Call number
Genres
Publication
Questar, paperback
Pages
366
Description
Fiction. Science Fiction. HTML: Multiple Nebula and Hugo Award-winner Greg Bear returns to the Earth of his acclaimed novel Eon�??a world devastated by nuclear war. The crew of the asteroid-starship Thistledown has thwarted an attack by the Jarts by severing their link to the Way, an endless corridor that spans universes. The asteroid settled into orbit around Earth and the tunnel snaked away, forming a contained universe of its own. Forty years later, on Gaia, Rhita Vaskayza recklessly pursues her legacy, seeking an Earth once again threatened by forces from within and without. For physicist Konrad Korzenowski, murdered for creating The Way, and resurrected, is compelled by a faction determined to see it opened once more. And humankind will discover just how entirely they have underestimated their ancient adversaries.… (more)
Language
Original language
English
Original publication date
1988
Physical description
366 p.; 6.7 inches
ISBN
0445205474 / 9780445205475
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User reviews
LibraryThing member RobertDay
At the end of 'Eon', the Way, the artificial universe in the form of an infinite tunnel was separated from Thistledown, the asteroid/starship that served as the Way's anchor in our universe. Some characters chose to stay in the Way and explore its infinite length; others chose to stay in Earth
'Eon' was mainly taken up with gosh-wowery at the Way and the worlds that could be accessed from it. The characters were only reasonably well-drawn, and some didn't even come up to that standard; but just as I felt over the relationship between 'The Forge of God' and its sequel, 'Anvil of Stars', that Bear's writing had undergone something of a transformation between the first and second books, and the second novel was more engaging, with better characterisation, so I felt with 'Eternity'. Having introduced us to the way, the Hexamon and its politics, the characters and some of their histories, in this second book Bear gets to grips with some of the implications of the "Sundering", the separation of the Way and the asteroid; and some of the characters undergo major transformations, not all of which could have been foretold.
One of the characters from the first book, the mathematician Patricia Vasquez, only makes it into this one as the grandmother of one of the p.o.v. characters in a parallel world now isolated from the Way. This world is quite interesting, being a society descended from Graeco-Roman Egypt in a world where Christianity never gained a serious foothold, and Bear makes a good stab at depicting a world very different from our own. Perhaps my one complaint about the book is that having spent a lot of time setting up Patricia Vasquez's grand-daughter in this alternate reality, Bear then abandons her for a major part of the last third of the book until she is effectively sacrificed to allow the essence of her grandmother to be placed back in her own best of all possible worlds. I was less than happy about that.
But overall, I found this book quite engaging and an exemplar of what a sequel ought to be about. The story started in 'Eon' ends here, and the final book in the series, 'Legacy', is a prequel.
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space and assist the inhabitants of the planet in reconstruction after a nuclear war. Now, forty years later, someone appears on Earth who ought not to be there, with a fantastic story and an even more astonishing request.'Eon' was mainly taken up with gosh-wowery at the Way and the worlds that could be accessed from it. The characters were only reasonably well-drawn, and some didn't even come up to that standard; but just as I felt over the relationship between 'The Forge of God' and its sequel, 'Anvil of Stars', that Bear's writing had undergone something of a transformation between the first and second books, and the second novel was more engaging, with better characterisation, so I felt with 'Eternity'. Having introduced us to the way, the Hexamon and its politics, the characters and some of their histories, in this second book Bear gets to grips with some of the implications of the "Sundering", the separation of the Way and the asteroid; and some of the characters undergo major transformations, not all of which could have been foretold.
One of the characters from the first book, the mathematician Patricia Vasquez, only makes it into this one as the grandmother of one of the p.o.v. characters in a parallel world now isolated from the Way. This world is quite interesting, being a society descended from Graeco-Roman Egypt in a world where Christianity never gained a serious foothold, and Bear makes a good stab at depicting a world very different from our own. Perhaps my one complaint about the book is that having spent a lot of time setting up Patricia Vasquez's grand-daughter in this alternate reality, Bear then abandons her for a major part of the last third of the book until she is effectively sacrificed to allow the essence of her grandmother to be placed back in her own best of all possible worlds. I was less than happy about that.
But overall, I found this book quite engaging and an exemplar of what a sequel ought to be about. The story started in 'Eon' ends here, and the final book in the series, 'Legacy', is a prequel.
