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Fantasy. Fiction. Mystery. HTML:Wizard Harry Dresden must investigate his own flesh and blood when a series of killings strike Chicago�??s magic practitioners in this novel in the #1 New York Times bestselling series. Someone is targeting the members of the city�??s supernatural underclass�??those who don�??t possess enough power to become full-fledged wizards. Some have vanished. Others appear to be victims of suicide. But now the culprit has left a calling card at one of the crime scenes�??a message for Harry Dresden. Harry sets out to find the apparent serial killer, but his investigation turns up evidence pointing to the one suspect he cannot possibly believe guilty: his half-brother, Thomas. To clear his brother�??s name, Harry rushes into a supernatural power struggle that renders him outnumbered, outclassed, and dangerously susceptible to temptation. And Harry knows that if he screws this one up, people will die�??and one of them w… (more)
User reviews
This is the ninth Dresden Files book, and yes, it's White Night, not White Knight or White Nights. Easy way to remember: every
Anyway. The have-nots of Chicago's magical community--those people with just a bit of power--have been going missing. Several have turned up dead, mostly in apparent suicides. And somebody's left a message with the bodies: Exodus 22:18. Harry Dresden isn't religious, but that's a verse he knows by heart: "suffer not a witch to live."
And what makes things worse, for Harry at least, is that a lot of the missing women were last seen with either a very handsome man with dark hair or a very tall man in a gray cloak. Wardens of the White Council wear gray cloaks, which makes Harry himself a suspect, and the other man sounds very much like his brother Thomas, who's been secretive about the his new job.
The plot is convoluted, but it makes sense once you get all the pieces, and what's really cool is that it's convoluted because that's the way the people involved do things. It's that level of detail that prompts the + on the five stars. Everything in the book has a reason for being there, usually several reasons.
Harry's still training his new apprentice Molly, and that's got a bunch of layers as well--her strengths fit everything we know about her from previous books, and the effects on Harry show, too. Another reason for the +. It's not just "let's give Harry a teenage girl for a sidekick." It has so much consistency you'd believe they were real people.
Several characters from earlier books show up, ones we haven't seen for a while, and that's fun, and completely plot-driven. No Mouseketeer role calls here.
As you can probably guess from the fact that his brother is a suspect, the emotional intensity is up there. There's also a lot of emotion involved with Harry dealing with anger issues and with Lash, the shadow of a fallen angel who's living in his head. I needed tissues.
There were also plenty of laugh-out-loud moments, and dozens of quotable lines, like "...age is always advancing and I'm fairly sure it's up to no good."
And some very cool special effects, which the TV show will never get a chance to use because it's been canceled, dammit. Ah, well, they probably work better in my head anyway. Stupid SciFi Channel.
One caveat: this is a planned series: 20 books and then a big old apocalyptic trilogy, because who doesn't love apocalyptic trilogies? Which means that even though the books are complete in themselves, there is something going on that's leading to that apocalyptic trilogy. In other words: read the series in order. You'll get more out of it that way.
Consumed by his duties as a warden of the White Council and by his responsibilities to his rebellious apprentice, Harry has practically lost touch with the magical community of Chicago. When he discovers that a killer has been systematically targeting female practitioners of magic, he is shocked to discover that in the eyes of the magical community, he is the main suspect: a man dressed as a warden has been seen speaking to many of the women who have disappeared or died. Fighting the mistrust of the community, Harry starts his investigation in his standard fashion: poke around until the situation explodes. As he is catapulted from one crisis to another, he discovers more and more evidence that implicates his own half-brother and begins to unravel a plot that threatens the entire White Council of wizards--and all of humanity.
