by Dan Brown

Hardcover, 2013



"In the heart of Italy, Harvard professor of symbology Robert Langdon is drawn into a harrowing world centered on one of history's most enduring and mysterious literary masterpieces: Dante's Inferno. Against this backdrop, Langdon battles a chilling adversary and grapples with an ingenious riddle that pulls him into a landscape of classic art, secret passageways, and futuristic science" -- vendor summary.

Library's rating


(2343 ratings; 3.5)

Media reviews

"In short, Dan Brown’s “Inferno” is the kind of satisfying escapist read that summers were made for."
4 more
... there is the sense of play that saves Brown's books from ponderousness, even when he is waxing wise about some ancient mystery or architectural wonder.
"Unfortunately, at other times the book’s musty passageways seem to be not so much holding history up as sagging under its weight."
"To the great relief of anyone who enjoys him, Mr. Brown winds up not only laying a breadcrumb trail of clues about Dante (this is “Inferno,” after all) but also playing games with time, gender, identity, famous tourist attractions and futuristic medicine."
Renowned author Dan Brown hated the critics. Ever since he had become one of the world’s top renowned authors they had made fun of him. [...] The critics said his writing was clumsy, ungrammatical, repetitive and repetitive. They said it was full of unnecessary tautology. They said his prose was mired in a sea of mixed metaphors.

User reviews

LibraryThing member melissarochelle
Read from May 17 to 20, 2013

I don't remember The Lost Symbol -- that's how boring it was. At least the premise of Inferno was interesting -- beyond that it was kind of ridiculous and repetitious. Robert Langdon is wry, he has a Mickey Mouse watch, and he wears tweed...blah blah blah. I mean, I had to read what the "bad guy" said in his video SO many times. Oh! And in case you didn't know, Sienna Miller has a ponytail. Then the big twist...umm...the already over-the-top idea of the book moved into LUDICROUS territory. Some parts were so torturous, I stopped reading to do laundry and dust.… (more)
LibraryThing member burnit99
Okay, so it's a new Robert Langdon mystery/suspense/thriller by Dan Brown. You know going in that it's going to involve Harvard symbiologist Langdon in a race through ancient locales, searching for clues hidden in classic writings and historical monuments, competing with a mysterious, powerful and far-reaching secret organization, and aided by a brilliant beauty who has secrets of her own.


Dan Brown stays true to his formula. Fortunately, I enjoy this particular formula. Here, Robert Langdon awakens with a head injury in Florence, with no memory of the last couple of days or how he got here from Harvard. Almost immediately, it seems, he is being pursued by a mysterious killer, accompanied by Sienna Brooks, a beautiful doctor with secrets of her own. He learns that a powerful man who is fascinated by Dante's "The Divine Comedy" (particularly "The Inferno") has hidden a horrifying creation of his own design that will change the human race forever, and Langdon must decipher the clues hidden in Dante's writing to prevent an Earthly Inferno. The plot stretches the bounds of credulity, but not to the breaking point, and I quite enjoyed the fast pace, sudden twists and surprise revelations. And, if Brown's research is to be believed (not quite sure if I do), I came away knowing quite a bit more about Dante and the Renaissance than before.
… (more)
LibraryThing member scodenton
A resounding 'meh'. Typically fast-paced, as all Dan Brown books are, but I can't shake the feeling that the whole escapade was essentially pointless. Filled with opinions that may initially be shocking, but then couches them with immediate riposte by other characters, as if Dan Brown is afraid of the backlash for suggesting it in the first place.

More courage of conviction please Mr Brown. Stop playing it safe and trying to appease everyone.

