"In BABEL TOWER a cast of striking characters play out their personal dramas amid the clashing politics, passionate ideals and stirring languages of the early 1960s. Frederica (the heroine of VIRGIN IN THE GARDEN and STILL LIFE) now teaching English in an art college, is hiding herself and her son Leo from a violent husband; her urge towards freedom later leads to an angry, humiliating divorce case. Hers is not the only struggle- her friend Jude writes a novel, BABBELTOWER, which is tried for obscenity; her brother-in-law Daniel becomes involved in new movements for London's poor and distressed. Their crises mirror those of the age - abroad, this is the decade of the Berlin Wall, the Cuban Missile Crisis, the death of Kennedy; at home it is the era of the LADY CHATTERLEY case, of the Beatles, of Mods and Rockers, art school riots, the Profumo scandal. Moving and absorbing and full of comedy as well as strife, this superb novel brings our own recent past to vivid, and disturbing life."
It's about the "innocence and experience" of Frederica, the main character, who finds out what is important in her life, and of a group of people who isolate themselves to practice sexual and social freedom. The idea of the society of `freedom' is tackled by a book within the book: _Babbletower_- a utopian/dystopian tale in which a group of nobles are trying to build a utopian society based on the premise that everyone should do what brings him pleasure. But, what if somebody finds cruelty bringing him pleasure?
The author of the book within the book is put on trial for obscenity. At the same time the main character of the novel, Frederica, finds herself in divorce and custody proceedings. Both trials borrow extensively from the real trials that took place in England at the time.
* Charles Fourier vs. Sade (in the novel, babbletower, within a novel)
* An affectionate send-up of the medievalism and attractions to Apocalyptic Blake in 60s counterculture (and a perhaps less affectionate send up of the countercultural psychology of Laing and Marcuse)
* A wondering exploration of the 60s developments in pedagogy
* a harrowing feminist account of domestic violence
* TWO courtroom dramas (first divorce, and then an obscenity charge, during which Anthony Burgess (!) appears)
* the birth of environmentalism
Merits repeated rereadings.