I enjoyed this book, but for me, it has an unusually dark tone. One reason is that Harry's increasing slips into his darker nature. Several books ago, in Death Masks (book 5), Dresden becomes the unwilling host of the shadow of a fallen angel. Lash, or Lasciel, has attempted to tempt him with power and information into consciously succumbing to her influence, but he has attempted to use her aid as sparingly as possible. However, the destruction she has caused is more insidious. Her influence is immediate: from book six onward, Dresden becomes more savage and cruel, and the moments in which he revels with a bizarre, sick pleasure in holding power over his enemies have steadily increased. Dresden, a deliciously unreliable and not particularly introspective narrator, has reported his actions and emotions, but has failed to connect them to the influence of the fallen angel. In this book, he is finally confronted with the increasingly strong hold his dark nature has over him, and with the angel who has so influenced him.
Another cause of the somber mood is Dresden's inner conflict and isolation from the other characters. As he struggles between his bone-deep desire to protect his brother and stop the killer, Harry's path is darker and murkier than usual. Although the usual cast is present, mistrust and conflict create a barrier between Dresden and most of his erstwhile companions. Sgt. Karrin Murphy is at his side, kicking ass in her inevitable fashion, but her attempts to confront Dresden with his increasingly savage actions disrupts the typical easy-going camaraderie. Molly Carpenter, Dresden's new apprentice and erstwhile warlock, adds a new tone of teenage sulk and wilfulness to the atmosphere. Although Dresden is ready to forgive his old flame, Elaine Mallory, I found her character tainted by her past lies and betrayals, and her completely unapologetic and unrepentant attitude. Harry's half-brother, Thomas, has disappeared, and is increasingly tainted by suspicion of involvement. The book does not stint on villains, either. Lara Raith, one of my absolute favorite villains in the series, makes an appearance and dominates the power games in her usual deliciously immoral fashion.
One of my biggest issues with the book was actually a small incident in terms of number of pages, and actually intended to be lighthearted. Continuing on an ongoing joke, Dresden is again cast as Thomas's boyfriend. This time, he purposely plays the role as a disguise, and pulls out practically every negative stereotype of a gay man possible: a bitchy, whining tone, fluttering hands, even a lisp. The characters he tries to deceive show absolute intolerance, not even wanting to touch his hand, etc. Sure, Harry comments that he played up to the role, trying to encourage the bigotry so people would assign him to a stereotype and stop thinking--but that wasn't the only instance, and not the one that left a bad taste in my mouth. Dresden implicitly congratulating himself, points out the bigotry of an individual who thinks gays are so disgusting that he refuses to touch the hand of one. Ironic, since all of the characters, good and bad, including Dresden, constantly assign passe negative stereotypes to gay men. When Harry leaves, he is "secure in [his] own heterosexuality"--because clearly being cast as gay was an insult he had to insulate himself from. When news of Harry's act get back to Karrin Murphy and the police, and they also rib him, again using every sick stereotype of a gay man possible. I increasingly feel that bigotry against gay men is ingrained in the series. Throughout, Dresden constantly defends himself with remarks like, "I'm not a pansy," etc. In a previous book, which also contains a riff on Dresden and Thomas being partners, a friend of Dresden's comments that he won't "judge"--implying that homosexuality is something to be judged. In this book, when Murph teases him and ascribes 'girly' interests to him because of his supposed homosexuality, Dresden is humiliated and feels he will "never live this down". The series contains absolutely no examples of a positive male homosexual relationship. There are several references to lesbian/bi women, but considering how men (including our narrator) find "girl on girl" to be titillating, this doesn't exactly speak of open-mindedness. I find bigotry most repulsive when it is combined with self-congratulation on tolerance.
Despite my reservations above, I really did enjoy reading this one. There are some very enjoyable interactions between Lash and Harry, and although it added tension to their relationship, I loved that Murph takes on the role of conscience when Harry steps out of control. Speaking of out of control, there are some excellent action scenes and (of course) a burning building or three. This book also features a fantastic and very visually captivating duel sequence. Plotwise, it felt to me like a return to its noir roots, which can be seen as either good or bad. Like Chandler's stories, a man must step in to rescue the defenseless damsels in distress, homosexuality is treated as repulsive, the femme fatale makes her usual appearance, and men apparently should be as "manly" as possible. In a later subplot, a character is continually mocked for his virginity--because that is clearly something shameful. Overall, I felt this book had one of the least thoughtful, intellectual, and tolerant takes on sexuality and gender that I've seen in the series for a while. At the same time, the mystery took central stage and Harry and Elaine's detective duo was very entertaining.
