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Mercy Thompson is a walker, a magical being with the power to transform into a coyote. She lives on the fine line dividing the everyday world from a darker dimension, observing the supernatural community while standing apart. When Mercy travels to the Tri-Cities of Washington for a job interview, she quickly finds herself smack-dab in the middle of a gang war between rival packs of werewolves. And as if fangs and fur weren't bad enough, Mercy must deal with the scariest creature of all: her mother, who is convinced that Mercy is making a mess of her life and determined to set her daughter on the right course. The thrilling adventures of Mercy Thompson-Moon Called, Blood Bound, and Iron Kissed-have topped the New York Times bestseller list. Now Mercy makes her comics debut in an exclusive new story created by Patricia Briggs. Mercy Thompson: Homecoming is sure to please longtime fans and capture new ones with its mix of unforgettable characters and thrilling supernatural intrigue.… (more)
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Though, y'know, I don't consider myself to be a prude, but did anybody else find
So. Mercy has her midriff showing in 37% of the pages in which she appears and is naked, in a towel, or in her panties in 19.7% of the pages. I cannot think of any other graphic novel wherein the main character is showing skin for nearly two-thirds of the pages where he or she appears. And, yeah, the midriff thing is almost standard for Mercy, as that's how she's depicted on the covers of the novels, and the frequent nudity is defined as part of cannon, it's part of how Briggs has structured the shapeshifters in her world; but I find it irking to see the nudity repeatedly splashed up in the artwork. Did I gloss over this aspect in the novels, or was lesser noticeably more a factor of Briggs' own writing style? I feel the urge to reread the books and compare.
I guess my problem seems to dwell on Mercy repeatably being drawn as ruminating while she is dressing. Why is that necessary? So she needs to be naked when shapeshifting (except not really and not even here in this book; she's even drawn once in a sort of action shot while going straight from clothed human to coyote) — Why does she also have to be naked between action scenes? Why can't she be depicted as thinking while having a cup of coffee or something, instead of while she is putting on her bra? If, say, Batman is ruminating with his shirt off, at least it's got a purpose and generally so the artist can draw his suddenly unveiled scars. With Homecoming it's just skin for the sake of skin.
Bah.
Still the story worked and the
Her mother is also posing a problem as she thinks Mercy is ruining her life and she is determined to sort Mercy out once and for all. We see how she meets Zee, Stefan and Adam for the first time. We also see how she first begins working at the garage which Zee later sells to her. There is also an interview with Briggs at the end which was really interesting as well as some character sketches.
I liked the style after I got used to it. There was quite a lot of nudity which Briggs felt apprioriate for Mercy changing shape. I have put in a couple of pictures of the strips to give you an idea of the artwork. The story was interesting and I hope Briggs decides to do some more graphic novels to expand on the existing novels.
The artwork is excellent with two differing styles: One style is blocky, militant and more masculine in feel; it is frequently used for fight scenes. The fight scenes in particular will
The only complaint which I have is about the comic is that despite being a prequel, it does not work as a good introduction to Mercy Thompson at the $23 suggested retail price. Though there are plenty of reasons to review the artwork repetitively, the fact is, the story takes fifteen minutes to read and it doesn’t stand alone.
All in all, this graphic novel is a short story that is an excellent but pricey addition to the collection of those readers who are already enjoying the Mercy Thompson books by Patricia Briggs.
But it's a fun story and great collaboration between a novelist and comic book writer. The art and tone are true to the novels. It makes me hopeful for the next comic installment of Briggs' wolves. I just hope there's more substance to it.
Full disclosure: I am not a comic/graphic novel fan. I read Archie comics as a kid and made a failed attempt at reading Watchmen at the urging of a friend who swore I become a convert after trying it (I didn’t). I even bought a bunch on the Buffy season
Up front I’ll say that HOMECOMING hasn’t changed my opinion on graphic novels as a whole, but knowing that from the outset, I did enjoy HOMECOMING for a number of reasons. It’s really, really pretty. There were several artists working collaboratively and some of their different styles are apparent from scene to scene (for example, Mercy has crazy buff thighs in one panel, and then a more balanced physique in the next), I found myself staring at the pages long after I’d ‘read them.’
The best part of HOMECOMING was getting to ‘see’ the characters and locations. Zee and Stefan are two of my particular favorites from the series and they each got quite a lot of face time, although Stefan looks nothing like how I imagined him.
The thing I missed the most in HOMECOMING was the same shortcoming I find in all graphic novels: the almost non existent dialogue and internal character thoughts. It’s all about the action scenes, which are very cool to see, but I expect more from a Mercy story than action.
There aren’t any real surprises here and the storyline is nothing special, but if you’re a Mercy fan, you’ll want to check out HOMECOMING to see everyone in action and get a little inside scoop on Mercy’s first few days in TriCity (slinging fries at Burger King, buying her trailer, and how she ended up with Medea the cat).
Sexual Content: Lots of naked Mercy art.
Mercy Thompson: Homecoming is a compilation of the four comic book issues that give you four short stories on the beginnings of Mercy Thompson's life in Tri-Cities, a
I really liked the artwork. I loved getting a visual to a lot of the characters in the Mercy Thompson series, and comparing them to what I thought they looked liked in my imagination. You'll get to see Mercy (of course!), Zee, Tad as a boy, Stephan, Adam and several other characters. For the most part, I feel the artists were able to capture the characters as I pictured them, and even added a little to the visuals I already had.