Show Less
LibraryThing member chrisod
The sequel to Eon, in which man has a permanent settlement on the asteroid ship, but now has to deal with some ancient enemies of mankind. Like Eon, it is gripping and brilliant at times, but inter sped with just enough technobabble to make finishing feel more like a job than a treat.
LibraryThing member RandyStafford
I liked this book better than its predecessor, Eon.
For one thing, Bear summed up the nature of the Way with a concise metaphor instead of the bits and pieces of, for me, confusing superscience that were in the last novel. One character describes the Way thus: "The tunnel itself an immense tapeworm
That character is Pavel Mirsky. He went off, down the Way with other humans at the end of Eon. Now he’s back from the end of time and, seemingly, from another universe.
Secondly, other characters from the prior novel appear, and they mostly manage to be more interesting this time.
Of the Old Native stock, as the members of the Hexamon refer to the humans that survived the nuclear war of 2015, the major returning characters are Gary Lanier, now acting as a liaison and administrator between the Hexamon’s recovery efforts – managed, of course, from Thistledown orbiting Earth – and those stuck on Earth. He’s now married to Karen.
Patricia Vasquez, the supergenius of Eon, is mostly offstage, but her granddaughter, Rhita, is a major character. Bear, however, would have been better off without the happy coda to the novel where Patricia gets returned to her family at the end in a world where Thistledown aka Stone doesn’t exist and, presumably, there will also be no nuclear war.
Among the Hexamon, Konrad Korzenowski, creator of the Way, is back and a major player. And, of course, Olmy, general fixer – military man, secret agent, and policeman – for the upper echelons of the Hexamon is back.
The third reason I liked this novel better is its skepticism, or at least consideration, of the transhuman themes of uploaded minds, body modifications, and synthetic personalities. Not only does the novel take the broad ramifications of those ideas seriously. Bear also casts a skeptical eye on that old value of political in a more coherent way than the earlier novel.
I liked the skeptical eye Bear cast – at least in seemed to me – on a couple of utopian notions that show up in sf novels: immortality and a unified humanity. “Contrast and conflict” are necessary to maintain a stable universe, Mirsky tells us in his deposition from the future. But, as the novel shows, contrast and conflict may not be necessary in the political universe of humans, but they are certainly a constant.
The story has three major arenas of conflict.
Rhita journeys from Rhodes to Alexandria, seat of Imperial intrigue, where Vasquez eventually ended up after gaining some influence with Kleopatra, ruler of that Earth’s long-lived Ptolemic Dynasty. Rhita will eventually be driven to Central Asia where the “clavicle”, the tool that opens up the Way and used by Vasquez in a futile attempt to return home at the end of Eon is.
The survivors of the Death on Earth harbor various resentments against the Hexamon after the Sundering of Thistledown from the Way and concentration on rebuilding civilization on Earth.
On the one hand, the paternalism of the Hexamon is resented. After all, the Hexamon is descended from another Earth where the survivors rebuilt civilization after their own version of a nuclear war. Why should the people of Earth not be allowed the self-reliance and independence the Hexamon’s ancestors had? It’s also a sometimes heavy-handed paternalism with campaigns of therapy to get the minds of the natives right. The Hexamon even considered releasing mind-altering biological plagues on Earth.
The natives of Earth resent the Hexamon being skimpy with longevity treatments and mental implants that allow personalities to exist after death. Not that all the natives want that. A split in the marriage of Karen and Gary has occurred. Karen has accepted Hexamon longevity treatments. Gary has not. Indeed, he does not think the culture and politics of the Old Natives is suited to such technologies. They have not had the long cultural adaptations to them that the Hexamon has. Needless to say, Gary, aging 40 years since the first novel while Karen remains youthful strained things.
In the Hexamon itself, that cultural evolution hasn’t occurred just in response to various transhuman’s technologies. The Way has shaped it as well. One faction wants to open it back up. The other thinks the Hexamon should return to its origins on Earth albeit not the exact Earth of their history.
The final conflict takes inside the head of Olmy. He has discovered a Hexamon secret. One of the alien Jart who have occupied the Way was captured over a century ago and hidden. Olmy must decide whether he wants to investigate its psychology and risk the fate of previous investigators – death or insanity – as the Jart tries to assault or suborn the mental implants of its interrogators.
