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Fantasy. Fiction. Science Fiction. Thriller. HTML:�??A trilogy of remarkable scope and sophistication.�?��??Los Angeles Times Twice before Thomas Covenant had been summoned to the strange otherworld where magic worked. Twice before he had been forced to join with the Lords of Revelstone in their war against Lord Foul, the ancient enemy of the Land. Now he was back�??to a Land ravaged by the armies of Lord Foul. The Lords were besieged and helpless. No place was safe, and Foul's victory seemed certain. Only Covenant could avert it. Desperately and without hope, he set out to confront the might of the Enemy. Along with him traveled a Giant, a Bloodguard, and the madwoman he had wronged. And in Foul's Creche, Lord Foul grew in power with each new defeat for the… (more)
User reviews
The Land itself is an incredible creation that for me is one of the greatest joys of reading his Chronicles and an incredible achievement for Donaldson, on par with the creation of J.R.R. Tolkien’s Middle-earth. The land and its inhabitants are alive with health and sentience; manifested in EarthPower. The people of the land can sense the right and wrong in rock, tree, water, and fire, as well as in themselves. When their earth-sense lets them down or where despite and evil creep into the land, it has some defenses of its own. This earth-sense is something that resonates deep in my soul and in that part of me that treasures our earth. I wish I had a little more EarthSense. He has also peopled The Land with many strange and interesting inhabitants, good and bad: the giants, the Ranyhyn, Forestals, the Bloodguard, Elohim, Sand Gorgons, Merewives, Ravers, Ur-Viles and the like.
Were the books as good as I remember from reading them in my college days 20+ years ago? Suprisingly, yes. Although I still like the genre and read it occasionally, I have moved on from those times when this was my primary source of literary escape. But I found that the books have held up very well in the time since my last read. I would highly recommend them to readers interested in one of the early masters of the genre.
In The Power That Preserves, the first Chronicles come to an amazing climax. Another seven years have passed in the land when Covenant is summoned in their need. Again there is war in The Land and the Lord’s are hard-pressed by Lord Foul’s armies while Covenant tries to go it alone against the Despiser. This is a fitting and well-written end to the trilogy that ties together many of the loose ends from the first two books. In my opinion, it can stand alone. I’m not sure if Donaldson already had plans for the Second Chronicles at the time of this writing or not.
Thomas can't come to terms with the death of his daughter who never existed. Ignoring the peril of his leprosy his physical condition deteriorates until he can barely keep himself upright. When he stumbles across a girl bitten by a rattlesnake it is all he can do to try
Meanwhile we watch the remaining army batter at Revelstone's gates, and the increasingly dire straights the desperate defenders of the land are put to, whilst staving of the despair that is so dangerous to them. As with the previous books these episodes in some way spoil the essential dilemma - is Thomas brave or a coward, does the land exist or not? When the narrative focuses on Lord Mhoram's despair then it is all too easy to believe the Land is real, something that Covenant never admits.
Much much darker than the previous two books, although less violence without the Land's healing abilities Covenant's leprosy intrudes more, as does his feelings about it, the penetrating cold also leaches from the pages. In general it is Covenant's weakness and dependance that is the overriding darkness to the book, especially the many pages he spends getting no further than Roamsedge. His companions are of no greater cheer either, and Ravers are especially depressing.
However it is a worthy ending to the trilogy, loose ends are firmly tied off, there are satisfyingly calmactic final battles, and while Thomas is never going to get a "happy ending" he does manage to come to terms with some issues.
If you've even vaguely enjoyed the first two books, read it!
Oh, if only Aslan would come... I mean, Thomas Covenant. Entering the land after witnessing a girl getting bitten by a rattlesnake, he tries to detach himself from the Land, which he's still not fully convinced is not a dream, and returns to the real world to save the girl. However, he soon is poisoned after sucking out the venom, and back to the Land he goes.
Here, he teams up with the last uncorrupted Giant, Saltheart Foamfollower, and the two must save the Land, Elena's ghost, and relieve Foul of the Staff of Law.
Donaldson, by far, is the best of the tolkienoid authors. His works lovingly borrow from the fantasy tomes that came before his. Although the major artifact of his fantasy world is a white gold ring, this right of wild magic, is less like the One Ring than other authors' artifacts of power (say, a sword, or a stone that eventually becomes a pommel). If you're anything like me, you'll find his fantasy world to be much less annoying than Brooks' and Eddings'.
I recommend this series to all of you who like epic fantasy, and want something better than McDonalds, but not quite Smith & Wollensky.
A painful ending to a painful trilogy. Very strong stuff but I simply couldn't take it.
It wasn't.
I guess, it's kind of original in fantasy novels, so I appreciate that, just not sure I want to read more of it. I hated Covenant almost the entire time. When one of his companions was someone who he had wronged and they loved him, I was delighted by thinking that he would suffer for it. Then I realized that he loves suffering and was always looking for a reason to be even more negative, so that ruined it for me.
BUT this still got 4 stars. What I loved, corrupted giants, friendly giants, ancient artifacts of power, huge sieges of ancient strongholds, lots and lots of magic, the deep history of the land, and of course, finally some good news for the good guys. About that good news, a couple people have talked about the "victory chapter". I loved it, but it seems like the key to it was "the oath of peace", which always seemed kind of lame to me. Like, "our whole world is being destroyed and everyone is being killed, but we better be nice and make sure we don't hurt the bad guys too much, unless we absolutely have to." Again, it almost became like a superhero trope, "we don't kill villains".