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When young lawyer David Martinez receives an ancient map from his dying grandfather, the mysteries of his past begin to open up before him. The map leads David into the heart of the dangerous Basque mountains, where a genetic curse lies buried and a frightening secret about the Western world's past is hidden. Meanwhile, London journalist Simon Quinn may have found his big break. A wealthy, elderly woman has been murdered in the most horrific fashion, and another homicide soon follows. Both victims came from villages in the Basque region, both were interred at a top-secret Nazi camp, both have been silenced for what they know about the experiments conducted on the Basques, the Jews, and a dwindling mystical tribe of pre-Caucasian locals called Cagots.… (more)
User reviews
It's a gruesome story and with not
It did keep my attention and David's mystery was what kept me reading but I think the author was trying too hard to impress.
You know how, in the TV series 24 that Jack and co have a really bad, unrelenting day from start to finish? Well that's pretty much the life of the characters in this story. The enemy/antagonist just keeps on turning up, and they never get a moments peace. You know it's going to happen, and you just keep waiting for it to happen, but when it does it just makes you groan, because, please /no/ one individual has eyes that far and wide - I don't care /who/ he is or what organisations he has in his pocket. That for me was something that took away from the story.
Unfortunately, too, the ending smacked a little of 'deux ex.' Either I /missed/ the clues as to what was going on all through the story, that led to this ending, or it was just an ending that came out of the blue, a plot device that existed only in the author's head/outline, and never in the text, and without reading it again, I couldn't tell you which - and as far as that goes, it was good to read the book once, but a second time might be pushing it.
There's plenty of suspense here, although many of the situations are implausible enough to make the reader say, "Aw, c'mon!" This is not a bad book and is often entertaining. I think my disappointment sprang principally from the fact that I am growing mortally tired of books about "ancient church mysteries."
Also, use of plural languages is way out of range with this author. So, he has a basque person speaking English to an English speaker. The Basque person (even more, a proud ETA militant) in his rage starts to speak in.... Spanish?!?!?! Come on. This guy has only seen the Basque country from his hotel room. And that is not only true for the language usage, it's also true for the way in which he depicts them: basically as violent radicals or cowards. Nothing farther from reality.
And staying with language, even his use of Spanish is really bad, mixing feminine articles with masculine nouns, for instance. I would also like to know why he used the Spanish words for things that have perfect equivalents in the English language (a "supermercado" is just a grocery store). If it's just to give local flavor he should look for things that are truly local.
And then there are descriptions that just thow you off completely. At one point he describes a stone carving of a dragon with "feminine" claws. Really? Most of the stone used in the Basque country is granite, really hard stone, very difficult to work. It would be impossible to put claws on a carving of a Dragon; "feminine" claws, not even if you were working with sandstone.
OK, I should stop my rant now. not because this guy deserves it, but because this is putting me in a dark mood.
The ending seemed a bit underdeveloped and weak to me. The 'shocking reveal' of the story wasn't all that surprising.
On the flip side, please don't misunderstand my review. Writing is exhaustive work that takes determination and learned skill. Suffice it to say, this is a solid piece of work, markedly better than the last. I solidly enjoyed it and will seek out 'Tom Knox's' next work of fiction: The Lost Godess.