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A classic book now available on audio With narration by Phyllida Nash, who gives a captivating account of the legendary empire that made the modern Western world possible Byzantium. The name evokes grandeur and exoticism-gold, cunning, and complexity. In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium-long history, she identifies the fundamental questions about Byzantium-what it was, and what special significance it holds for us today. Bringing the latest scholarship to a general audience in accessible prose, Herrin focuses each short chapter around a representative theme, event, monument, or historical figure, and examines it within the full sweep of Byzantine history-from the foundation of Constantinople, the magnificent capital city built by Constantine the Great, to its capture by the Ottoman Turks. She argues that Byzantium's crucial role as the eastern defender of Christendom against Muslim expansion during the early Middle Ages made Europe-and the modern Western world-possible. Herrin captivates us with her discussions of all facets of Byzantine culture and society. She walks us through the complex ceremonies of the imperial court. She describes the transcendent beauty and power of the church of Hagia Sophia, as well as chariot races, monastic spirituality, diplomacy, and literature. She reveals the fascinating worlds of military usurpers and ascetics, eunuchs and courtesans, and artisans who fashioned the silks, icons, ivories, and mosaics so readily associated with Byzantine art. An innovative history written by one of our foremost scholars, Byzantium reveals this great civilization's rise to military and cultural supremacy, its spectacular destruction by the Fourth Crusade, and its revival and final conquest in 1453.… (more)
User reviews
Byzantium started out as the West Wing of the Roman Empire but then, split off into a semi autonomous empire. It acted as a buffer between Western Christianity and the new, all conquering Muslim faith; not just physically, but also as a repository of Western civilisation, at a time when the West was letting its standards slip, somewhat.
The book traces Byzantium from its earliest days until it finally succumbed to Eastern military force (a situation helped by an attack from the Crusaders sent to help protect this Christian outpost!) Judith Herrin gives a biography of the main characters, historical background and a final review of the significance of Byzantium in a succinct style filling a mere 336 pages. I particularly like the way in which Herrin is willing to report the views of the time, without comment. I am thinking specifically of the sieges where Mary, the mother of Jesus, was 'seen' on the battlements at their darkest hour. We might be wiser than to believe such things nowadays (please notice that word 'Might') but, it gives an insight into the mind of the Byzantines at this juncture.
The book is lavishly illustrated with examples of Byzantine art and gives an excellent introduction to this crucial historical empire.
So it was with great
I have a couple of reservations, however. Her method of documenting the "forgotten empire" was different: each topic was given its own chapter and the topic was explored in its entirety from Constantine's time to 1453. This is interesting, but confusing. She drops names in an early chapter, but doesn't discuss them in detail until later, or she talks about a person and then name drops them later and expects the reader to remember every detail. In addition, the chapters are so comprehensive that names and dates and facts whiz past your head. Finally, I was served well by this book because I have a mental timeline of Byzantine history, but someone who is not familiar with at least the basics of its rise and fall might struggle a bit.
Regardless, it's still a fantastic book with a great focus and one that will certainly go towards helping those willing to pick it up with understanding the world's "forgotten empire".
Rather than a dry recitation of the history of Byzantium Herrin chooses to focus on interesting aspects of Byzantine
She succeeds very well in creating a bigger picture of Byzantine history, society, and culture in the mind of the reader. I should stress that this book is written for a general audience and not exclusively for academics.
If you (like me) have a hole in your general knowledge where the Byzantine Empire ought to be, then I thoroughly recommend this book. Indeed who could resist finding out more about the history of a culture that boasted somebody called Basil the Bulgar-Slayer?
Some of that "lot more" I know about Byzantium contains a lot of references to the differences between Byzantine and Roman religious practices. This was interesting at first but started to tax my patience as Herrin dove into the intricacies of ecumenical council and iconoclasm. Similarly, Herrin's decision to write on topics rather than chronologically led to some confusion, particularly over the names of Emperors and Patriarchs (there's only so many Constantine's one can keep track of). On the plus size, Herrin introduced me to Emperor Basil "The Bulgar Slayer". If nothing else, the Byzantines could sure coin a good nickname.
The work is organized in four chronological sections, but the chapters within each section often move across chronology to look at topics such as rise of icons as a Christian art form, the linguistic inventions of Saints Cyril and Methodios, the monasteries on Mount Athos, the writings and life of Anna Komnene, and the cosmopolitan nature of the Byzantine Empire. This approach gives a sense of Byzantium as a civilization and stresses its continuity across a 1100-year history.
Much has been made by some reviewers of a slip of the pen that makes Stilicho the successor of Romulus Augustulus in 476 (it was Odoacer). This is clearly an oversight of both author and editor, but it in no way detracts from the scholarship of the rest of the book.
That said, and for all the strengths of the book--nice detail, wide range--it's a little infuriating that Herrin spends so much time talking about things that happened to her when she was a tourist in some part of what used to be the Byzantine empire. It feels like someone (agent? editor? Herrin herself?) decided that this book needed 'livening up.' Herrin, for better and worse, is not William Dalrymple. That's not to say Herrin shouldn't have written this book, only that it could easily have been much better.