Genres
Description
Fantasy. Fiction. HTML: Marking the return of many characters from Gardens of the Moon and introducing a host of remarkable new players, Memories of Ice is both a momentous new chapter in Steven Erikson's magnificent epic fantasy and a triumph of storytelling. The ravaged continent of Genabackis has given birth to a terrifying new empire: the Pannion Domin. Like a tide of corrupted blood, it seethes across the land, devouring all. In its path stands an uneasy alliance: Onearm's army and Whiskeyjack's Bridgeburners alongside their enemies of old�??the forces of the Warlord Caladan Brood, Anomander Rake and his Tiste Andii mages, and the Rhivi people of the plains. But ancient undead clans are also gathering; the T'lan Imass have risen. For it would seem something altogether darker and more malign threatens this world. Rumors abound that the Crippled God is now unchained and intent on a terrible revenge. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.… (more)
Subjects
Language
Original language
Original publication date
Publication
ISBN
Similar in this library
Awards
User reviews
In a way though, this is a curious affair. It does seem to me that it would be much better to read this book straight after GotM rather than DG. The meat of the story, of perhaps the entire series, seems to have been revealed here and that adds a lot of impetus to the overall story that was slightly lacking from both previous books. Then there are the little details: the Trygalle Trade Guild seemed like a huge deus ex machina in DG, but actually seems much more reasonable in the context of this book. Even the epilogue of MoI seems like a set up for reading DG thereafter. Having finished MoI, I really didn't think that much, if anything, would be spoilt by reading this book before the previous instalment. But that's just my opinion and I'm not sure how many might agree or disagree.
As for MoI on its own... It was very good. Not perfect by any means, but very good. I don't think Erikson is quite as good a writer as the likes of Abercrombie or GRRM are, or at least he's not as consistent. Erikson's dialogue can veer from sharp and insightful to clunky, and there are times when events are recounted and explained for us in such an obvious way that it's silly. Yet for all of that the siege of Capustan and the assault on Coral are set piece spectaculars that will live long in my memory alongside other memorable recent fantasy chapters like the Red Wedding. After three books I feel like I'm comfortable in knowing what to expect from Erikson in terms of prose: very solid, capable of the odd misstep but still with an ability to write scenes of great power.
Although, for all his many words and pages, I'm still not entirely convinced about Erikson's ability to write nuanced characters or even detail his fantasy world. The likes of Dujek and Whiskeyjack are likeable characters but I'm not sure I could say what type of person they were beyond, honourable and reliable. In fact many of the characters in this novel fall into that sort of category. They're enjoyable to spend time with but they're not all that distinct, something I think seen most obviously in the slightly amorphous unit that are the Bridgeburners. Similarly, although Erikson has given his world a long history some of its more recent aspect feel rather vague, even after some 3000 pages. For me the most obvious example of this is the Malazan empire itself - 3000 pages and I don't know much of its structure, how it came to be or even its motivations for expansion (perhaps I'm supposed to assume that's just what empires do?). This might be fleshed out in future books (and Erikson has certainly answered some of my early criticisms as the series has progressed) but when these books are so long it feels a little frustrating to notice some central parts of the world aren't fully rounded.
As ever it's easier to focus on what you don't like than what you do but one thing I must give Erikson special credit for is having woven a story which mixes very well an immediate and low level threat with a greater but further off danger. I think in this area the author has done as well as the likes of GRRM in A Song of Ice and Fire in balancing out the needs for action now with a greater danger further down the line.
Every Malazan book is a mammoth undertaking but I'm glad I gave the series one more try. The story came to life this time round and even if the characters aren't all wonderfully multi-faceted I was still gripped by the carnage that unfolded in MoI. I now want to know where the story will go and how it will be resolved - and at the end of the day you can't ask for too much more than that. I'm finally a believer, I think the Malazan series really is worth the effort.
A new, cannibalistic
Of course, such a pithy summary does absolutely no justice to the amount of plot Erikson squeezes into this novel - and discovering (or rather, uncovering) it is half the pleasure of the book. From an already ambitious base, Erikson's ambition balloons yet further, and he's far more generous in dolling out information in Memories of Ice. Many unexplained incidents from prior novels begin to make sense, and this extends beyond the mythic histories, and into character's motivations and emotions.
