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In this haunting 1935 novel, the Pulitzer Prize-winning author of My Ántonia performs crystalline variations on the themes that preoccupy her greatest fiction: the impermanence of innocence, the opposition between prairie and city, provincial American values and world culture, and the grandeur, elation, and heartache that await a gifted young woman who leaves her small Nebraska town to pursue a life in art. At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair--and Lucy's fatal estrangement from her origins--Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.… (more)
User reviews
When she goes off to Chicago to study music, the town and her family misses her. She becomes infatuated with a singer and becomes his
She has friends from home and sees a number of them periodically but then something surprising happens with a man she had been seeing.
It is almost as if this sad thing unjustly happened to a wonderful woman and it is easy to picture this being made into a film.
This was a beautifully written character study with real emotional depth that made me gasp more than once.
Part of it reminded me of THE AWAKENING by Kate Chopin, particularly this: "Since then she had changed so much in her thoughts, in her ways, even in her looks, that she might wonder she knew herself - except that the changes were all in the direction of becoming more and more herself."
Why she had to lie to her old beau, implying something had happened that hadn't - and really why she couldn't marry him in the first place: "She had tried to tell him the truth about a feeling; but a feeling meant nothing to him, he had to be clubbed by a situation." I love that, "clubbed by a situation."