I think Francis Tsai made Mercy look a lot sexier in the comics than what I was picturing, he was the illustrator for the first two comic books and all of the comic book covers. Amelia Woo illustrated the last two comic books, I prefer her rendition of Mercy much better. But I liked Tsai's portrayal of Adam better than Amelia's.
There is a bit a nudity in this, that I thought was done tastefully. It's in the scenes where the Mercy and the werewolves are shifting their forms. Since shapeshifting is a big part of who the characters are, the comics would've been remiss without them.
The dialogue is snappy and witty. I think it fell in line with characters as they are portrayed in the books in concise form, and had held the spirit of the books.
At the end of the graphic novel there is a short interview with Patricia Briggs by David Lawrence, that is very insightful on how they collaborated together and with other team members to pull together the comics for Homecoming. Patricia Briggs also plans on adapting the other books in the Mercy Thompson series to comics in the future.
I think this graphic novel is added plus to any Mercy Thompson collection and fans of Mercy Thompson will get a lot of enjoyment out of this graphic novel, especially those who are a fan of the graphic arts. It's money well spent!
If you like Mercy and graphic novels don't miss this prequel to the series.
Really just 2 1/2 and only because I already know Mercy Thompson. This had no real character building and seemed to jump around, even in time.
It was interesting to see the artwork and characters in comic form but even those jump form, Mercy being voluptuous at the beginning and then becoming the more thin and muscular book description in later pages. Fun to see how others picture the characters from the series but I think I'll keep my own pictures in my mind. I like my Stefan a bit more handsome, along with Hauptman (I mean he is supposed to be movie star looks) and Hauptman I think of as thicker and more muscular than what was painted here. I think of Zee as an old bear of a man in early books instead of the skinny, pot belly wolverine that is how he looks in this comic. Also, though Bran is not pictured in the story itself, there is a picture in the end, of his character. He looks like a man in his 30tys. Bran is a perpetual teenager, I imagine him as right on the edge of 20, thin but muscular, not as a mid-30tys, wide shouldered man. Stefan looks more like a teen in the picture.
Well it was fun from a Mercy fan point of view. If you are not a Mercy fan, don't bother, it is disjointed and does not explain well... well anything. It jumps around in story line and jumps around in time. I liked seeing characters realized, some I agreed with, some I could except, and some I just thought were off. Mercy realization changed throughout and some were better than others. I liked the story over all but only because I understood the characters and world.
If anybody wants a little more background into how Mercy met the
Mercy was hoping to use her bachelor's degree in history to get a teaching job. How she was treated at the job interview reminded me of when I, with a new Master of Library Science, tried to get a school librarian job decades ago.
Mercy gets attacked by werewolves, only to be saved by other werewolves. Her car has taken more damage than she has, which is how Mercy comes to Zee's German car repair shop in Kennewick. Zee's human wife died some weeks ago, so he's too busy getting drunk to work. His nearly-nine-year-old son, Tad, is doing his best. Unfortunately, he's not strong enough to repair the clutch on the car belonging to Marsilia, who rules the local vampire seethe. A vampire shows up to threaten Tad, but Mercy offers to fix the clutch. This leads to Mercy meeting another supporting character in the series, Stefan Uccello, the vampire Scooby-Doo fan.
Other supporting characters introduced are Adam Hauptman, alpha werewolf of the Columbia Basin pack, and his second, Darryl Zao; Uncle Mike, the fae who owns Uncle Mike's Tavern, and a calico Manx cat who is 'Molly' before she becomes 'Medea'.
The werewolves who attacked Mercy are a rogue pack. Their Alpha, Orson Park, wants the Marrok to make Adam and his pack leave what Park considers to be his territory. They know that the ruler of werewolves, Bran Cornick the Marrok, is very fond of Mercy. (Bran works behind the scenes in this book, although he does have a cameo in a flashback where Margi, Mercy's mother, brought her little shapeshifter to Bran for help.
The rogue pack demonstrates that they need to be put down, every one of them. Their showdown with Adam and his pack makes a satisfying climax.
The trademark humor in the series is preserved, especially Mercy, as 's snarks. I enjoyed her Scooby-Doo joke while being given a ride in Stefan's van, which is painted to copy the 'Mystery Machine' from the cartoons. There's also a cute moment with a very unfortunate farm family where the father and little boy are watching 'Duck Rabbit, Duck,' the third of the rightly famous Bugs Bunny, Daffy Duck, and Elmer hunting trilogy cartoons directed by Chuck Jones.
I liked most of the art, even if the artist didn't paint the collar Mercy mentions in when Adam and Darryl come to her room at a local Holiday Inn, giving Adam blue eyes instead of brown, and the way neither Francis Tsai nor Amelia Woo drew Mercy properly during the action scenes when she's nude. I hope it was an editorial decision because, as a woman reasonably well-endowed in the chest area, I know they should have been drawn in different positions. Mercy hasn't had plastic surgery there.
The book includes an art gallery and an interview between Mercy Thompson: Homecoming editor David Lawrence and series author Patricia Briggs. (Ms. Briggs wrote this graphic novel with Mr. Lawrence as her co-author.)
I definite recommend this book to Mercy Thompson fans as well as graphic novel urban fantasy fans!
Needless to say, ain't no more Mercy Thompson in my future.
What a dreadful series.