I found the latter in particular the most rewarding part of Memories of Ice when assessing it as an entry in a series. Characters we had heretofore viewed at a remove, inscrutable at best, simply boring at worst, reveal depths and facets which makes them far more three-dimensional, and also inject the book with a large amount of pathos at times.
Rest assured, this is all rendered in typically melodramatic style, but I think Erikson has a particular genius for making melodrama work (mostly, I'll get into that in a second). The bombastic, world-bending story and the sometimes pompous, theatrical delivery engender a kind of mythic tone. When coupled to the all-too-clear weariness and desperation of the protagonists, it left me feeling that "it" - the story, the events, whatever - really did matter.
Far less successful are most of Erikson's attempts at humour, and the often painfully cliched "soldier banter" that too often rings false, is disappointingly monotonous, and had me grimacing every time someone "drawled" something (there is a lot of drawling. Way, way too much). This aspect of the books owes a very clear debt to Glen Cook, and I think it can be pretty mixed when he uses it, too. Further, the essentially interchangeable characters that mostly give voice to this banter really took me out of the story, and highlighted the constructed nature of so much of it. It felt like a lesser writer penning the wan badinage and really stupid segments involving two necromancers.
The same writer is content to fill his novels with many a happy lesbian, but for an army that seems 80% male, Erikson has trouble scratching up a single gay guy. I don't mean to make a big deal of it, but these elements seem very "fan-service" to me, and they show a more juvenile side to both the genre and this series in particular.
The only other real weakness to Memories of Ice - and in my opinion the most critical - is, once again, the violence. For someone that clearly understands the impact that interior, emotional journeys can have on a reader, Erikson still seems obsessed with the notion that if one dead body is sad, a million must be a million times sadder.
Memories of Ice features literal ziggurats bodies, houses stuffed so full of corpses the foundations are split, and all manner of lovingly rendered torture, cannibalism and massacres. I've read the various defences of these excesses from Erikson and others, and I don't buy them. It's gratuitous, very tiring as a reader, and depressingly undergraduate in my opinion. The _many_ pages devoted to this do not make the book stronger, and the same reality and emotional impact could have been conveyed with far fewer words. Instead, I was left thinking of a scene in Hot Shots 2, with a rapidly growing body counter on the screen showing how many people Topper killed.
However, despite these objections, I enjoyed the book. Erikson displays some really masterful pacing here. Writers juggling chapters from multiple viewpoints often have one "true" story, and others are merely a form of exposition or padding, but Memories of Ice was satisfying no matter who the chapter was tracing. Even better, the threads are brought together for a genuinely exciting and emotional climax that reveals much about the series' characters, world, and larger plot. No mean feat.
Memories of Ice - like the books before it - gets critical charity from me that I won't typically extend to fantasies. Why? Because it's the only series that I've read in a long, long time, that really lives up to the designation of "epic". Erikson's commitment to go big or go home is dizzying at times, and you can't help but shake your head admirably at something so ambitious - even when it doesn't work. And when it does fail, interestingly, it's not when attempting to do something few other fantasies try, but when it's doing the stuff every other fantasy is going for. But whatever. The series, thus far, is not without its flaws, but at the end of book three, I feel like I'm reading something really seminal for the genre, and the criticisms are overcome by its many pleasures.
Flashes of humor, in the
And I soooo want a book about Brood, Rake and Lady Envy's younger day exploits!
Many of the strengths of the first two volumes remain: a multi-layered and complex world and magic system that are internally consistent, gritty military campaigns, surprises, momentous events, and an interesting mixture of characters and races (human and non-human). Several of the new characters are strong, and we learn much about the fascinating past and present of Erikson's world. As I indicated, most of this book was superb.
My disappointment with Memories of Ice comes down to my perception that the plot is driven by curious actions by key characters that are never really convincingly explained. WARNING: SLIGHT SPOILERS TO FOLLOW. . .
Things like Silverfox's treatment of the Mhybe, Dujak's efforts to secretly rush his forces to Coral before his allies, or Paran and Quick Ben's lenience with the Seer. And the two necromancers take up quite a bit of plot time, without any explanation of who they really are and why they are here. On the other hand, I suspect that these books might be better the second time around; perhaps these actions made sense and I just missed it, or perhaps they will be explained in later volumes.