Whilst I'm there, it's great naming all these fantastic and beautiful historic buildings, but sadly I haven't been there myself, nor do I know what they all look like, so as you name them all, it wouldn't hurt to actually describe to the reader what they look like. If I had really cared to get a sense of the location, I'd have needed google open and constantly searched for the images to picture what it looks like. Perhaps I should know what the "Basilica di Santa Maria del Fiore" looks like, but sadly I'm not that intelligent or knowledgeable. Which probably explains why I'm reading Dan Brown novels and not Dante Alighieri's Divine Comedy....
… (more)
LibraryThing member lettylibrarian
Great book - if you are planning a trip to Italy and need a touring plan. With every page I turned I looked up images on Google so that I can see where they were on their Italian mystery adventure. I've never done that before and that was a lot of fun. It made reading a more adventurous experience. Otherwise I was not as impressed. The DaVinci Code was spectacular. So when all the other books have to meet that standard, it is too bad for the author. And maybe for me because I have higher expectations. I loved DaVinci code for the "what the ????" moment I got reading it. There was none of that. Although I did like the whole idea of population explosion and why we should all be concerned about that. If the books starts a global conversation on that topic then great, it served a fabulous purpose. But as for a thrilling read, ok, I will give it that. As for a spectacular mystery. Ehh.… (more)
LibraryThing member WeeziesBooks
"Inferno" was another enjoyable novel by Dan Brown. Beginning with the “DaVinci Code”, I have read each book as soon as it was available. My favorite is still “Angels and Demons” but this book is a strong runner up. From traveling across the world, to dealing with amnesia following an 'incident’, and trying to save the world from a horrible threat, Robert Langdon was reminded constantly of Dante's Inferno, the nine circles of hell and the death mask. He quoted Dante quite appropriately throughout the book. In this newest offering, Langdon again finds himself in a world of powerful individuals, treason, and fine antiquities. This volume is full of adventure, violence, terror and daunting challenges. Langdon is not a stranger to violence or puzzles, or love interests. There is plenty of each of these in this book. It was interesting including the World Health Organization and the issue of overpopulation into the story line along with incidents involving medicine, suspicion and greed. I especially enjoyed the descriptions of Florence, the Plaza Vecchio and St. Mark’s Basilica. When visiting Italy, it does feel indeed as if you are in a world of water, history and romance. I rate this book 4 stars.… (more)
LibraryThing member ckrcelich
Another excellent book by Dan Brown!
LibraryThing member Sarahbat01
I absolutely loved almost everything about this book, as I love everything about Dan Brown. I'll be uploading an in depth review on my blog coming soon.
LibraryThing member Birdo82
The Langdon Adventure formula may make this read a pleasure for die-hard Dan Brown fans, but Inferno's absurd twists and anti-climactic ending will leave others with a far weaker experience than previous books in the series.
LibraryThing member michrym
Fast read and captivates the attention as with all of Dan Brown's novels. Fact interwoven with historical fiction is my favorite gendre! I learned a lot about Venice and Istabul as well as the WHO. Excellent as always.
LibraryThing member piersanti
There is never any real mystery here, so instead the author repeatedly and pointlessly withholds information.
LibraryThing member Steve.Bivans
The premise to the book is the only reason to read it. It would have been better, for the reader, if Mr. Brown had written TWO books: one, a fast-paced, thriller novel, of which this book has elements, and two, an art-history, travelogue, with actual photos of all the art he spends 300 pages describing in text. Descriptions of art, are a waste of time, especially in the digital age when we can all just Google it (which is what I did as I read the book). Such descriptions are pretentious, and boring. If these had been left out, the basic story would have carried itself. I will credit the book with launching me into a project to write my own, so with that in mind, "Thank you Mr. Brown."… (more)
LibraryThing member rufusraider
Inferno by Dan Brown should definitely be on your reading list if you like thrillers that keep you guessing and make you reluctant to put the book down. The book follows Robert Langdon on another hunt with lots of historical references. The main historical theme of the book is Dante's Divine Comedy. The novel is set in Florence and Venice, Italy and Istanbul, Turkey where some of the historical items related to Dante's Divine Comedy are located.

The story starts with Robert Langdon dealing with amnesia and trying to escape from someone who appears to be trying to kill him. This initial assumption will prove to be false at some point in time in the novel. This is true of most of the initial presentation of facts throughout the novel. The story revolves around a mad man who is concerned that the world's population growth is a harbinger of the collapse of human population.

Even though this is fiction, you will learn alot about Dante's Divine Comedy and his life.
… (more)
LibraryThing member blmyers
Captivating characters, intricate, yet believable and easy to follow plot, that pulls you in and doesn't let go until the very end and leaves you thinking, pondering, and questioning! I really enjoyed Inferno.
LibraryThing member mrsdowney
I ran into trouble with this book, although I'm a loyal Dan Brown fan. I'm glad I read it; I like the conclusion, even if it's a bit of a stretch. It brought me to think of things I'd rather not. Fans should read it. And some of my problems with the book were unique to me, I suppose; a few of those irrelevant to the contents of the book.

First, I kept getting interrupted by other books that needed to be read first, or college classes I needed to complete. But any other Dan Brown book would not have been interrupted no matter what. So I began to wonder: Why am I not loving this book?