Into all this, Mirsky returns with a fantastic tale from, well, beyond the end of time and the universe. His personality and memories are verified by an old surviving colleague of his. He seems human but his very story suggests otherwise.
After the events of Eon, Mirsky traveled down the Way with others and died in the last way left to immortals: “to forget one’s self and to be forgotten by others”. He relates how he entered, at the “finite but unbounded” “blister” at the end of the Way, the “egg of a new universe”. They cannot survive as material entities. They expand this blister into a new universe where they exist as god-like entities with a single will shaping worlds. But they find out that “contrast and conflict” is necessary for a stable universe and theirs is decaying rapidly. Across time (this is all rather poetic and mystic and I very well might have misunderstood it after one reading and a skimming) they hear their descendants who also aren’t really individuated but of a “more practical, hardier intelligence”. They have become the Final Mind.
Mirsky is charged with bringing a message back from the End of Time and this pocket universe. The Way must be opened again and then destroyed. The universe cannot die (or, at least, die only badly) with the tapeworm of the Worm in its guts. There is some hint, I don’t think it’s entirely clear, that the enemy Jarts serve the Final Mind that humanity has merged into.
The Jarts are revealed, in their actions, not as destroyers of humanity but archivers, preservers of worlds. Granted, this means, as happens to Rhita’s world, wiping human worlds out and preserving their individual memories and their civilizations as information packages to be given to their “final commanders”, the Final Mind.
There is as much mysticism in this novel as Eon but the confusing superscience rationalization is less. Bear may tack on a final chapter giving a happy ending to Vasquez’s existence (whether there is continuity with the woman of the prior novel or if she is just a recreation was not clear to me), but the main message is that death and conflict are necessary, seemingly of cultural and political orders.
The Hexamon destroys the Way and blows up Thistledown, seemingly committing itself to Earth. How the people of Earth will be ruled and what technology they will get from the Hexamon is unclear.
Olmy decides to go to an alien world before the Way closes up.
The novel ends with what two sentences that seem to be Bear’s metaphor for life. Mirsky and Lanier have committed themselves to some kind of mental wandering through time: “We search for points of interest, until we come to the end. And then?”.
Ultimately, though, I think Bear’s The Forge of God and Blood Music, also sharing themes of radical science and apocalyptic change, are better and more coherent novels. Bear’s plot is not entirely clear. I don’t think the physics or logic of his superscience are intelligible.
And I suspect Bear wasn’t actually going for a prescriptive statement but a normative one. Humans will have fundamental disagreements on what change to embrace, when, and to what extent.
For one thing, Bear summed up the nature of the Way with a concise metaphor instead of the bits and pieces of, for me, confusing superscience that were in the last novel. One character describes the Way thus: "The tunnel itself an immense tapeworm
Show More
curling through the guts of the real universe, pores opening onto other universes equally real but not our own, other times real and equally real"That character is Pavel Mirsky. He went off, down the Way with other humans at the end of Eon. Now he’s back from the end of time and, seemingly, from another universe.
Secondly, other characters from the prior novel appear, and they mostly manage to be more interesting this time.
Of the Old Native stock, as the members of the Hexamon refer to the humans that survived the nuclear war of 2015, the major returning characters are Gary Lanier, now acting as a liaison and administrator between the Hexamon’s recovery efforts – managed, of course, from Thistledown orbiting Earth – and those stuck on Earth. He’s now married to Karen.
Patricia Vasquez, the supergenius of Eon, is mostly offstage, but her granddaughter, Rhita, is a major character. Bear, however, would have been better off without the happy coda to the novel where Patricia gets returned to her family at the end in a world where Thistledown aka Stone doesn’t exist and, presumably, there will also be no nuclear war.
Among the Hexamon, Konrad Korzenowski, creator of the Way, is back and a major player. And, of course, Olmy, general fixer – military man, secret agent, and policeman – for the upper echelons of the Hexamon is back.
The third reason I liked this novel better is its skepticism, or at least consideration, of the transhuman themes of uploaded minds, body modifications, and synthetic personalities. Not only does the novel take the broad ramifications of those ideas seriously. Bear also casts a skeptical eye on that old value of political in a more coherent way than the earlier novel.