A very good book, but ultimately not up to par with the best of the series.
Through the first half, it really is a book that's difficult to put down and I felt this was easily the most engaging fantasy novel I've read in a long time. This mood carried me into and through the grim battle scenes in the middle that get a bit horrific, but are described in a factual way that prevented them from crossing my tolerance threshold. Similar to my experience with Deadhouse Gates, I wasn't deeply affected by these scenes no matter how grim they became. It might be my having read enough non-fiction about true life horror to make anything fictional pale by comparison. Less promising interpretation: the general 'sameness' of the characterizations shows its downside in these scenes, like watching a child randomly inflict casualties among rows of toy soldiers. Towards the end some of these events were more effective when they hit closer to home.
I wasn't always enthused about the use of humour. I like soldier dialogue, but the novel's third quarter has too much of it and the story lags a bit. Dire attention was no longer required when reading every page during the casual scenes with little consequence. Worst for me were the "three stooges" bits: Quick Ben drops Kallor down a hole, Picker confronts Bauchelain and Korbal Broach, Emancipor's toothache. I can't see what purpose Bauchelain and Korbal Broach serve. They're the stars of some short fiction the author's written on the side, but in MOI they are only a sideshow.
If the entire series of ten books could be reissued as a trilogy, MOI would conclude its first volume. It builds on everything we've learned about the Malazan's world so far and sets up the series' true framework. There's some great links to the second volume's events which took place simultaneously. Best of all, I'm finally comfortable with the workings of this world (even as I'm sure there's surprises yet to come.) This is my primary enjoyment of the series - being challenged by its scale. MOI as a novel didn't quite impress me to the degree I expected, but it kept me invested in following Erikson's world and characters into the next book.
This book is easily my favorite of the series so far. There is so much going on at all times. This isn't fantasy for the weak of heart. Things are packed with emotion. Some of the horrifying scenes from Deadhouse Gates pale in comparison to what happens in Memories of Ice. To balance this Erikson has added in humor that helps lighten what is happening without cheapening anything. Beautifully written, many plot twists and he pulls off a multifaceted climax at the end. Erikson has hit his stride with this book.
So far in the three books we have met the forces of the Malazan Empire, the people of Pale (who fought the Malazan's), the people of Darujhistan (who also opposed the Malazan encroachment), Caladan Brood's armies, the Tiste Andii and Anadomer Rake, a couple Jaghut's, K'Chain Che'Maille, the army of the apocolypse in Raraku, a single Toblaki (some other race), the Pannion Domin's forces, the tribal Barghast, insect like Moranth, Gods, Ascendants, and quite a bit more. It can be a bit overwhelming at times but, at the same time, it all ends up making sense. So if you start to feel intimdated by the sheer scope of the novels stick with it - I don't think you'll regret it.
In Memories of Ice we pick up where the first book, Gardens of the Moon, left off. Events occur at the same time as events taking place in the previous book, Deadhouse Gates, and if you read carefully there are clues to tell you where you are in the timeline of the second book.
I loved being reunited with the Bridgeburners, Whiskyjack, Paran, and Quick Ben (definitely becoming my favorite character!). It was also interesting to learn more about Caladan Brood, Anomander Rake, and Dujek Onearm, as well as learning the fate of Sliverfox (Tattersail). All the characters are so well developed that they become real people and you develop feelings (good or bad) towards them. I have to say that the fate of one of the characters at the end almost left me in tears! It was incredible how the enemies from Gardens of the Moon became allies in this book! Very exciting to see them all working together and how they cope with that.
The T’lan Imass were also very interesting and played a larger part in this book as they are being called to a gathering. I loved reading about Tool again! He is such an interesting character. There is probably going to be a book focusing of them because of something a T’lan Imass said in this book. Something about them fighting a war and not with a Jaught. Exciting! Oh! and there is something going on with Toc the Younger. I think he must play a pretty important role at some point.
I also enjoyed the villains in the book. We are introduced to the Crippled God and the Seer. The Seer is the main focus of the story with the Crippled God sort of put on the back burner. They are very interesting and well developed and I enjoyed reading about them. We will find out more about the Crippled God later.
