This Is Shakespeare (Pelican Books)

by Emma Smith

Paperback, 2020

Status

Available

Call number

822.33

Publication

Pelican (2020), 320 pages

Description

"An electrifying new study that investigates the challenges of the Bard's inconsistencies and flaws, and focuses on revealing, not resolving, the ambiguities of the plays and their changing topicality. A genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn't tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. Now, Emma Smith--an intellectually, theatrically, and ethically exciting writer--takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex, and the Shakespeare she reveals in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean"--… (more)

User reviews

LibraryThing member SChant
Excellent short essays on 20 of the most popular Shakespeare plays. It's not a deeply technical analysis for academics, but more for ordinary readers. It gave me a different perspective on some of the plays I love, and includes ideas about different ways of dramatisation, attitudes of the day, and
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the openness of interpretation that I would never have expected from seeing recent performances.
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LibraryThing member annbury
This is a highly readable analysis of Shakespeare's dramas, focussing on questions raised, rather than on providing answers. The play-by-play study only includes about half of the canon, but most of the major works are examined. The style is light and entertaining, though the editing seems a little
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sloppy on occasion. The analysis is interesting, and in some cases gave me new insights. She doesn't give a character-by-character, act-by-act synopsis, so if you are looking for something to read to bring you up to speed before you see one of the plays, look elsewhere. But if you want clever analysis, this book provides it.
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LibraryThing member MikeFARoberts
Beautifully written short analyses of most of Shakespeare's plays. Thought provoking, often very funny, should be required reading for any actor/director about to embark upon a production. Highly recommended.
LibraryThing member Eyejaybee
Emma Smith is one of the leading contemporary Shakespearean scholars, and this book is drawn from a series of her Oxford lectures, which also formed the basis of a very successful podcast.

The book includes her thoughts on twenty of the plays, and offer a welcome mix of erudition with accessibility.
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Her scholastic insights are powerful, but offered up in a readily understood manner. It is clear that she wants an understanding of Shakespeare and his work to be universal, and not the preserve of a small academic clique. I was also struck by her understanding of theatricality – she understands how the plays work as acts of theatre, and not simply as text on the paper.

Along with James Shapiro, she has made a huge contribution to bring Shakespearean scholarship to a wider audience.
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LibraryThing member djh_1962
This is a fitfully illuminating book, particularly good on those plays which have received less critical attention (the chapters on The Taming of the Shrew and The Comedy of Errors are the best examples) but less rewarding on the 'core' Shakespearian canon: the chapters on Lear and Hamlet feel
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really tired and that on Macbeth almost perversely (although not unenjoyably) eccentric. I found Smith's relentlessly slangy style both irritating and complacent, like a bad actor reaching for a comedy accent. Perhaps her students and listeners (the chapters originated as podcast lectures) loved it. But if anyone mentions 'gappy' in the context of Shakespeare again, I shall do such things...
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LibraryThing member Dorothy2012
Absolutely worth listening to the audiobook (read by the author). Each chapter is self-contained, one per play (there are only 20 covered in this book). Insightful, interesting ideas, and a fresh perspective to thinking about a given play. I listened more than once to chapters about my favourite
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plays, and certainly broadened my perspective on those I didn't care for.

I also read the hard copy, dipping in and out of different plays, and then bought my own copy.
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Language

Original language

English

Original publication date

2019

Physical description

7.13 inches

ISBN

024136163X / 9780241361634
Page: 0.1249 seconds