Overall, White Night is a fun book, with some entertaining scenes, an enjoyable set of villains, and a tight plot. It also contains some amount of resolution to Dresden's continued conflict with Lasciel. However, for me it was somewhat tainted by a dark tone and casual slurs on homosexuality that left a bad taste in my mouth.
But before Harry learns what’s up Thomas’ sleeve, he’s faced with a psychic serial killer who is stalking magic users with minor talent. The killer is also making it look
Helping out on Team Dresden are Murphy and Mouse, of course. Harry’s apprentice from the last book is on hand to play a supporting role. Warden Ramirez also steps in to lend a hand.
One character who steps back in after a lengthy absence is Jonny Marcone, crimelord and gangster boss. His reappearance seems to indicate Harry will have one more resource, or obstacle, in his world for future difficulties. Marcone’s reentry also adds another aspect to the already rich political detail in Harry’s life.
The confrontation and ensuing battle take a significant portion of the final quarter of the book, but are well-written enough to stay exciting. Before it’s all over, another “baddy” shows up - one we thought was dead and gone from a couple of books ago. He, too, may add special interest to future stories as we can’t be sure he’s really, really gone this time.
My hat’s off to Butcher for keeping this series going when so many others fizzle after three or four. Here’s to continuing entertainment from the Dresden Files.
Not that this is a bad thing. It's a great thing for readers of the Dresden Files. While Jim Butcher does deliver payoffs and
If you're coming into this cold, you'll be thorougly confused. If you've read the previous eight books, you're probably going to eat this up with a spoon, eagerly turning the pages, waiting for the next development to hit.
Murphy calls Harry in on a case that may or may not have supernatural undercurrents. Harry discovers a message that only he could find and begins to look into a series of similar deaths. Finding the same message, hidden in the same way, Harry suspects a serial killer is on the loose in the supernatural community. The problem: the number one suspect is his half-brother Thomas.
Harry is convinced Thomas isn't the killer, but the evidence is pretty damning. Harry begins to pull at the threads and uncovers someone or something targeting women of a Wiccan order. They've already asked for help from Harry's first love, Elaine, who is now a private eye in Los Angeles who investigates the supernatural.
All of this we find in the first hundred or so pages and that's just when it gets interesting. Butcher weaves together a complex, fascinating story with Harry firmly at the center, trying to find the pieces of the puzzle and prove the innocence of his half-brother. In the midst of al this, we learn about the politics of the current battle between the Red Court and the White Council and how Harry fits into a plan to possibly tip the balance. Along the way, we meet old enemies and have call backs to the first novel in the series.
About the only thing I found frustrating about this novel is that in the last book, Harry determined a secret group was plotting within the power ranks of the White Council. And while this development is brought up, we never get any movement toward discovering who or what is behind this and what their agenda is. I realize that Butcher may be setting up some things for future installments, but a revelation this big seems a bit difficult to only pay lip service to in the story.
But that's the only detraction I can find in this superb entry in the Dresden series. Butcher keeps getting better and better, continuing to keep the Dresden Files as one of the must reads on my bookshelf.
I consistenly enjoy these books. Dresden has gotten a lot better about treating his female colleagues with respect, although he does tend to try to rescue
I sat down and reread the entire series to lead up to the new volume, and decided that it is better than I remember it being. I always get an enjoyable buzz from it (not least because Jim Butcher was incredibly nice at the signing I went to), but he has done a nice job of foreshadowing plots, following up on subplots, letting all the characters grow and change, and not simply be convenient for Harry.
