Status
Available
Call number
Series
Publication
Buccaneer Books (1997)
Description
'A bawdy, brazen rollercoaster of a novel . . . the wildest' The New York Times A preacher called Deke O'Malley's been selling false hope: the promise of a glorious new life in Africa for just $1,000 a family. But when thieves with machine guns steal the proceeds - and send one man's brain matter flying - the con is up. Now Grave Digger Jones and Coffin Ed mean to bring the good people of Harlem back their $87,000, however many corpses they have to climb over to get it. Cotton Comes to Harlem is a non-stop ride, with violence, sex, double-crosses, and the two baddest detectives ever to wear a badge in Harlem. With an Introduction by Will Self
User reviews
LibraryThing member nbmars
Cotton Comes to Harlem has a somewhat complex plot because of all the characters involved - and I mean characters in the double entendre sense! In Harlem in the 1960’s, the Reverend Deke O’Malley is soliciting $1,000 payments from black families to participate in a Back to Africa Movement.
But the Reverend has no intention of actually helping black folks start new lives in Africa; he is a con man with a police record. The only new life he is intent on starting is his own.
So far, he has collected $87,000. But then the money is robbed at gunpoint and O’Malley runs off. It is unclear if Deke has orchestrated the robbery.
Two black “ace” detectives, partners “Grave Digger” Jones and “Coffin Ed” Johnson, are put on the case. Jones and Johnson are recurring characters in Himes’ “noir black crime fiction series” – they appear in a total of eight books. “Grave Digger” has a “dark brown lumpy face…and the big, rugged, loosely knit frame of a day laborer…” “Coffin Ed” has an acid-scarred face from a past encounter with a hoodlum: “Afterwards he had earned the reputation of being quick on the trigger.”
Jones and Johnson are police in a down and dirty part of Harlem, and so the behavior and language are less than church-approved. (And in fact, the only part really dated in the book is the use of euphemisms for many of the obscenities skirted in the book.) Encounters with loose women are described in detail, and often entail violence.
The two detectives loathe Deke and all he stands for: a lack of concern and respect for his own people. The hard-bitten detectives want above all to get the money back for the 87 families “who had put down their thousand dollar grubstakes on a dream.” They knew that these families had come by their money the hard way:
"They didn’t consider these victims as squares or suckers. They understood them. These people were seeking a home – just the same as the Pilgrim Fathers. … These people had deserted the South because it could never be considered their home. … But they had not found a home in the North. They had not found a home in America. So they looked across the sea to Africa, where other black people were both the ruled and the rulers. … Everyone has to believe in something; and the white people of America had left them nothing to believe in. …”
As Jones and Johnson go about solving the crime, they take us on a tour of the black ghetto of Harlem in the 1960’s - a colorful amalgam of blues and booze, hustlers and peddlers, rascals and saints, and a large core of hard-working people trying to raise their kids and build a future.
The two detectives do not hesitate to use their police power in displays of force to get the information they need. Permeating their behavior is a steady confidence that they will find Deke, they will get the money, and they will restore it to the people who scrimped and saved for the chance of freedom.
A bale of cotton wends its way through the story like a mute Greek chorus, not speaking but standing in for the history of black Americans, from slavery and despair to hope and salvation.
Evaluation: This book has a lot of heart. These detectives love all their people – the good, the bad, and the ugly. (Although they appear to have mixed feelings about women - dividing them into the "traditional" two camps of mother or prostitute - within this framework they exhibit affection.) There is also a delightful, smack-your-head twist at the end that I, at least, never saw coming. If you can get past the R+ -rated sex and language, there’s a good story here, and an interesting look at an era of change for blacks in the 1960’s.
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O’Malley got the idea from Marcus Garvey (a historical figure whose own movement, the Universal Negro Improvement Association (UNIA) included a Liberia project, launched in 1920. It was intended to build colleges, universities, industrial plants, and railroads, but was abandoned in the mid-1920s after opposition from European powers with their own plans for Liberia.)But the Reverend has no intention of actually helping black folks start new lives in Africa; he is a con man with a police record. The only new life he is intent on starting is his own.
So far, he has collected $87,000. But then the money is robbed at gunpoint and O’Malley runs off. It is unclear if Deke has orchestrated the robbery.
Two black “ace” detectives, partners “Grave Digger” Jones and “Coffin Ed” Johnson, are put on the case. Jones and Johnson are recurring characters in Himes’ “noir black crime fiction series” – they appear in a total of eight books. “Grave Digger” has a “dark brown lumpy face…and the big, rugged, loosely knit frame of a day laborer…” “Coffin Ed” has an acid-scarred face from a past encounter with a hoodlum: “Afterwards he had earned the reputation of being quick on the trigger.”
Jones and Johnson are police in a down and dirty part of Harlem, and so the behavior and language are less than church-approved. (And in fact, the only part really dated in the book is the use of euphemisms for many of the obscenities skirted in the book.) Encounters with loose women are described in detail, and often entail violence.
