate is far more distressing than the lives of the humans around him - and the build-up is contrived. The suggestion of a telepathic link between various characters and a more supernatural evil at work are also unnecessary, but I suppose such devices are King's stock in trade. That said, once Donna and her son are locked into their inescapable journey, the pages fly by - and I'll say this for King, at least he doesn't shy away from dark and bitter endings for his characters!
However, that said, I think this book is going to stay with me for awhile. I watched the movie a few times when I was a kid with my grandfather and I can't really remember very much about it, except that I think the ending of the movie and the ending of the book are quite different, but don't quote me. I won't go any further into the ending than that. You'll have to see for yourself what's so different about it. ;)
I really like the way that King's stories so often involve a series of minute little chances of fate and coincidence. One tiny turn here, one little swerve there, and things might have gone quite differently for all of the characters. And I think that, out of the books of King's I've read so far, nowhere has that been the case so profoundly as in this particular book. I think it's even more striking for the fact that when you're reading the book and see it happening, you realize how easily it could happen in real life, too. I think that really does something for the experience of reading one of his books and I've always quite liked it.
Reading the book, I already knew what was going to happen to Cujo. I think most people know, by now, even if they've never seen the movie what's going to happen to do the dog at the center of this book when they pick it up. What I wasn't prepared for was to feel so sad about it. King does a very good job of making the dog a sympathetic character and I think that's helped along by the fact that we get to even see things from Cujo's perspective a few times before the madness takes over. We get that afterward, too, and I think that really helps cement it in some ways. Cujo was a good dog, a sweet and loving dog, and to see that and to know his mind while he's not yet sick, but then to see him deteriorate and then to also hear Cujo think to himself about how miserable he is and know his suffering. That puts a new perspective on things when you're reading about him killing and terrorizing people.
Overall, the book isn't all that scary so much as suspenseful. There are, however, some parts of the book that are downright chilling in their creep factor and raised goosebumps along my arms. I swear that at least once the hair on the back of my neck stood up a bit too.
Unlike in a lot of King's other stories, there's not as much mention of the supernatural here but it's there and it does have significance. Those are also the parts that I found to be the creepiest.
This book would probably be good for people who are looking for compelling characters and situations, but don't want a whole huge amount of focus on paranormal happenings.
Keep a box of tissues handy while you read this. It's gonna be a hell of a ride, but it's worth it.
I enjoyed Cujo, it was a little longer than i think it needed to be, but that’s King’s style, he does tend to be long winded (in a good way). It was strange reading about Donna and Vic, mainly because my name is Donna and sentences like “Donna cheated on him.” always threw me.
Cujo is the story of what happens when a series of coincidences leads a woman and her child trapped in a car in 100 degree weather, faced with a rabid 200 lb. st. bernard and no hope for escape.
It’s a quick read, sad, and leaves you screaming “JUST USE YOUR CELL PHONE!” and then you realize that it’s 1980 and they didn’t have cell phones…
happy readings!
Cujo is maybe not the most
Some people will maybe find it dull at times, but the majority of the book is just set up for the final one hundred pages or so when the poop really hits the fan. I found the novel incredibly difficult to put down and it kept me up reading late into the night on several occasions.
Cujo is a realistic story that could take place in your town or mine, with your friend's or my neighbor's dog, and I think that's what makes it so frightening. Stephen King is a master of writing real characters, I truly believe that is why he is such a popular author. The stories he writes are so believable, making you want to peer into that dark closet or under the bed, looking for the lurking monster.
If you've never read any Stephen King, you should give him a try. Cujo would definitely a good novel to start with. Disturbing as it is, Cujo is a shining example of excellent writing that can really move the reader.
I did like the parts of the story written from Cujo’s point of view. The technique reminded me of Frankenstein. The narratives into the monster’s point of view served to pull its teeth to a certain degree. While the monster remained a monster and a threat, the evil quotient was diminished in both stories because the monster had its monstrousness forced on it. Without the will, it is not evil, merely dangerous.
The ending itself is powerful despite the exhaustively drawn out process of getting there. Yeah, yeah, Donna & Tad are trapped in the car. Her mind is wandering. They are thirsty. Cujo is scary. Tad cries. Donna cries. We get it already. When the confrontation finally happens, it is very powerful and moving. The emotion, desperation and finality are perfectly pitched and it made wading through the rest worthwhile.
Easily the most realistic Stephen King book I've ever read, though I'm disinclined to believe that is an
(Skeleton Crew and It) I was honestly suprised that Cujo remained only a rabid dog for the . Amazingly enough, the level of tension is not deterred by the story's tether to reality. If your looking for a darker, more realistic King, this
However, being a huge SK fan, I
It amazes me that this book was written few years before I was even born, yet I can relate to the characters in the story. And of course, King's writing style is delicious as always, which makes me think maybe I should reach for Firestarter - another SK book I've been subconsciously staying away from.