I liked the skeptical eye Bear cast – at least in seemed to me – on a couple of utopian notions that show up in sf novels: immortality and a unified humanity. “Contrast and conflict” are necessary to maintain a stable universe, Mirsky tells us in his deposition from the future. But, as the novel shows, contrast and conflict may not be necessary in the political universe of humans, but they are certainly a constant.
The story has three major arenas of conflict.
Rhita journeys from Rhodes to Alexandria, seat of Imperial intrigue, where Vasquez eventually ended up after gaining some influence with Kleopatra, ruler of that Earth’s long-lived Ptolemic Dynasty. Rhita will eventually be driven to Central Asia where the “clavicle”, the tool that opens up the Way and used by Vasquez in a futile attempt to return home at the end of Eon is.
The survivors of the Death on Earth harbor various resentments against the Hexamon after the Sundering of Thistledown from the Way and concentration on rebuilding civilization on Earth.
On the one hand, the paternalism of the Hexamon is resented. After all, the Hexamon is descended from another Earth where the survivors rebuilt civilization after their own version of a nuclear war. Why should the people of Earth not be allowed the self-reliance and independence the Hexamon’s ancestors had? It’s also a sometimes heavy-handed paternalism with campaigns of therapy to get the minds of the natives right. The Hexamon even considered releasing mind-altering biological plagues on Earth.
The natives of Earth resent the Hexamon being skimpy with longevity treatments and mental implants that allow personalities to exist after death. Not that all the natives want that. A split in the marriage of Karen and Gary has occurred. Karen has accepted Hexamon longevity treatments. Gary has not. Indeed, he does not think the culture and politics of the Old Natives is suited to such technologies. They have not had the long cultural adaptations to them that the Hexamon has. Needless to say, Gary, aging 40 years since the first novel while Karen remains youthful strained things.
In the Hexamon itself, that cultural evolution hasn’t occurred just in response to various transhuman’s technologies. The Way has shaped it as well. One faction wants to open it back up. The other thinks the Hexamon should return to its origins on Earth albeit not the exact Earth of their history.
The final conflict takes inside the head of Olmy. He has discovered a Hexamon secret. One of the alien Jart who have occupied the Way was captured over a century ago and hidden. Olmy must decide whether he wants to investigate its psychology and risk the fate of previous investigators – death or insanity – as the Jart tries to assault or suborn the mental implants of its interrogators.
Into all this, Mirsky returns with a fantastic tale from, well, beyond the end of time and the universe. His personality and memories are verified by an old surviving colleague of his. He seems human but his very story suggests otherwise.
After the events of Eon, Mirsky traveled down the Way with others and died in the last way left to immortals: “to forget one’s self and to be forgotten by others”. He relates how he entered, at the “finite but unbounded” “blister” at the end of the Way, the “egg of a new universe”. They cannot survive as material entities. They expand this blister into a new universe where they exist as god-like entities with a single will shaping worlds. But they find out that “contrast and conflict” is necessary for a stable universe and theirs is decaying rapidly. Across time (this is all rather poetic and mystic and I very well might have misunderstood it after one reading and a skimming) they hear their descendants who also aren’t really individuated but of a “more practical, hardier intelligence”. They have become the Final Mind.
Mirsky is charged with bringing a message back from the End of Time and this pocket universe. The Way must be opened again and then destroyed. The universe cannot die (or, at least, die only badly) with the tapeworm of the Worm in its guts. There is some hint, I don’t think it’s entirely clear, that the enemy Jarts serve the Final Mind that humanity has merged into.
The Jarts are revealed, in their actions, not as destroyers of humanity but archivers, preservers of worlds. Granted, this means, as happens to Rhita’s world, wiping human worlds out and preserving their individual memories and their civilizations as information packages to be given to their “final commanders”, the Final Mind.
There is as much mysticism in this novel as Eon but the confusing superscience rationalization is less. Bear may tack on a final chapter giving a happy ending to Vasquez’s existence (whether there is continuity with the woman of the prior novel or if she is just a recreation was not clear to me), but the main message is that death and conflict are necessary, seemingly of cultural and political orders.
The Hexamon destroys the Way and blows up Thistledown, seemingly committing itself to Earth. How the people of Earth will be ruled and what technology they will get from the Hexamon is unclear.