The two detectives loathe Deke and all he stands for: a lack of concern and respect for his own people. The hard-bitten detectives want above all to get the money back for the 87 families “who had put down their thousand dollar grubstakes on a dream.” They knew that these families had come by their money the hard way:
"They didn’t consider these victims as squares or suckers. They understood them. These people were seeking a home – just the same as the Pilgrim Fathers. … These people had deserted the South because it could never be considered their home. … But they had not found a home in the North. They had not found a home in America. So they looked across the sea to Africa, where other black people were both the ruled and the rulers. … Everyone has to believe in something; and the white people of America had left them nothing to believe in. …”
As Jones and Johnson go about solving the crime, they take us on a tour of the black ghetto of Harlem in the 1960’s - a colorful amalgam of blues and booze, hustlers and peddlers, rascals and saints, and a large core of hard-working people trying to raise their kids and build a future.
The two detectives do not hesitate to use their police power in displays of force to get the information they need. Permeating their behavior is a steady confidence that they will find Deke, they will get the money, and they will restore it to the people who scrimped and saved for the chance of freedom.
A bale of cotton wends its way through the story like a mute Greek chorus, not speaking but standing in for the history of black Americans, from slavery and despair to hope and salvation.
Evaluation: This book has a lot of heart. These detectives love all their people – the good, the bad, and the ugly. (Although they appear to have mixed feelings about women - dividing them into the "traditional" two camps of mother or prostitute - within this framework they exhibit affection.) There is also a delightful, smack-your-head twist at the end that I, at least, never saw coming. If you can get past the R+ -rated sex and language, there’s a good story here, and an interesting look at an era of change for blacks in the 1960’s.
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LibraryThing member clfisha
Himes's novel is hard hitting, edgy and vibrant tale of two black detectives trying to keep the peace in crime ridden, poverty stricken Harlem. They are asked to swallow their pride and baby-sit a ex-con preacher from his old gang, but first they have to find him..
Precursor to Walter Mosley's black
Highly recommended to all crime lovers.
Precursor to Walter Mosley's black
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PI and reminiscent in tone of Dashiel Hammett this is a great combination of hard hitting noir and exploration of racism in the 60s. Hime's anger imbues novel with something special, edgier and more real. There is a fantastic contrast of petty (and not so petty) criminals depicted against law abiding insidious racists who are trying to claw back plantation workers by any means necessary and this gives the story a greater depth than it would otherwise had. Don't get me wrong it IS also just a great story, with a multitude of fun, semi-flawed and deeply flawed low-life's populating the pages. Its setting is brought vividly to life and enhanced with lovely little details on the eras typical scams and robberies. I was also struck by the book having such a strong female protagonist who was not at all a victim but was just as bad and mean as the men. OK it is still a noir and therefore misogyny is rife but more recent writers should take notes (Mr Mosley I am looking at you). Highly recommended to all crime lovers.
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LibraryThing member g026r
A better work than the previous Himes book I read, A Rage in Harlem, if only because Grave Digger and Coffin Ed have developed into slightly more fully fleshed characters than they were in that earlier book. (Though occasionally they still come across as caricatures of tough-guy characters.)
The
The
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book's biggest flaw is something that is not uncommon of crime and detective books of a certain age, that being its treatment and depiction of female characters. Show Less
LibraryThing member leslie.98
This author was unknown to me -- a little too hard-boiled for my taste but well-written and fast-paced. If you like Philip Marlow and Sam Spade, you will like this
LibraryThing member mstrust
Reverend O' Malley arrives in Harlem, quickly builds his own congregation, and soon organizes a Back-To-Africa campaign. For $1000 a family from Harlem will be transported to Africa and given land to start a new life, but at the final rally, when the Reverend and his staff have collected $87,000 in
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cash from the congregation, a delivery truck breaks in and robs the event. Coffin Ed and Grave Digger Jones, ace detectives from the local precinct are put on the case. They need to find the cash, bust the con man Reverend and trace a bale of cotton floating around Harlem. Though their lieutenant knows they're the best men for the job, Jones and Ed have been in trouble before because they tend to be violent. Show Less
LibraryThing member KurtWombat
With the creation of his big city black detectives, Coffin Ed Johnson and Gravedigger Jones, Chester Himes achieved something singular and grand. Hard boiled genre fiction was nothing new in the 1950’s, but populating a landscape with sharply detailed black characters was new and still reads
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fresh today half a century later. The detectives work for a police department mostly at odds with the community they serve and serve a community distrustful of the department that they work for. Often this puts them in a vice, but also it frees them to make up their own rules. Adhering to a clear vision of right and wrong, like most hard boiled detectives, their means can swerve wildly from what would seem acceptable. Their creativity in the face of constant adversity propels the novel. The richly created world of Pimps, Madams, hustlers, grifters and work-a-day going to church every Sunday folk gives the novel a pulse and lively step. Himes achieved his stated goal of doing for Harlem what Raymond Chandler did for Los Angeles. I almost felt like I knew where all the alleys were in Harlem by the end of the book. The heist at the center of the novel is a solid mystery that snakes through every corner of Harlem and squeezes out a fresh look at race relations on several social levels. The voices and language of COTTON COMES TO HARLEM still rings in my ears—always colorful but never overdone. Show Less
Subjects
Language
Original language
English
Original publication date
1964 (in French translation)
1965 (in English)
Physical description
8.75 inches
ISBN
156849422X / 9781568494227