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"I knit so I don't kill people" --bumper sticker spotted at Rhinebeck Sheep and Wool Festival For Adrienne Martini, and countless others, knitting is the linchpin of sanity. As a working mother of two, Martini wanted a challenge that would make her feel in charge. So she decided to make the Holy Grail of sweaters--her own Mary Tudor, whose mind-numbingly gorgeous pattern is so complicated to knit that its mere mention can hush a roomful of experienced knitters. Created by reclusive designer Alice Starmore, the Mary Tudor can be found only in a rare, out-of-print book of Fair Isle-style patterns, Tudor Roses, and requires a discontinued, irreplaceable yarn. The sweater, Martini explains, "is a knitter's Mount Everest, our curse, and our compulsion. I want one more than I can begin to tell you." And so she took on the challenge: one year, two needles, and countless knits and purls to conquer Mary Tudor while also taking care of her two kids, two cats, two jobs, and (thankfully) one husband--without unraveling in the process. Along the way, Adrienne investigates the tangled origins of the coveted pattern, inquires into the nature of artistic creation, and details her quest to buy supplies on the knitting black market. As she tries not to pull out her hair along with rows gone wrong, Martini gets guidance from some knitterati, who offer invaluable inspiration as she conquers her fear of Fair Isle. A wooly Julie and Julia, this epic yarn celebrates the profound joys of creating--and aspiring to--remarkable achievements.… (more)
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Very little of the book is actually about knitting the pattern that makes experienced knitters sit up and say "Wow." Instead, the book wanders from the mechanics of knitting (and really, even a non-knitter like me doesn't need a description of the knit and purl stitches) to the controversy of Alice Starmore to yarn to why knitting as an art was dying to the thoughts of other famous knitters. While all of these are or could be interesting, they don't hold together here. Bouncing from topic to topic, this lacks the cohesiveness and sense of the project that should pervade a book of this type. Like many of the stunt memoirs, this started as a blog project and that shows in the writing here. It is casual, full of slang, and a little overly precious at times. I would have like more on her struggles with the actual project and less about whether or not her changing the yarns made her sweater not what she set out to knit. Perhaps this question is of great importance to serious knitters but to casual hobbyists or non-knitters, the repetition is too much. And in surfing around I see that serious knitters seem to like this a lot more than I did. It's too bad it didn't live up to its potential for me but the knitting community is large so fitting into that niche market rather than a generalist market wouldn't be terrible. Meanwhile, I might dig out that old mangled scarf and ask my grandmother to show me how to knit one more time.
When I picked the book up, I thought I would be reading about knitting the Mary Tudor sweater - instead I read
My favourite part? Adrienne Martini's acknowledgment of my home town (Toronto) as a knitting mecca! Thanks Ms. Martini - next time you're in town let's have a coffee and a yarn crawl!