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Vanessa is the second daughter of the Huxtables, proud and daring, a young widow who has her own reason for pursuing the most eligible bachelor in London. One that has nothing to do with love. Or does it? The arrival of Elliott Wallace, the irresistibly eligible Viscount Lyngate, has thrown the country village of Throckbridge into a tizzy. Desperate to rescue her eldest sister from a loveless union, Vanessa Huxtable Dew offers herself instead. In need of a wife, Elliott takes the audacious widow up on her unconventional proposal while he pursues an urgent mission of his own. But a strange thing happens on the way to the wedding night. Two strangers with absolutely nothing in common can't keep their hands off each other. Now, as intrigue swirls around a past secret, one with a stunning connection to the Huxtables, Elliott and Vanessa are uncovering the glorious pleasures of the marriage bed, and discovering that when it comes to wedded bliss, love can't be far behind.… (more)
User reviews
Can this marriage work? This is a romance novel, so of course the answer is "yes." But watching it play out is loads of fun.
This is the first in a series of four books about the Huxtables. I'm looking forward eagerly to the others.
This is a very satisfying and well-written historical romance. Not outstanding in any particular way, but there is nothing I can find fault with, either.
The days following he disrupts the Huxtable household by informing them that Stephen, the youngest, is now the Earl of Merton and that they need to move to Warren Hall where Stephen, until his majority, will be trained to take over his responsibilities. Elliott realizes that the sisters will need to be introduced to London society and since there is no one who can sponsor them that they know, he will need to marry sooner than he planned to provide that service. He agrees to marry Vanessa Dew so that she can serve as her sisters' sponsor. Their love story unfolds.
First, let me say that I love Mary Balogh's books. Se writes love stories in a series surrounding a family. She is one of my favorite authors, and this is her newest, the first in the Huxtable Series. I've read 20+ of her books and this is the first one that really disappointed me. I kept waiting for the plot to develop and it never got there. There was no conflict, no mystery just a simple love story that really did have much of a bite. These are the first two Hero/heroine/ that didn't grab me. I just hope that the series is better.
Vanessa is the 'plain Jane' of the Huxtable family. She's heard it all her life and can see in the mirror for herself as well. But she's also the happiest and most joyful, finding pleasure in each day. When the terribly correct and arrogant Viscount Lyngate comes to inform the family of her younger brother's surprising inheritance, Vanessa is just as excited and fearful as the rest of her small family. But when it appears this same Viscount will propose a dutiful marriage to her older sister, Vanessa knows that just won't do. Her older sister deserves to have a chance at love so Vanessa proposes to the Viscount herself!
Elliott isn't sure which part of his duty is most onerous. Having to locate and guide the new Earl of Merton or having to sacrifice himself on the altar of marriage for his own title. It doesn't take him long to realize that what's really most irritating is the widowed sister of the new Earl. She doesn't stand in awe of him, she talks back to him, and now for some reason he seems to be attracted to her. But he must marry and heaven knows one chit is really as good as another so he might as well lighten his burden by marrying the oldest Huxtable daughter. Well...he would...if that irritating woman hadn't just proposed to him!
I found laughter and tears in this story; I also couldn't seem to stop reading once I started. Both of those are signs of an irresistible book for me. From the first page, Balogh sets up the premise of this entire new series and draws the reader in with a bit of mystery. While you are reading the story of Elliott and Vanessa, you also get bits of pieces of the mystery tossed in. The relationship between the main characters is complex and engrossing while the deepening of their feelings proceeds at a reasonable and smooth pace. I find myself anxious for the next book "Then Comes Seduction" which is the story of the youngest daughter. It should hit the shelves April and I'll look forward to reading more about the Huxtable family, the Earl of Merton, and the mystery of Constantine.
LOVE Mary Balogh!
The plot itself wasn't very interesting, the hero and heroine weren't very interesting - she was even bordering on not likeable for me - and it took
The only person I did find interesting was the hero's ex-best friend Con. The book started with him and it took a long time before I realized he had been sidelined for good. Obviously his role will be drawn out over the series. ETA Looking at the other books in this series, I noticed he will be the hero of the fifth book. I might hang in there a bit longer...
Grade: D /C-
I say it is a good supplement to Jane, because even at the read-a-mass-market-or-maybe-play-chess stress-killing level of literariness, (even some teen or pop romantic comedies have a decent theme, and cannot be read properly without consideration, the way that playing chess against a computer or reading a mass market paperback does not—although obviously the literal publishing details are not infallible guides), there are differences between an honest modern romance of middling skill and Jane even when she did what she set out to do. Part of why people like Jane now is she did not feel the need (or the permission, perhaps), to cast a wide net, and talk even briefly about Roman Britain, (even though everybody did, at least a bit, in real life), or socially-caused stress, or unhappy marriages—of course, sometimes she flits along the outside, but Jane does not say simply, Joe acts one way before and another after the wedding, because Joe is a humbug, or even the most insipid sorts of ordinary complaints about “men” (man-system man, only you must not think so much), as even ordinary women sometimes make very ordinarily. Or, of course, sex between married people….
Trying to make porn or even something objectionable out of text-only materials (no images, no music plus song lyrics), is probably possible but relatively difficult, and Mary is not trying. The reason why classical molds appeal to romance writers is that they want to be decent, sometimes even earnestly. So there is some sex, and it’s nice; we should all have some, I don’t know, healthy fantasies, if we are not unusually still and silent about sex (even internally), as bad fantasies are not so good. But it’s not drivel, you know; some of it is just easy reading, (“easy listening”), and not especially fantastic, since life is the endless in-between in between those special moments.
…. Although it’s actually kinda a sad book—happy sad happy sad. Girlie is so sad.
But never forget, that if you trace it back far enough, it’s some woman’s fault for giving birth. :P
….
—Hello, I’d like to return these shoes; the wings don’t work on them; I can’t fly in them, and—hang on.
—*eating grass*
—Goosie, goosie! Nest, goosie, nest! Goosie!
—Heh, heh!
—Goosie, come! Goosie, nest!
—*waddles off*
—That’s right, goosie—begone! Don’t make me chase you away! This is My lake, and I am as constant as the northern star, as Shakespearean as the Regency rich, and as—are you listening to me?