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"As any reader of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic re-reader of books. In 2008, then-new science-fiction mega-site Tor.com asked Walton to blog regularly about her re-reading--about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor.com. Now this volumes presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series. Among Walton's many subjects here are the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by "mainstream"; the underappreciated SF adventures of C. J. Cherryh; the field's many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie's Midnight's Children; the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read. Over 130 essays in all, What Makes This Book So Great is an immensely readable, engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers"--… (more)
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I won't say that I read this entirely in one afternoon. I did skip the sections on books I hadn't read yet, because spoilers abound. (Walton includes the name of each book discussed in the
Read in 2015.
The content rates four stars. It's a book aimed squarely at fellow readers about what they may not have appreciated yet, offering a rounder sense of today's genre fiction (mostly sci-fi) and its antecedents. She is sharing her subjective opinions, not offering literary critique, but given her track record that still counts for something. The cover calls this "re-reading the classics", but many of the titles are out of print so she's using the term loosely - or else she is making a point. Many examples do sound like very good quality despite not having found a market when they were published, and I've noted several I may look for second-hand. Other entries propose helpful concepts. I very much like her four categories for series, and I wish publishers used these as identifiers (although it's clear why they don't.) The 'suck fairy' concept is locked in memory since I first read that one online. I wish she'd taken this opportunity to expand on some of the topics, especially where some entries feel unfinished. There's still a lot to reflect on here if you enjoy thinking about your reading as much as the reading experience itself.
So it's a keeper, but I'm glad I didn't pay full price because the format is three stars at best. Transposing blog entries introduces several problems. What reads well in a blog becomes disjointed in a continuous volume. No extra trouble was taken to link entries that touch on the same topic, and there's no index. They're simply presented in the chronological order they were written, and like any blog the focus wanders to wherever whim takes her. Several in a row may latch on to a theme (e.g. time travel) or offer sequential reviews of books in a series, but with any entry the subject can change entirely. Book reviews are randomly interspersed with entries more broadly exploring a concept. The April Fools entries feel out of place and should have been dropped. There's a thematic emphasis on the value of re-reading but it doesn't amount to much; really it's a package of random thoughts that even the title doesn't summarize. Expect a blog, not a book.
I have always enjoyed reading books that I have read before, so a whole book about re-reading science fiction and fantasy seemed just the
The individual essays are all very short -- usually somewhere around three pages -- which means that they don't really have time to go into anything in huge amounts of depth. Mostly they're the sort of thing that works just fine when you read it on a blog, but perhaps feels less substantial than you might hope for once it's printed and bound. Also, there are times when she sets off to re-read entire long series, discussing them one book at a time, often with considerably more detail and considerably more spoilers than she usually employs, which can be a little annoying if you haven't read the series in question. (I ended up skipping or skimming over a lot of pages about Steven Brust's Dragaera series. I did read a couple of them, ages ago, and have always meant to get back to them, so I definitely wanted to avoid spoilers.)
Despite that, though, I enjoyed it quite a bit. Even if the individual entries are mostly pretty slight, the book as a whole has a pleasant more-than-the-sum-of-its-parts feel to it, and Walton's love of the genre shines warmly through it all. I finished it surprisingly quickly, too, for a book of over 400 pages. Those short little chapters were as easy to keep on munching through as a bag of tasty potato chips.
Also, she has caused my already ridiculous reading wishlist to swell even further. Which may be a good thing or a bad thing, depending on how you look at it.
In all, I think this book has now added dozens more books to my to-read pile.
Full confession--it's got me reading 9 authors I'd not before read
And as this is the 3rd book of Walton's I've read this year, I suppose that puts her on my automatic to-read/buy pile too.
If you've ever wondered what people see in certain books or series, this collection of short pieces could give you that answer...and introduce you to many good books in the process.
I won't say that I read this entirely in one afternoon. I did skip the sections on books I hadn't read yet, because spoilers abound. (Walton includes the name of each book discussed in the
Read in 2015.
It's
And I'm more likely to open a book at random, or turn a page and read the next reflection, even if the next reflection is about a book I've never heard of. It's harder to open a blog at random. I'm more likely to focus on what's new, and at times I have a tendency to skip posts unless they're about a book or author that I'm curious about.
This is the sort of book you dip in and out of, depending on what you are looking for. At least, there are reflections I don't want to read yet, because they're about books I intend to read and I wish to remain unspoiled. And sometimes reflections are only interesting if I have already read the book in question or if I'm considering reading the book.
So, really, this collection of Walton's is rather like reading a whole slew of reviews by one of my online reviewer friends, including occasional discursions into where, when, and how one reads. Fun stuff.
Library copy
So this collection serves poorly as an introduction to books, and series of books, that the reader hasn't read. It certainly doesn't match its title. All this said, if you're willing to put up with some frustration, there are many interesting points on offer. I loved the chapter on James Blish's Catholicism-themed A Case of Conscience, in which she yields her forum to an actual Jesuit to explode the book's surprisingly unorthodox theology. And in a collection of posts this big, there are exceptions to all the complaints I've made. A few of the chapters, such as one about the mental toolkit that SF fans develop for reading SF, do qualify as essays, and a few others, such as most of the chapters on Delany, really do explain what makes the books so great. I respect Walton's mind; I just wish she'd written an actual book instead of gathering a loose collection of online columns and putting them together under a title that misrepresents them.
I've been reading SF for more than 30 years.
I've probably read everything worth reading in the field, and I’ve been always intrigued by the two questions:
1 - What makes a SF book a good example of its kind?
2 - Why is SF relished
Walton's book tries to answer the above-mentioned questions. Walton is clearly a SF devotee (on top of being a SF writer as well, which I've never read in fiction mode by the way).
One crucial factor is that SF is written in a kind of code, which must be learned by apprenticeship. This necessity, of course, intensifies the skeptic's bewilderment at the bother taken by those who learn it in the first place. I learned all of the SF narrative codes when I was very young.
You can find the rest of this review on my blog.
10/10 would recommend to anyone else who is looking for motivation to read more.
Which is a shame, I suppose, as it would
And she's not. Aside from a very, very few entries, she doesn't touch on much outside of the last 20 - 25 years. There are a few from the 50s and 60s, an odd one of two from the 70s and 80s, but most of it is post 1990. A better explanation of the book's contents might be "Re-Reading Jo Walton's Favorites of Science Fiction and Fantasy".
There's nothing wrong with that, of course. I AM sort of interested in what a given author enjoy's reading. Typically, I like to know something about that author first, to have some context around why I might be interested in their particular thoughts, but that's not the case here.
The word 'classics' conjures up certain books that one would expect to be discussed, providing the context for the discussions that is otherwise lacking. Inside of that framework the author can talk about favorites that derive from or contain elements of those classic stories. That's good discussion fodder and perhaps provides a different view of actual SF/F classic literature for one to consider.
But this? This is just a list of Jo Walton's favorites and her personal justifications for liking them. Which is fine. It's just not what it says on the tin.
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813.0876209 |