One reason was strictly physical: Why on earth would anyone publish such a ginormous, unreadable, heavy collection of pages between hard covers??? I'm not a big fan of e-books (I forget they are there and forget to finish them, being out of sight). But in this case I wished I'd ordered the digital version instead. Oh, how I longed for that neat little Kindle device! I lugged this massive tome around with me and many times wanted to ditch it in favor of something easier to tote, hold, and read. My hands and arms ached. In this age of the diminishing influence of bookstores, I think the publishers did the author a disservice with this choice. It was not necessary to fatten it up like that to become visible on shelves. I suppose it was designed for the massive hands and arms of massive men??? Silly conceit on the publishers' part and it was no fault of the author's, so my reluctance to pick it up is an unfair gauge of its worthiness, but nevertheless played a big part in the length of time it took me to finish this book.

Secondly, the imagery of Dante's Inferno and Botticelli's artwork was not exactly appealing to me. Since I believe that sort of "hell" is created in the minds of people who believe in it, I wasn't happy to be spending so much time contemplating it.

Next, I grew impatient with the pacing and repetition, thinking perhaps the author or his editors had drawn things out for the sake of creating that enormous physical book. Some of the actual writing seemed careless to me.

HOWEVER, the tour of Italian art and architecture was appealing, to a point. About 3/4 of the way through, I grew bored with that, as well. Once again, it was frustrating to have to lug the book into my office, fire up the computer, and Google the various artworks or locations in order to follow the author's heavy-handed insistence. It would have been easier for him to post a website and give us the images all in one place rather than construct a plot around his trip to Italy and try to build it into a novel. Or perhaps if the book was going to be so physically imposing, it might have served better as a coffee-table art book? Again, this was the first time in my life I have longed for a wirelessly-connected, hand-held device for accessing the Internet. Was he trying to create an App, but his advisers insisted he must produce another book instead?

This might also have been the first time in my life I found myself rooting for the villain from the beginning. So bottom line, I complained all through it but I'm glad I read it, and I hope the next book is better.
… (more)
LibraryThing member terk71
You might recall the Harvard art historian and symbologist from other Dan Brown novels. In this novel, Robert Langdon bounces through Tuscany and visits classical sites in pursuit of an evil genius bent on infecting the world population. Langdon searches the native territory of Dante Alighieri as referenced in his Divine Comedy in order to dismantle the Doomsday bomb planted by a bio-terrorist.

Langdon’s initial problem is that he has no memory when he awakens in a Florentine hospital. His eidetic recall has been impaired apparently by a head wound, and his escapade is launched by the appearance of an assassin. His evasion and gradual recollection are assisted by an ER doctor while they zip through Aegean sites, following pertinent clues, avoiding sinister pursuers, and racing the clock.

Dan Brown blends literature, literary history, and philosophy into this work. The inclusion of many verses from Dante’s poem captures the flavor of Italian Renaissance literature, and the author adds a précis of some verses while introducing the historical background, events, and personalities involved in Dante’s work. Brown renders descriptions of the classical buildings, sculptures, and other artwork with vivid aplomb.

The novelist also introduces the philosophic propositions of 18th Century British scholar Robert Malthus, who postulated that the world’s population would grow faster than the earth could provide subsistence. The Malthusian model also posited that population was controlled through famine and disease. Unfortunately, in our modern world pharmacology has eliminated many diseases, medical advances have advanced living ages, and the population has been exploding exponentially while resources are diminishing, bringing the human race to the brink of extinction. Genius geneticist Bertrand Zobrist, at odds with World Health Organization and in collusion with a secret group headed by the Provost, has devised and is about to execute a solution to overpopulation—unless Langdon can stop him.

Despite the intriguing revelations in this literary jaunt or the conflicting sociological viewpoints, Dan Brown’s formulaic plot here has become a bit threadbare. Even the romping visits through various exotic vistas are becoming tedious. The ageless Robert Langdon has become a picaresque protagonist, more a pliable foil for other characters than a self-actualized hero. Yet, a fascination to discover what evils will be released into the world will propel the reader onward.