The one thing I did not like reading about was the Mhybe storyline. I just didn’t find that to be very interesting. It was just kind of annoying hearing about her complain all the time and her dreaming was just weird. You will understand when you read the book. Trust me.
The battles were well written, interesting, and detailed. I felt as if I was in the middle of them. Especially during the last battle. The aftermath was just too horrible and filled with sorrow. I almost broke down several times.
Throughout the entire book you follow the soldiers as they travel from place to place and attempt to win their battles. This sounds so incredibly boring, but Erikson does a marvelous job making this one of the most incredible series I have ever read. He really knows how to write! He is an amazing storyteller. It’s his characters and the stories behind them that make the book so interesting. I can’t wait to read the next book!
These are only a few stories hiding within this book. That's probably why it's so thick. As with all books by Steven Erikson, the second half was much more exciting than the first part. I am humbled by how intricately the storyline is woven and how deep this world is. I will never understand why I thought the person on the front was a Jaghut. I really feel like I'm starting to feel at home in this story, not on an unknown planet. In all, a great book! I'm hoping I'll read more of this series soon.
World: 3/5 A strange world of gods and mortals. Very confusing at times, and seemly inconsistent. A grim world of blood and gore with a strange
Characters: 4.5/5 A wide range of deeply articulated characters, many drawn from a military background in their thinking. The humour was great but sometimes seemed totally incongruous. Sometimes the characters didn't seem true to life in their reactions to things. But a huge and inventive cast.
Writing: 4/5 Steven writes with consummate skill and command. I am confident that he is not going to let me down in this area. The only thing that irritated me was extended passages of the characters' chaotic experience of what was going on and sharp shifts in reality and context which were totally confusing/bemusing. This is a lengthy novel and is a heavy read, though all the writing is relevant.
I'm in two minds about this. I concluded that Steven was either brilliant or mad, probably both. An this is either one of the greatest fantasy epics ever (if only I understood it lol) or it's an awkward tale that is far to ponderous...
I'm thinking I might not read the next in the series... but then I probably will. I like the humour and the quirky characters, and enjoyed it much more once I gave up trying to work out what was going on.
I'm honestly not sure what to say about the plot of the book, as there is so
I'll say about Erikson what I've said about Tolkien: reading his books is like eating cheese cake. I can't eat it fast, and I can't eat a lot of it at once. It took some time to get through Memories of Ice compared to Gardens of the Moon, but at not point would I say I was disappointed. Even if the over arching plotline was lost on me at times, what was happening on the page in front of me was more than enough for reading enjoyment. The first line is still one of my favourites, simple as it is, for how it sets the tone of the story, after the surprise of the chronological note that sets date of the following section of story.
As this is a pretty massive series, it is almost impossible to give any information on the story without spoiling, so I'll just say that the story follows Dujek Onearm's Host in his fight against the Pannion Seer. If I say anything more specific,
On my re-read, even though I already knew the story, I actually read the last 20% of the book in one go, simple because the book gripped me and refused to let go. There are so many wonderful scenes, and so many tragic scenes, and even though it has its lengths, overall, it was a great read, improved even more through the re-read.
Now, having finished the 3rd, about 7 years after I bought it, i can give it a solid recommendation. One that you might
That is how rich and well planned out the writing is. In a series that has several million words, to think that far ahead and place a seed shows that there is a vast difference between this and something like Jordan's Wheel of Time. WOT is my favorite, but Jordan's work shows that as he was successful and more books were called for, things were added. Here, reading this work, it gives the impression that everything that you encounter was thought of before Erikson wrote the first sentence.
Something that perhaps forces Sanderson at present to reexamine how he tackles his Stormlight epic, and how others should regard their work. If you like fantasy, though this has many dark moments, and some of the abundance of magical and godlike interactions I found difficult to follow, you should be sure to add this to your library and read it.
A synopsis is hard - the book is 1200 pages long. Lots is discovered about the nature of the threat still to come. More
Yet again this could become massive, wandering and imprenetrable. Instead it remains wondeful, twisting and enthralling. Whilst it's a huge war story, armies, sieges and so forth, there's a hugely tender and affecting love story with a tragic ending woven through the story too.
It should have 6 stars really.