Reading carefully, my biggest complaint is that each Big Bad is Bigger and Badder than the previous one, which gets tiring. Why not just different? Every book, Harry is outclassed, and has to ramp things up to 11. That said, it's a fairly minor complaint.
Not only must Harry untangle the web of deceit pinning a string of apparent suicides to his doing, figure out if the real killer is one of his nearest and dearest, deal with a headstrong apprentice with a penchant for veiling herself, he must also deal with a stiff-collared prude with bad fashion sense and a sharp tongue.
Some days, one should ask this wizard why the whole city rests on his shoulders. Oh, and his demon is nearing total assimilation of his soul.
Although there is quite a bit in here about Harry's believe and protective feelings
Another fast moving, hard to put down adventure in Harry's Chicago and I'm once again left looking forward to the next one!
Something is killing practitioners - and the clues look like a tall dark
It's convoluted but for a change not actually aimed at Harry. That doesn't stop him poking his nose in again - being careful because of course there is Molly to look after, but when you can call in as many debts as Harry can, nothing is too much for him. ... he hopes.
Downsides, it is becoming apparent that while there is continuity in backstory plots, Jim Butcher is only content to use articles in a couple of books before they get discarded - the Bear buckle featured once, and even Lash is diminishing.
Plot hole - why doesn't Rameriz respond to Harry's use of Hellfire. It should be immidately suspicious, but even though they talk about Harry's oddd conduct this isn't mentioned?
Another fine outing - Lash is particularly good. The ending seems for final than normal, with most subplots being closed
This book continues the thread of Harry being concerned for the isolation of the slightly-magical community, and we see a reemergence of two old villains and get a name put to the faceless threat that's been around since the first book - the Black Council.
The end of the book leaves us with more questions than answers. Lasciel is presumably dead after sacrificing herself to save Harry's mind and life - can Harry still draw on Hellfire with the shadow gone from his mind? We still don't know who fixed little Chicago, and we also don't know who blew up Murphy's car. The Black Council is moving here, but there are other forces moving behind the scene to combat them. It's frustrating as a reader to see so many puzzle pieces but not being given any edge pieces.
After 9 books I still don't know Butcher's mind. He doesn't readily kill off his characters, and overall the series has been moving towards Harry collecting allies - not losing them. Still, I think I'm going to call Ebenezar McCoy as being part of the Black Council. It would be fitting, I think, for the author to break Harry's progress and make him question more closely the friends he has accumulated through a more core betrayal by his master.
There's a fair bit of back-story here, it's book nine in a series, but having read them all it flowed quite easily for me. I don't think (with the possible exception of some stuff about Molly) it would be too hard to cope with if you didn't know the back story too, although Lasciel might not be too well explained.
The story rolls on and develops Dresden's character as well as introducing new ones, and not so new.
Another good solid romp, although I'm wondering if there is a plan to wind the series up something soonish, not sure what gives me that vibe, but something does.
After dealing with the Faerie courts in the last book this one seems more straightforward yet almost all the baddies in this book come from one place. Can't say more then that with out giving away a big plot point. But someone that Harry has dealt with before makes a cameo appearance in the end to lay a smack down on Harry and allies.
This is a good book with lots of quips but also Harry is showing a lot of anger in general. Very uncharacteristic but for good reason. There are probably a lot of thing going on behind the scenes in this book that we just don't see yet. I do like the glimpse we get of Harry and Rameriez at the training camp that is set a few months before this. It ties in nicely to the story but also could have been its own short story.
To wrap up, one of the best scenes is between Lara Raith and Rameriez and what she realizes about him. Had to put the book down the first time i read it, because i was laughing too hard.
This series is the perfect fit when you can’t decide if you want magic or mystery. In White knight Harry undertakes to find a killer of magic users but along the way finds more and more clues that lead to the only family he has left his half brother. This fast paced
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