This novel demonstrates how difficult it is to maintain a specific standard within Dan Brown’s genre. But consuming this book is not a waste of time.… (more)
LibraryThing member Clara53
Leave it to Dan Brown to capture your attention at the very start and not release it till the end, with an unexpected twist on the last pages. Though the book begins with a familiar type of pursuit involving codes, etc., it certainly becomes worthwhile when the reason for the chase becomes clear. While in "The Da Vinci Code" Dan Brown daringly delved back into history presenting a unique perspective on Christianity, in "Inferno" he, no less skillfully, tackles science and ventures into the problems of the Earth's future - specifically, the problem of overpopulation that brings with itself depletion of resources for the human race to exist. The author doesn't exaggerate when he says: "When it comes to the circumstances of the world, denial has become a global pandemic". As I see it, the reality of this statement cannot be overestimated if we don't want to bring about the extinction of human race. Professor Robert Langdon finds himself in an unfamiliar territory this time, but his expertise once again proves invaluable. I loved the book, especially for its hugely significant premise.

… (more)
LibraryThing member InnahLovesYou
One of the best books I've read so far. Robert Langdon, as usual, leaves me breathless and Dan Brown knows how to keep the story going. I couldn't put the book down. It is one of the many that still haunt me, after hours, and I believe it will haunt me for days and months. All the symbols in Dante's "Inferno", of which I wasn't aware of are simply amazing.… (more)
LibraryThing member pussreboots
Inferno by Dan Brown is the fourth Robert Langdon book. I've read and enjoyed each of them because they are silly and capery, much like the Cats and Curious series I love. This one takes place in Italy and Turkey.

Robert awakes in hospital to a splitting headache and a nightmarish vision of war and death. Worse yet, he's in Italy and he doesn't know how or when he got there! Before he can get his bearings, the chase is on. He and his surgeon are running for their lives.

Normally I cringe at amnesia plots but the Robert Langdon books are inherently silly. Here the clues are derived from Dante's Divine Comedy (and mostly the Inferno part). Dante apparently put a lot of himself and his life into his works and now a master criminal (mad man) is taking advantage of that fact.

This mad man has taken Dante's work to heart and has hidden clues to the whereabouts of a new plague within the landmarks and artworks that date back to Dante's time.

The introduction of a plague (or a formula) combined with European history and a male and female team on the run makes for an adult caper very much in tone with the original 39 Clues series. The ending, though, set in Turkey, felt like a jarring crossover with Clive Cussler's Crescent Dawn.
… (more)
LibraryThing member zojjz
Tired and cliche characters, somewhat insulting hetero-normative and homophobic tones, over explanatory of relatively obvious plot twists, constantly repetitive of information. Interesting surroundings and lore can't carry it alone unfortunately.
LibraryThing member JoniMFisher
This giant doorstop of a book was worth hefting for days. Wowza. The intrepid Professor Langdon marches through symbolic hell and genuine danger after a brilliant madman who is determined to send humanity through a man-made apocalypse. Sure, there are parts of the book that require the reader to suspend disbelief with both hands, but in the long run, the gravitas of the book's message merits the reader's cooperation.
Powerful, engaging story that will haunt the reader and broaden viewpoints.
… (more)
LibraryThing member santhony
I read Dan Brown’s breakout hit, The DaVinci Code, and while acknowledging that it may not be “fine literature”, it certainly kept my attention and proved to be a highly enjoyable read; so much so that I immediately ordered his two earlier books, Deception Point and Digital Fortress. I was not disappointed, though again, enjoying them for what they were, quick, easy, entertaining reads.

Angels and Demons disappointed me greatly, and Lost Symbol, though marginally better, shared many of the problems I had with Angels and Demons. Inferno fits very comfortably in the Dan Brown mold and while sharing many of the best points of his better efforts, also has its share of drawbacks.

First, the good: Dan Brown novels are outstanding opportunities to learn about art, architecture, culture and even literature. In this novel, readers can become conversant about the history of the city of Florence (one of the most magnificent cities ever inhabited), its landmarks and most famous works of art. Most particularly, the reader is immersed in the life and works of Dante Alighieri, and his seminal epic poem The Divine Comedy, which many consider to be among the greatest works of literature ever penned.

Dan Brown is a master of weaving a story, slowly releasing bits and pieces of a puzzle and ending each chapter with a cliffhanger so compelling, the reader is reluctant not to continue. Many times I’ve found myself reading into the early morning hours, unable to find a stopping point.

Now the bad: The scenarios in many of Brown’s novels become so ridiculous and ludicrous that enjoyment becomes difficult. Reading, in fact becomes a chore between eye rolls. As in Angels and Demons, where the “bad guy” is imbued with such superhuman strength and durability that he could have seemingly survived a direct hit with an atomic bomb, our hero in this novel, Robert Langdon, and his female sidekick are surrounded and hopelessly defeated countless times, only to discover “hidden passage ways” over and over and over again. I understand that the medieval city is rife with such escape hatches, but apparently Langdon is the only one that knows about them, he knows all of them, and they just so happen to appear when most desperately needed.

