Status
Available
Call number
Genres
Publication
The Library of America (2003), 219 pages
Description
In this book John Hollander offers a buoyant guided tour of American light verse-a tradition he pursues from Ambrose Bierce's sardonic The devil's dictionary quatrains to the latter-day comic inventions of Edward Gorey, Kenneth Koch, and James Merrill. Along the way, American wits gathers a rich harvest of couplets, clerihews, epigrams, parodies, burlesques, and other forms of fractured verse. The varied and often surprising list of contributors includes Edwin Arlington Robinson, Don Marquis, T.S. Eliot, Christopher Morley, Dorothy Parker, F. Scott Fitzgerald, Ogden Nash, Phyllis McGinley, and Anthony Hecht.
User reviews
LibraryThing member wildbill
This is anthology of light verse of 20th century American authors. Many of the authors in this anthology are not poets per se. Dorothy Parker is a good example of the writers whose work appear in this book. Her verse receives the largest amount of space in the book. She made her living as a
The editor points out that there is a difference between wit and humor like the difference between wisecracks and jokes. There is a good example set forth in the foreword by John Hollander, the editor. He uses the poem "Miniver Cheevy" by Edward Arlington Robinson. The poem is really somewhat depressing about someone who is born in the wrong time and cannot be happy in the modern world. The humor comes in stanza,
" Miniver scorned the gold he sought,
But sore annoyed was he without it;
Miniver thought, and thought, and thought,
And thought about it."
The way Hollander tells the story Ezra Pound and Robert Frost were in London reading the poem together. It was the fourth use of the word thought that emphasizes that all Miniver is ever going to do is think about his predicament that caused the two poets to fall down laughing together. This is a story I will always remember and also shows the value of the contributions of the editors in all of the Poet Project books.
One of my favorites is a verse satire of Carmen that I find very funny.
The writers often poke fun at themselves and others. While reading I spent more time chuckling than laughing. I read the book twice. The second time I got a better appreciation of the verse elements that provides a lot of the enjoyment. It is a book I can always reach for when live is overwhelming and I need to get an attitude adjustment.
The editor emphasizes that the authors made a serious craft of their work. The book is one of the American Poets Project series and upholds the standards of the Library of America editions. As mehitabel would say, wotthehell, wotthehell just read the book toujours gai.
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journalist but was a very skilled writer of verse. There are poets whose work was selected but they are in the minority.The editor points out that there is a difference between wit and humor like the difference between wisecracks and jokes. There is a good example set forth in the foreword by John Hollander, the editor. He uses the poem "Miniver Cheevy" by Edward Arlington Robinson. The poem is really somewhat depressing about someone who is born in the wrong time and cannot be happy in the modern world. The humor comes in stanza,
" Miniver scorned the gold he sought,
But sore annoyed was he without it;
Miniver thought, and thought, and thought,
And thought about it."
The way Hollander tells the story Ezra Pound and Robert Frost were in London reading the poem together. It was the fourth use of the word thought that emphasizes that all Miniver is ever going to do is think about his predicament that caused the two poets to fall down laughing together. This is a story I will always remember and also shows the value of the contributions of the editors in all of the Poet Project books.
One of my favorites is a verse satire of Carmen that I find very funny.
The writers often poke fun at themselves and others. While reading I spent more time chuckling than laughing. I read the book twice. The second time I got a better appreciation of the verse elements that provides a lot of the enjoyment. It is a book I can always reach for when live is overwhelming and I need to get an attitude adjustment.
The editor emphasizes that the authors made a serious craft of their work. The book is one of the American Poets Project series and upholds the standards of the Library of America editions. As mehitabel would say, wotthehell, wotthehell just read the book toujours gai.
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LibraryThing member Sarahfine
A great collection with many laugh-out-loud poems. My personal standouts were "A Colloquial Reply: To Any Newsboy," by Vachel Lindsay, which ponders the difference between hating a person's morals (the Kaiser) and hating the person (Iago), David McCord's ode to waistcoats, "Sportif," and Ogden
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Nash's madcap drunken tongue-twister, "The Private Dining Room." Other notables include Dorothy Parker, E.E. Cummings, W.H. Auden, and even F. Scott Fitzgerald. A book which is both light and enlightening. Show Less
LibraryThing member CarrieWuj
I came to this book in a round-about way looking for more info about Edwin Arlington Robinson after confusing him with Edgar Lee Masters. This was one of the few books that carried his work. The collection of poems found here are clever and sharp, mostly highlighting the 20th century. The usual
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suspects appear: Dorothy Parker, Ogden Nash, Kenneth Koch whose riffs on William Carlos Williams are hilarious. But there are also a few from Robert Frost, E.B. White and W.H. Auden who seem less playful in the works I've read prior to this. The fun part of this is that many of the poems and poets skewer each other and famous people of the time. Cultural and literary references abound showing the writers to have a good pulse on their generation. Show Less
Language
Original language
English
Physical description
219 p.; 7.81 inches
ISBN
9781931082495