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In prewar Budapest three families live side by side on gracious Katalin Street, their lives closely intertwined. A game is played by the four children in which Ba?lint, the promising son of the Major, invariably chooses Ire?n Elekes, the headmaster's dutiful elder daughter, over her younger sister, the scatterbrained Blanka, and little Henriette Held, the daughter of the Jewish dentist. Their lives are torn apart in 1944 by the German occupation, which only the Elekes family survives intact. The postwar regime relocates them to a cramped Soviet-style apartment and they struggle to come to terms with social and political change, personal loss, and unstated feelings of guilt over the deportation of the Held parents and the death of little Henriette, who had been left in their protection. But the girl survives in a miasmal afterlife, and reappears at key moments as a mute witness to the inescapable power of past events.--… (more)
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This is the story of three families—more specifically four children—living in adjacent houses in Budapest. Irén and Blanka Elekes, Bálint Temes, and
The death of Henriette is the novel’s crossroads that opens them to their decay. On the day of Bálint and Irén’s engagement party, word spreads of the Held’s internment as Jews by the Nazis. The neighbors decide to protect Henriette. Unfortunately, that plan goes tragically awry resulting in her death. The marriage is postponed and guilt feelings prevail among the families. Henriette’s ghost haunts the latter part of the novel seeking some form of reconnection with the others, especially with Bálint whom she loved but this ends unhappily. Irén continues to work as a teacher throughout, maintaining her sense of order in a chaotic world. However the more scatterbrained Blanka flees Hungary to Greece. Bálint survives his imprisonment during the war but is irretrievably damaged as a result. After Iren’s failed first marriage to another man, she finally weds Bálint but this union is poisoned because their recovery from the death of Henriette is not possible.
Szabo evokes Budapest during these tumultuous times, especially the Nazi and Soviet occupations. The Elekes family survives into the Soviet era but is forced to leave their home on Katalin Street. The novel opens with them living in a tiny flat in full view of their previous home, it having been turned into a dour socialist housing facility.
In gorgeous prose, Szabo explores the effects of war on ordinary individuals and their relationships, the difficulties of communicating even with those who love each other, and how ties to the past make living in the present more difficult.
The process of growing bears little resemblance to the way it is presented either in novels or in works of medical science.
No work of literature, and no doctor, had prepared the former residents of Katalin Stree for the fierce light that old age would bring to bear on the shadowy, barely sensed corridor down which they had walked in the earlier decades of their lives, or the way it would rearrange their memories and their fears, overturning their earlier moral judgements and system of values....no one had told them that the most frightening thing of all about the loss of youth is not what is taken away but what is granted in exchange. Not wisdom. Not serenity. Not sound judgement or tranquility. Only the awareness of universal disintegration.
"...they had learned that is everyone's
Katalin Street has a enchanting start (though it is sort of confusing). With each subsequent chapter, the novel becomes slightly less mesmerizing and affecting (and less confusing). In the end, I cannot say that I really enjoyed or even fully appreciated this novel. It certainly has some powerful prose and a wonderfully conceived story, but it does grow a bit tiresome. A very solid effort from Magda Szabó, but I do wish it had been polished more.
By Magda Szabo
1969 Hungary / 2018 USA
New York Book Review
The memories and tough dilemmas on Katalin Street, overlooking the Danube river, resonate throughout the lives of three families. They are powerful, moving and insightful.
The 3 families are prosperous and
The families are torn apart in 1944 by the German occupation, and they are relocated to tiny apts in another area. My favorite was the Held family, who are deported and the death of their daughter, Henriette. She reappears throughout the book in a ghost like memory to all the families, and is a constant reminder of the past events that bind these 3 families.
Magda Szabo is one of my favorite authors. Her ability to entwine the lives, and humanity of people, through their accomplishments and suffering are so real and well written. Her views of humanity and her use of atmosphere and environment are seamless, you can easily relate to them and feel their emotions.
A very high recommendation for this. Fantastic!
Szabó plays around with time, space and narrative voice to commit us to her characters before we have quite worked out what it is that has happened between them, and she leaves a lot of key words unsaid (but all the more powerfully present precisely because we know they ought to be there): maybe that was a strategy that was originally imposed on her by the need to beat the censor. But it also means that the different external forces that operate in the book — Nazis, the Red Army, Stalinists, the rebels of 1956 — are oddly undifferentiated from each other, and we are brought in to a close-up view of what is happening in the relations between people rather than being allowed to think about the big outside events that may be causing them. Parents and children, siblings, good and bad reasons for lovers to come together, jealousy, obsession, distraction: it's all there, and all quite frightening in its simplicity.
This is the story of three families who for a time lived in adjacent houses on Katalin Street in pre-war Budapest. The story travels around in
First line: "the process of growing old bears little resemblance to the way it is presented, either in novels or in the works of medical science."
Last line: "Bring Blanka home."