Olmy decides to go to an alien world before the Way closes up.
The novel ends with what two sentences that seem to be Bear’s metaphor for life. Mirsky and Lanier have committed themselves to some kind of mental wandering through time: “We search for points of interest, until we come to the end. And then?”.
Ultimately, though, I think Bear’s The Forge of God and Blood Music, also sharing themes of radical science and apocalyptic change, are better and more coherent novels. Bear’s plot is not entirely clear. I don’t think the physics or logic of his superscience are intelligible.
And I suspect Bear wasn’t actually going for a prescriptive statement but a normative one. Humans will have fundamental disagreements on what change to embrace, when, and to what extent.
Show Less
LibraryThing member cmoore
5/5. I consider this and Eon to be one book, and the best work of Bear's career. There's just something about an line leading to multiple universes of no size but infinite length that grabs me.
LibraryThing member _Greg
Sequal to "Eon". Good but not as satisfying as some of fhis other works.
LibraryThing member TadAD
A sequel to Eon; nothing special.
LibraryThing member PortiaLong
A sequel to Eon, I did not like this book as much as the first. The pace felt rushed and the plot felt forced at times.
In addition, characters seemed to be driven by events that occurred in the intervening time between the two books that never really got fleshed out. Several times I felt that
Best parts for me were the passages relating to the Jarts.
Overall, a decent read but not spectactular.
In addition, characters seemed to be driven by events that occurred in the intervening time between the two books that never really got fleshed out. Several times I felt that
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people were doing and saying things that were "out of character" or being inordinately surprised by things that seemed relatively mild compared to events that they had witnessed in the first novel.Best parts for me were the passages relating to the Jarts.
Overall, a decent read but not spectactular.
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LibraryThing member Karlstar
This is the sequel to Eon. Alien spaceships and The Way, sort of an intergalactic travel/time travel/wormhole device is orbiting Earth, bringing aliens with it, and a total shift of planetwide politics. Of course not everyone agrees with this or sees it as a good thing, so there are opponents. The
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biggest thing I remember about this book was that it was confusing, the space and time travel aspects of the device make it hard to keep up with who is where, when, and what exactly they are trying to accomplish. Not bad, but the confusion made it harder to read. Show Less
LibraryThing member MichaelBrookes
One of the things that makes great science fiction stand out is the big ideas. Eternity is full of big ideas. The story is well told, although it takes a while to get going, but once it does it clips along at a fair rate. Highly recommended.
LibraryThing member MichaelBrookes
One of the things that makes great science fiction stand out is the big ideas. Eternity is full of big ideas. The story is well told, although it takes a while to get going, but once it does it clips along at a fair rate. Highly recommended.
LibraryThing member Bruce_McNair
This book is the sequel to Eon. It tells the continuing stories of some of the key characters from the earlier book. There are two parallel stories. Firstly, that of the people on the asteroid world Thistledown, including those that settled on Earth and those in the settlements from the Way. In
Having been introduced to the concept of the Way in Eon, in my opinion its significance is not as great in this book, especially when it is not present for most of the story. However, the intrigue between the various human factions and the Jarts assumes a greater importance as the fate of all are intertwined with that of the Way. Thus, I consider this book to be not as good as the first but I still believe it is worth 4 stars out of 5.
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parallel, there is the story of Patricia Vasquez's granddaughter Rhita, who has inherited her grandmother's abilities and objects, and is seeking a way back into the Way under the patronage of Queen Kleopatra XXI of the enduring Alexandrian empire. We see these divergent stories converge together with two of the humans that continued down the Way at the end of Eon. The ending has cosmic significance.Having been introduced to the concept of the Way in Eon, in my opinion its significance is not as great in this book, especially when it is not present for most of the story. However, the intrigue between the various human factions and the Jarts assumes a greater importance as the fate of all are intertwined with that of the Way. Thus, I consider this book to be not as good as the first but I still believe it is worth 4 stars out of 5.
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LibraryThing member ajlewis2
This second book in the series was more difficult to follow than the first book, but it was well worth the effort.
LibraryThing member tungsten_peerts
I loved *Eon* but liked this even better. It's nice to read "hard" SF that bothers to limn decent characters, so you can care about them AND have your "sensawunda" into the bargain.