Message to Dan Brown: THESE ABSURD PLOT TWISTS ARE NOT NECESSARY! The underlying story is engaging and vastly entertaining. Your subject matter is incredibly rich and complex. The absurd chase scenes and miraculous get aways are detracting from the story.
… (more)
LibraryThing member tg0610
It's really hard to write a negative review of a Dan Brown novel and not come off like a snob, but I can't help it. Brown is not a great writer, he's not even a good one, but his books are enjoyable reads that offer the potential to turn one's critical faculties off for a weekend and absorb trivia that might have been previously unfamiliar. In these respects, Inferno does succeed at points, albeit with the usual clunky dialogue, in which characters summarise the plot at regular intervals, presumably for those who may have nodded off, or when Robert Langdon takes the time to give a detailed exposition on some piece of art or architecture while in the process of fleeing from a nefarious ne'er-do-well.

But Inferno is riddled with so many holes, implausibilities and inaccuracies, more than the usual Dan Brown fare, to the point that it drives any mildly intelligent reader to distraction. One example: if a supposed art expert wakes up in a Florentine hospital with someone telling him they were muttering something that sounded like "Ve... sorry, verry sorry" and it takes them 100 more pages to figure out they were actually mumbling 'Versari', I'm 'very sorry', but you don't have a credible character. That gem came in the first 20 pages and it just gets worse from there.

After that, we're left with the same plot and devices as every other Langdon novel (baddie wit h evil intentions who still manages to leave clues so someone can stop him; awkward and unconsummated sexual tension between Langdon and a beautiful, brilliant companion with a mysterious past that figures neatly in to the plot somewhere along the line; ready, red tape-free access to transportation in Europe's busiest cities, with no possibility of traffic or delays; the lack of need for food, so as to move the "24"-like plot along ... you get the picture). Dan Brown's books are not meant to be anything other than fun vacation reads and I did make it to the end of this one (albeit skimming the last 100 pages). However, they're veering too closely to self-parody for me to really make the effort on any future endeavour.
… (more)
LibraryThing member bfgar
Not the best book Brown has written. Instead of a book about a mystery, there are times when it seems much more like a travelogue about Florence. And while I really want to visit Florence, I wasn't very interested in Langdon's observations. After all, the Uffizi is really only interesting if one is standing in front of one of the beautiful works of art that it contains.… (more)
LibraryThing member Y2Ash
Dan Brown's Inferno is the fourth installment in the Robert Langdon series. Like all Dan Brown tomes, it starts with a death: genetic engineer Betrand Zobrist, a very cult like charismatic and extremely intelligent man who commits suicide and leaves a video behind. The video is heavily influenced by Dante's Inferno and alludes to the fact that Zobrist has left a biological agent, a plague of sorts, underneath a underground tavern surrounded by water. The clock is ticking because the virus is scheduled to be released...tomorrow.

Meanwhile, Robert Langdon wakes up in a makeshift hospital with a head wound in Italy. Apparently he's been shot in the head and mumbling something that sounds like "very sorry" over again when he was admitted. Langdon tries to recover the last two days of his life with the help of Dr. Sienna Brooks, a troubled genius in her own right.

Then, all hell breaks loose in the form of a lone soldier.

Langdon and Sienna make haste out of the hospital and momentarily get shelter however, it is short lived when a call to the U.S. Embassy results in that same soldier finding them and because of Langdon sending an email brings about a heavily black leather clad team whose loyalties are not known.

As Langdon tries to piece together his memory, he will embark on a journey through the most grand places of Italy trying to figure out exactly how Dante's Inferno fits into a bioterrorist's plans to control the world's population.

I thought Inferno was really good. It was very captivating and compelling. It was a typical Dan Brown novel. It was rich with character development and chock full of Art history and linguistics. One thing I always loved about Brown novels were the historical aspects. Thank God for my Art History class because I felt comfortable with the material.

I thought the transhumanism movement was a really interesting idea, drastic but honest. The ending I thought didn't live up to all of the drama although it was probably the most realistic.
… (more)
LibraryThing member smlyniec
A truly bad book.


Doubleday (2013), Edition: First Edition, 480 pages

Original publication date





0385537859 / 9780385537858


Original language

Page: 0.3588 seconds